Au Delà
Au-delà is a collaborative record by La Scie Dorée and Meakusma. It features eight pieces of music by La Scie Dorée affiliates. For the 2018 Meakusma Festival, La Scie Dorée and Meakusma set up a collaboration that brought performances by Timo Van Luijk, Steven Stapleton, Christophe Heemann, Daniel Denis, Bart De Paepe, Kris Vanderstraeten & daniel duchamP to the festival in Eupen, Belgium. This was followed up with a night organized in the province of Limburg in Belgium featuring performances b…
Thalia
The concrète riddle of Thalia is the Nurse With Wound-listed and cultishly desired Roger Doyle album withdrawn by CBS Classics shortly after its release in 1978. Less than 200 copies reached shops some three years after his distinctive debut Oizzo No (1975) - which was reissued by Finders Keepers' Cacophonic label to receptive ears in 2018 - and in retrospect the resurfacing of Thalia follows that wonderfully odd LP to cement Doyle’s place among the outsider pioneers of ‘70s electronic and avant…
The Probability of an Encounter
***100 copies*** In the electroacoustic composition The Probability of an Encounter d'incise attempts to give physicality to electronic sounds, to capture their materiality as piece of cardboard moving - moving back and forth on itself, and moving relatively to microphones in a room. The loudspeaker as concrete manifestation is pushed to its functionning limits to reveal it as it breaths, vibrates, saturates, rattles in contact of other objects. The raw material made of electronic sounds created…
1974-76
* 2LP, originally released on cassette by Industrial Records 1978. Comes with a download code * A selection of material recorded by Cabaret Voltaire during the earlier and formative years of their existence. All of the recordings were done in an attic 10 feet by 6, on a domestic reel to reel tape recorder. A number of the recordings here were part of those which made up the now legendary limited edition cassette released by the band in 1976. "The Cabs’ prescient volley of noisy recordings made i…
Roots of Electronic Sound
**500 copies with insert** Futuristic synthesizer specialist and sound designer Matsuo Ohno was responsible for the sound design of a broad range of film, television and radio soundtracks, most famously the animation series Astro Boy, which he began working on in 1963, together with his assistant, Takehisa Kosugi. Ohno was born in the heavily-populated Kanda district of central Tokyo in 1930 and was heavily affected by the repeated bombing raids on the city enacted in World War II, which took pl…
Anexo3
Anexo3 (2017-18) was composed by Jaime Oliver La Rosa and Ensemble KLEM over residencies in Bilbao, Lima, and Santiago de Chile, through elaborated processes of sound design, experimentation, improvisation, recording, and reflection. Often processed beyond recognition, violin, flutes, and saxophones are performed along güiros, motors, and a system of aluminum plates, struck and induced into resonance through feedback processes controlled by microphones, transducers, and computer software and joi…
When You and Your Goat Find Bread
When You And Your Goat Find Bread is a thing of it’s own beauty. On her first solo outing, the German-Filipino composer, musician, actress, film and music producer, painter, performance artist and author Tintin Patrone presents seven carefully crafted and emotively played neo-classical compositions for trombone and electronics."A goat is a domestic animal kept to be sacrificed to giants. It is a metaphor for a state of peacefulness. When your goat is with you, you are calm and collected. In earl…
The Funnel
**300 copies** The Funnel is the debut album by composer, instrument builder and artist Wojciech Rusin. Combining field recordings from Port Talbot Steelworks, self built electro acoustic instruments and vocals drawn from alchemical texts and renaissance polyphony, The Funnel is chamber-musique-concrète for the wondering troubadour of the 21st century. "Passport to an obscenely dynamic, contemplative dimension, The Funnel is a set of ancient imaginations in a stranglehold of electronics and stee…
Seven Of Wands
Gilgongo Records presents the highly anticipated debut vinyl edition of John Wiese’s acclaimed album, 'Seven of Wands', originally released on Pan back in 2011. Uniquely beautiful, immersive, and transportive, it utilizes strategies and techniques of musique concrète and electroacoustic music, while emphasizing the mixing desk as a true instrument. As a composer, Wiese is an elusive one. Employing a very healthy range of conceptual framework throughout his oevure, he’s unmistakably recognizable,…
Goshen
The Pitchshifters is a project by Hideto Aso from Japan. This is his second release on Meeuw Muzak and as usual his contributions were culled from old and scarce self-released CD-R editions. Wonderful naive and outstanding synth music on the first side with some more dreamy electroacoustic experiments on the flip. Immerse yourself in the delicate sound of The Pitchshifters and yours is the reward.
Contrée
Unreleased before collection from French electroacoustician Régis Renouard Larivière. Contrée is an LP of quizzical, sometimes eerie voyages into unknown noise. "Allégeance Volatile" and "Esquive" each tackle the same issue in their own way. Overcoming time: whether it be successive, additional, enumerative, or repetitive. However, there is nothing here about the ensuing nature of so-called "repetitive" music. These are types of high-end music. And it is more about insistence, the obstinacy of a…
Dimensions
"Sealed, original copies of this wonderful 1986 private-press home-studio Electronic Music outing, direct from the artist. While reissues and contemporary efforts unquestionably dominate the the current landscape of recorded music, among its more fascinating and rarely mentioned objects, are warehouse finds. These records, due to lack of demand upon their initial release, have lingered for decades on shelves and pallets, in closets and under beds, waiting for a new generation of sonic explorers…
Gaia-Songs
“Gaia-Songs” (1992 - revision 2015). Songs for the other half of the sky n° V - VI. For a soprano (or mezzo-soprano) solo and an actress voice (Sprechgesang technique) with electro-acoustic (fixed sounds). Anne-Lisa Nathan, mezzo-soprano. Helena Rüegg, actress voice. “First there’s this relation between sung voices and spoken voices with regard to the electro-acoustic parts. The sung v…
La Otra Vanguardia Musical En Latinoamerica 1976-1988
Double LP version. The artists on Invenciones: La Otra Vanguardia Musical En Latinoamerica 1976-1988 come from an intermediate period between the high-point of diverse artistic currents influenced by the hippie movement and the advent of punk -- a watershed between the expansion of the industry and the emergence of a new DIY distribution system. Features: Manongo Mujica, Banda Dispersa De La Madre Selva, Miguel Flores, Amauta, Autoperro, Malalche, Decibel, Jorge Reyes, Grupo Um, Carlos Da Silvei…
Ze Wörmnest
Lovely. Here’s a Creelpro of Jonas Palm’s 1980 Piglet-label outing “Ze Wörmnest,” widely considered as one of the canonic crater-dwellings of early 80s “Minimal Synth” pedagogy. To wit, here’s a perfectly zenzible stammer by John “Inzane” Olson, re: this particular media-carrier: "Man.....super whacked out mumble synth homemade jammer by Jonas Palm. on the rare Piglet records circa 1980. Super mystery sounds from a oozing liquid stranger place inside your slowly vibrating skull. Intense!!! Act…
Contemporaneos 4, Musica Electroacustica
Last C.P. of 2010, finally available after countless delays, mostly involving the tricky /expert-level remastering job needed to resuscitate this incredible, historically-important music from sub-par vinyl pressings - a high-spec issue of Cuban composer Juan Blanco’s first two Egrem / Areito label LPs, covering his earliest electronic music dating back to 1963. Opening with the token non-electronic “Musica Para un Joven Martir” - or "Music for a Young Martyr" - rife with swelling, Penderecki-ia…
Elektronische Musik, Konkret - Instrumental - Vokal
1982 compilation of late 70s & early 80s "Konkret - Instrumental - Vokal" work composed at the Studio für Elektronische Musik der Staatlichen Hochschule für Musik und Darstellende Kunst Stuttgart. Includes pieces by Jürgen Bäuninger (incredible transformations of “Tam Tam”, or gong smash / grabbings,) Klaus Fessman (re-pitched string grabs, Partch-like prepared piano & deep ominous bass cloudings, cut with random bleep,) Ulrich Süsse (tongue-in-cheek narrations jump-cut at a rapid pace analog za…
Underwater Electronic Orchestra
One of the, in retrospect, better constructs of the Creel Pone cabal is that, despite many beliefs to the contrary, it is in fact a committee of semi-like-minded souls, all interested in portraying some aspect of the "Unheralded Electronic Music" canon. Case in point; while I personally wouldn't have included this particular collection of gossamer isolation-tank filigree & majority psychedelic-disco, it was strongly nominated by a number of the Cognoscenti along the way - partly due to its scarc…
La Trilogie de la Montagne
Gorgeous, three-part Musique Concrète suite, composed at McGill's Electronic Music studio during 1977 & 78 by Quebecois composer Michel Longtin, timbrally presaging much of the FM synthesis-laden work of the early 80s & onwards, acting a bridge between the two sensibilities.
Omnicircus
Creel Pone replication of this wonderful 1979 Chicagoland "Paste-on" Private Press LP offering a single "Electronic Composition" in two parts, "Kriegspiel" & "Eropoc," intended at the soundtrack "for the first 2 sections of 'OMNICIRCUS', a theatre piece for electronic music, computer graphics, video synthesis, dance, sculpture, architecture, and drama" by one Frank Garvey. Garvey is an intriguing character; born & raised in Urbana in an artistic family - his father was a close collaborator of Ha…