Electronic / Experimental

*2026 stock. 200 copies limited edition* Air De Rien, because it is not nothing all these small tunes in the air... This double vinyl is shared - each one its face - by four musicians or groups who each traces in watermark an original line of conduct, soft and harsh, off the beaten tracks. A lot of purity in this project - and in these four achievements - in those times of useless filling. Music and visuals are discreet, a fine black and white, like the engraving of this psychedelic pseudo-brain…

*200 copies limited edition* Rather inspiringly, Billy Gomberg is experiencing a career peak in his second decade of composition and improvisation. Through a practice that is humble and rigorous in equal measure, he has issued work with Students of Decay and Dinzu Artefacts alongside numerous self-released editions that document his evolving approach to modular synthesis. Though Gomberg has recently shared many longform recordings, capacity, his first proper album in four years, finds him zeroin…

After nearly a decade away, Black Forest collective Institut für Feinmotorik return on Faitiche with Öd: eight prepared turntables, no records, coaxing music from rubber bands, foil and junk. Dubby loops and howling static drift into a scrap-metal Dixieland haze, with word-molecule track titles by poet Dagmara Kraus.

The first thing that should strike any attentive listener of Gary Mundy’s work as Kleistwahr is that this new collection of nine songs features drums on the opening two tracks. Combining a manic rhythm with searing white noise, a post-punk guitar chopping angular sounds like it belongs to the debut Banshees’ album, and despairing vocals, ‘Cold Blood Cold Night’ sets the tone for most of the album. While not every song is bound to this same pulverising beat at its core, there’s a lot of untamed n…

Wah Wah Wino​'s Davy Kehoe, Morgan Buckley and Olmo are joined by avant legend Roger Doyle, among others, on a delectably brilliant, 54 minute collage teased together over the past 3 years. Dont miss this!!!!

Like a fractured reflection, images appear distorted and incomplete. A series of fragments revealing influences, methods, and decisions where life and work remain inseparable. Moving through the residual noise of contemporary media space, Christian Stadsgaard draws from social media remnants, dark web transmissions, and untreated human sound. These elements are processed through noise electronics and tape manipulation, collapsing source and signal. ’The Vanity Project’ is constructed as a dense,…

Talking in a Different Way is the debut full-length release of sachi’s mirror, the creative alias of multi-instrumentalist, producer, and composer Shaina Pan. Melding disparate elements of ambient, electronic, dream-pop, and avant-garde classical, Pan beckons us into sonic worlds equally enigmatic and emotive. Across a collection of self-produced songs and vignettes that began to take form during a month-long residency in Vallejo, CA in the spring of 2025, she explores a theme of constant and qu…

I’ve not thought about Psychick Youth for a long time, the anti cult cult, but the reality is I had a great time and met a lot of good people, many of whom I’m still in touch with today. Left in the hands of others who just weren’t there, people jumped on the gravy train and ultimately failed to answer any questions. Failed books and failed documentaries followed, where the main priority seemed to be taking the money and hoping for the best, kinda sad really. The press described it as: “Thee Tem…

Two records, ten sides, one argument. Blak Saagan's Se Ci Fosse La Luce Sarebbe Bellissimo and Un Sequestro Lungo 10.000 Anni read as the same book at two magnifications, and this bundle pairs them for the first time: the long overdue repress of the 2021 double LP alongside the triple album that answers it. The first takes a single captivity and maps it in detail. Every title attaches to the 1978 kidnapping of the former Italian prime minister Aldo Moro by the Red Brigades: the fifty-four days, …

Momentaufnahme II extends Faust’s recent excavation of their 1971–1974 archive, presenting a second volume of unheard and under‑heard material from the Wümme years. Compiled from recordings that didn’t make it onto the mammoth 1971–1974 (50 Years of Faust) eight‑LP box, this collection functions not as an outtakes bin but as a parallel narrative: how Faust sounded when the tape kept rolling between “official” takes, and how their anarchic, avant‑rock mission permeated even the most fragmentary e…

Release the Beast marks CV Vision’s sixth studio album and his most gleefully hybrid statement to date, a follow‑up to Im Tal der Stutzer that turns genre fusion into its main organising principle. Rooted in an adventurous krautrock spirit, Berlin‑based Denis Schulze (CV Vision) treats psych rock, Detroit techno, distorted synthesizers, black metal and library music not as separate territories but as colours on the same palette. The record unfolds as a wild, cross‑style trip where meandering gui…

You might've caught CV Vision in Berlin, either on stage or behind the mixer at some of his favourite clubs like Arkaoda, Heiners or O Tannenbaum. He could be accompanied by synths, or drum kit, or even full band – channelling his love of Bo Hansson and Claude Larson, or Soft Machine and Picchio dal Pozzo. Always heavy on the backbeat, the songs awash with heady synths and expansive psych inversions. Taking inspiration from deep in the mediaeval mists of times long past, CV Vision comes riding o…

On Consequenz III, Conrad Schnitzler and Wolf Sequenza (Wolfgang Seidel) drive their most “pop‑adjacent” collaboration to a razor’s edge. Eleven short rhythmic études balance strict, serial electronics against near‑song structures, turning drum‑tight patterns and sequenced pulses into miniature, dance‑optional experiments in post‑Berlin‑school repetition.

As part of our series "Experimental Electronic Underground GDR", we are very pleased to be able to make a very special recording available again. On the evening of 3.9.1986, the privately announced and illegal concert took place in the Erlöserkirche in East Berlin/GDR. Montgomery mixed Schnitzler's music live from the tapes. Jörg Thomasius recorded the performance and released the recording in 1987 on his own underground cassette label Krötenkassetten. The elaborately restored original recording…

The German pioneer of electronic music Conrad Schnitzler (1937-2011) amassed a vast archive of sounds for use in combination with each other in live performances. In 2011 the idea came up of con-structing new compositions, not remixes, from this material. The Con-Struct series was born. This release features con-structions by Baal & Mortimer who writes about it in the linernotes: It was exciting to break open existing material, peeling something out of the past and thus transgressing it and open…

When in 2006 our Zonic Spezial "Voltage. Power. Resistance. Magnetic Tape Underground GDR 1979-1990" was published in cooperation with Verbrecher Verlag and the legendary label ZickZack, there was some amazement. Especially when the enclosed CDs were listened to from a Western perspective. Part of this weird Kassettentäter-Ost potpourri of swirling post-punk variety, which Bert Papenfuß, Bo Kondren, Bernd Jestram and Ronald Lippok compiled with well-founded interpretive authority, was also a pie…

On L’oreille Voleuse, Brunhild Ferrari opens her archive of “ear memories” to Eiko Ishibashi and Jim O’Rourke, who treat her magnetic-tape recollections as a living landscape, improvising a drifting, prismatic electroacoustic Hörspiel about time, listening, and theft as tender attention.

*200 copies limited edition* Recorded at Cool Anatomy and Slithis Studios by HH and AQ

Released on 6 panel digipak CD in a limited edition of 200 copies

*300 copies limited edition* Released on CD with 16 pages A5 booklet.