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On KCRW Session, Oneohtrix Point Never’s MYRIAD Ensemble re‑imagines four Age Of‑era pieces as live, tectonic mini‑epics. “Love In The Time Of Lexapro,” “RayCats,” “Toys 2” and “Chrome Country” are stretched, bent and coloured by a full band - Kelly Moran, ADR and Eli Keszler - turning studio collages into muscular, sci‑fi chamber performances.
On Magic Oneohtrix Point Never, Daniel Lopatin turns his alias back on itself, building an FM‑radio hallucination that scans through pop ballads, new‑age satire and junk‑media collage. Mutant songs, warped DJ chatter and scavenged broadcast detritus form a self‑portrait of OPN’s first decade, mapped as a day spent spinning the dial of a half‑broken soft‑rock station.
On Tranquilizer, Oneohtrix Point Never (Daniel Lopatin) turns a cache of vanished 90s/early‑2000s sample CDs into a shimmering, otherworldly meditation on digital memory. Ambient‑new‑age rompler pads, anonymous whooshes and muzak fragments are re‑cut into vivid sound collages that feel more stupefying than sedative, tracing beauty inside the most ordinary sonic debris.
“We’ll Take It” is Oneohtrix Point Never’s most terrifying hydraulic banger on Age Of: a car‑dealership nightmare where late‑stage consumer desire turns into industrial, post‑digital overload. Swerving drums, “sideways ragtime” piano and mangled vocals enact the moment when “we don’t even know what the price is” but buy anyway, stretching under four minutes into a cavernous, supernatural infinity.
Lone Bison / Nick Bonell lives by the sea in Ramsgate. Mainly a guitar player and pedal freak, Nick bought a used Korg MS20 and fell in love with synths. As one half of Stuntmen, Nick released the sample-heavy single 'You're the Beat Find' on the groovy Tummy Touch label, which led to him scoring three Ford adverts in the U.S and a few pieces of well-used production music - which paid for more synths and pedals! An album, 'Transistor Memory' and single 'Drugs' came out via Dom Martin's Polytechn…
Tip. Teleportations is the debut solo album by Dan Leavers (Danalogue), known for The Comet Is Coming and Soccer96. Conceived and performed entirely by him as a continuous, journey-like piece, the album transforms personal loss and upheaval into a warm, playful science-fiction voyage that moves through celestial ambience, kosmische shimmer, space disco, liquid jazz-funk and deep Detroit house. Sequenced as a single trip rather than separate songs, it invites listeners to join a self-styled “tele…
Castles in Space are thrilled to present this deluxe special edition of the second Warrington Runcorn New Town Development Plan album, "People & Industry". Originally released in September 2021, this is a beautiful new edition featuring four bonus tracks on a second 12"disc which have never been released on vinyl before.
“It’s been amazing to revisit this album”, says Gordon Chapman-Fox. “It’s one that people didn't get chance to hear, and it was overlooked following the success of the debut alb…
On Closed For The Festival, MIDI Janitor turns childhood memories of a Donegal Christian commune into warped, luminous hauntology: junkyard beats, dream‑logic electronics and uncanny “thin places” where pastoral bliss slips into quietly sinister wonder.
Tip! *Triple gatefold sleeve* »Inferno« retains its characteristic melodies and atmospheres, drawing on the esoteric influences of »Societas X Tape« (the BoC 2019 NTS mix for Warp Records’ 30th anniversary) as well as the dark atmosphere of »Tomorrow’s Harvest«, which is further intensified by the increased use of spoken-word recordings. The first BoC album in thirteen years has a running time of seventy minutes.
*150 copies limited edition* Kaizen is the PITP solo début of French ambient artist and sound sculptor Almøst Silent (aka Guy Teixeira), whose deep drones, towering harmonies, and nuanced structures strike a unique emotional chord on each of the album’s fourteen pieces. Borrowed from Japanese philosophy, Kaizen denotes “change for the better”, reflecting the process of rebuilding health, confidence, and artistic identity through intuitive creation. “It is a record defined by patience and persi…
On Synthesizing: Ten Ragas to a Disco Beat, Charanjit Singh folds centuries of Hindustani tradition into a three‑box Roland future, crafting a 1982 raga‑disco séance that would lie dormant for decades before being hailed as proto–acid house and a cornerstone of South Asian electronic modernity.
Tip! Max Loderbauer’s career in music spans the last 3 decades, yet he’s still managed to keep his listeners hungry by releasing only 3 solo albums to date. Two of those releases (Transparenz, 2013 and Donnerwetter, 2020) were on Tobias Freund’s label Non Standard Productions - his long time collaborator and Templehof studio mate. In between those releases, Loderbauer graced Marionette with Greyland in 2016, revealing a previously unheard youthful and sentimental side. Now in 2022, the seasoned …
Bastian Epple makes an eagerly anticipated return to marionette under his elusive MinaeMinae guise that imagines rich sonic architectures for the journeying spirit to voyage to. Räumlichkeit is Epple’s debut album and third release to date following Gestrüpp from 2020, venturing further into melodic electronic nostalgia and percussive beat oriented soundscapes. Spanning fifteen vignettes that trapeze through uncharted winding trails and familiar spaces, the album’s recordings evoke a scenic sta…
‘Déplier la cervelle secrète’: 12 pieces created from recordings of sequences, (almost) all from the same analogue synthesiser. Material from a single source put to the test of composition, in what could be described as a power struggle: faced with the fragmented inertia of the sound material, searching for resources, relationships and combinations.
In this compact and eruptive material, the pulsating sound patterns reveal new intentions. The result is this album, born of electroacoustic ‘so…
* Triple LP, edition of 82 numbered copies. * Yamazaki Maso began home recording in 1987, adopting the name Masonna for his solo noise experiments and founding the independent label Coquette, through which he issued several cassette releases. His debut LP and CD appeared on Kyoto's Vanilla Records in 1989-90, soon followed by ultra-limited 7-inch acetates, a split LP with Violent Onsen Geisha, and numerous compilation appearances. Drawing on hard rock, death metal, hardcore punk, grindcore, and …
*150 copies limited edition* Originally released in 2016 as Analog 2020, this newly remastered edition appears on CD for the first time, featuring three previously unreleased tracks. Reimagined as Analog 2025, it celebrates and reaffirms the enduring spirit of analog electronic music in an era increasingly shaped by digital tools and AI-driven processes. Featuring visionary artists such as Robert Rich, Sonologyst, Simon Balestrazzi, and Pharmakustik, among others, the compilation pays tribute to…
Universal Synthesizer Interface Vol III by Kristen Roos explores analog synthesizer landscapes with intricate sequencer programming and expansive rhythmic patterns. Released by We Are Busy Bodies, the album’s six tracks build lush, propulsive electronic architectures—melding modular arpeggios, pulsing bass, and shimmering effects into a hypnotic and meticulously detailed journey.
Synthetic: Season 4, the final installment in Rich Aucoin’s quadruple-album saga, is a landmark in ambitious electronic artistry. Recorded over five years and utilizing 103 vintage and rare synthesizers—including the Buchla Electric Music Box and Ondes Martenot—the album traverses cinematic ambient, analog-driven techno, and experimental pop across fifteen intricately crafted tracks.
Synthetic: Season 3 by Rich Aucoin continues the Canadian artist’s ambitious four-part electronic saga, zeroing in on dance and rave music influences with vintage synthesizer textures. Recorded across multiple studios between 2020 and 2024, the album features ten energetic tracks—a journey through nostalgic sounds, analog warmth, and kinetic club reverie.
Holy to Dogs, the newest album from The MIDI Janitor, is a haunted, downtempo odyssey of outsider electronics and dusty, dreamlike beats. Vancouver’s Jonathan Orr repurposes scavenged MIDI controllers and obsolete synths, producing spectral melodies, melancholy textures, and a pulsating DIY spirit that veers between ambient, hauntology, and rusted techno.