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Originally released in 1981. First vinyl reissue ever, Remastered and pressed on red vinyl with poster and download card. Foetus is the brainchild of acclaimed Brooklyn-based composer JG Thirlwell, also known in the past as Clint Ruin, recording unde…
** Hand numbered / Limited edition to 200 copies. 12’’ blue colored vinyl. Matt laminated outer sleeve + Hot foil stamping on 350 gm paper ** Laaps presents Endless, Shapeless by Ian Nyquist. Ian Nyquist is a composer currently based in Dublin, Irel…
The LP contains original compositions by Ryuichi Sakamoto, Pascal Comelade, Laurie Spiegel, Lyra Pramuk, Chassol, Nicolas Godin and Pierre Rousseau, Pedro Vian and Pierre Bastien, Visible Cloaks, Kelman Duran, Raul Refree, Lucrecia Dalt, Lafawndah. +…
** 2021 Reissue ** Thomas Köner is one of the most influential modernist minimal composers. Alongside Wolfgang Voigt’s “Gas” project, Köner has been centrally responsible for electronic music’s fascination with depth and reduction. His signature soun…
** 2021 Reissue **Techno isn't a genre that has birthed many classic albums, and the dub techno subgenre even less so, but one indisputable classic is Porter Ricks' debut Biokinetics. Originally issued on the legendary Basic Channel sub-label Chain R…
Pogus presents Well I Fell in Love With the Eye at the Bottom of the Well by id m theft able. Idm says: "The initial idea for "Well I Fell in Love with the Eye at the Bottom of the Well" was actually to attempt to make a doo wop song with that as the…
Before their debut album "Stürmer", originally out in 1982 and reissued by a-Musik, there were two 7" by Freiwillige Selbstkontrolle. Both the eponymous 4-track EP (1980) by Justin Hoffmann, Thomas Meinecke, Michaela Melián and Thomas Meinecke and th…
** Edition of 120 ** B.A.A.D.M presents Schouwspel by Opéra Mort. Originally recorded in AB Salon, Brussels. Graphic Design: Mathieu Serruys & Joris Verdoodt. Thanks to Mich Leemans.
Porter Ricks is a collaboration between Thomas Köner and Andy Mellwig. After the Re-release of the legendary album “Biokinetics", which is superb subaquatic dub techno, we re-release Porter Ricks first album on Mille Plateaux. The album demonstrates …
Thomas Köner is one of the most influential modernist minimal composers. His music is often defined as dark ambient or drone, because of the use of low frequencies, material from gongs,shadowy resonances and boreal ambience, but at the same time its …
** 2021 Stock ** Tanzprocesz presents La Jambe Lourde by Astreinte. Recorded on August 8, 2017 at Studio Célestine in Pau. Mixed in Aubertin by Matthew Tyas and Gilles Vignes. Astreinte : Claude Pascal, Thomas Diéval, Yann Geoffriaud, Marie Démoulin,…
Twelve dreams of musicians, artists, and filmmakers, interpreted by FM Einheit (ex-Einstürzende Neubauten), with voices by: Lee Ranaldo (Sonic Youth), Genesis Breyer P-Orridge (Psychic Tv / Throbbing Gristle), Susan Stenger (Band Of Susans), Émilie P…
An absolutely stunning effort from one of the great journeymen of Italian experimentalism, Walter Maioli's 'Il Suono delle Api / La Vibrazione del Cosmo', issued by Villa Lontana Records, is electroacoustic music at its absolute, vibrant best. Presse…
** Edition of 300 individually numbered copies pressed on red vinyl ** Thorny, brittle, highly unusual electronic brilliance by Hamburg enigma Ulrich Rehberg aka Ditterich von Euler-Donnersperg, a covert operator who may or may not be behind Werkbund…
Not Waving renders his pop soul on a definitive album opus ‘How To Leave Your Body’, starcrossed with guest appearances by Jim O’Rourke, Jonnine Standish, Marie Davidson, Spivak and Mark Lanegan.
Mark Leckey presents the soundtrack to his autobiographical allegory ‘O’ Magic Power of Bleakness’, a mind sluicing fantasy inspired by folklore and half-remembered tales of teenage life growing up in the Wirral, a personal history woven into screwed…
**Edition of 60** "Growing up means your mental models of the world are more likely to match observable results in the 'real world'. Or to say it differently: Growing up means, your plants are not dying anymore. I am not sure we have grown up quite y…