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* 2020 Stock. Edition of 200. * As with Luc Ferrari, it is an assemblage of recorded sequences in which we recognize a succession of various events and we reconstruct in our imaginary a possible narrative that may have been at the origin of these sounds. This is not the sound landscape (Soundscape or Field recording) whose neutrality of the author must be one of the characteristics. It is not reportage. Above all, it involves the assembly, by montage and superposition, of sounds of different ori…
**2020 stock** Ann McMillan did not record prolifically, but she was at the vanguard of electronic composition in New York in the 1970s. A student of groundbreaking composer Edgard Varèse, McMillan’s primary medium was magnetic tape, which she manipulated to create surreal soundscapes. On Gateway Summer Sounds, her debut album released on Folkways in 1979 and recorded at the legendary Princeton-Columbia Electronic Music Center, she sources sounds from the natural world – frogs, insects, field re…
**2020 stock** Turkish-born musician and composer Ilhan Mimaroglu worked extensively with electronic (tape) music. The two programmatic pieces paired here are "To Kill a Sunrise," a dirge subtitled "Requiem for Those Shot in the Back" with words borrowed from a poem by Guatemalan guerilla poet Marco Antonio Flores, composed in Columbia-Princeton Electronic Music Center (New-York, N.Y., 1974). And "La Ruche" composed at Groupe de Recherches Musicales (Paris, France, 1968) an experiment of reminis…
**In process of stocking** After two albums on Baskaru with Felix Kubin, Lawrence English, Gianluca Becuzzi (2014) and later Francisco López, Tom Recchion, Christian Zanési (2016), Laurent Perrier continues his Plateforme series by inviting French musician David Fenech. Plateforme is a concept, a restrictive framework Perrier imposed on himself: to create an electronic music piece using solely a set of sound recordings provided by a "collaborator". “I simply asked the musicians to send me raw st…
**200 copies** Looking for the desert, awaiting abandonment, marrying detachment: essential steps for those who ardently want new dawns and new lands to get lost in. First of all losing the common coordinates, the secure footholds, the consolidated certainties, forgetting scores, borders and judgments. A laying down, on the one hand, of the external conventions in order to make room and give light to the unexpected, to what pulsates underground, unheard. On the other hand, a putting aside of one…
"Impressioni Organizzate di Ansie Liquide" is an immersive, languid realm, filled with elegant, poetic beauty, that bristle with unknown elements and the lingering potential of danger. Andrea Marutti and Carlo Giordani have created an album that simultaneously drowns the ear and fortifies it with breaths of fresh air. A remarkably sensitive reminder of the creative potentialities that rest at the heart of electroacoustic, concrete, and field recording based musics, doubling as a vision of their …
"This aquatic collaboration between these two italian artists (the ambient master and the field recordist) is the first part of a large body of work that will be fully released sooner or later..." - Jean-Marc Boucher"[...] Large chunks of field recordings are processed and, together with those who still have a more natural feeling, combined into a large, twenty-two-minute soundscape of drips, splashes and the uber-drone of what sounds like a submarine engine humming in the back. It is something …
**200 copies** From the crystalline sources of the stony rivers through the waves of 5G networks to the blood stream of yellow plasma. Mustikoita ja kissankelloja is like a chaotic sonic sedimentation of new weird Finland music revitalised and flowing through different waste channels, protected habitats and clogged veins. You can scan the microview and listen to the pointillistic murmur on a petri dish or try to stalk the tectonic movements.Do you remember the pure electronic ocean of the Pacifi…
Can a music made with the modern tools of digital music and contemporary production sound eerily as if created with the same equipment that Stockhausen, Henri and Berio all availed themselves of in the radio studios of the '50s and '60s – and yet sound bright and fresh to the ears of today's listeners? Robert Worby shows us how, with "Factitious Airs". — Carl Stone
Two musique concrète symphonies of industrial sound, in which musical relationships emerge from sounds more often regarded as noise. All the sounds were recorded by Sounds of Changes, a pan-EU project capturing obsolete and endangered industrial and domestic sounds.
**60 copies** All music by Sindre Bjerga and Frans de Waard. Recorded February 2019 at Worm Studio, Rotterdam. Mastering by Claus Poulsen, Design by Red Bol.
**2020 stock, tip!** "Ruggero Tajè is one of the electronic Italian pioneers of the '70s. He started as a jazz drummer playing with guitarist Pino Distaso. Then he was one of the pupils of Italian electronic composer Angelo Paccagnini (protagonist of Italian contemporary electronic music with the more known Berio and Maderna) during the same period of Riccardo Sinigaglia and Gaetano Liguori. After his studies he took the guitar as main instrument. He didn’t release his music till nowadays, apar…
**200 copies** "Francisco Meirino's work in my humble opinion speaks for itself. I'm just incredibly honored to be able to put this out for him and help promote it. If you really need a description to go on though, here is my brief thoughts on it. Masterful pacing and layering of eurorack textures, vertigo inducing frequencies, immersive field recordings, broken electronics and reel-to-reel tape. Francisco has a technique that I like to call "slow cuts" where he will make you zone out on a certa…
Born in Milan, Fabio Selvafiorita is a composer of instrumental and electro-acoustic music. "The Fall" is his first full-length solo release. Selvafiorita’s acousmatic music investigates the complexities between in-formal abstractions and Pathos in sound manifestations.
** Numbered edition of 184 copies, deluxe wooden box** Marco Corbelli's artistic journey began in the early 90's. Under the pseudonym of Marco Rotula, he started to release a series of fanzines in A5 format. The first was “The pleasure agony”, followed by “Sick” and “Murders”.The aesthetics of these first fanzines were very sophisticated and the content deals with topics that will follow Marco Corbelli throughout his artistic career: sadism, schizophrenia, insanity, murder, psychosis, necrophili…
**30 copies, 5th Year Anniversary Limited Edition, includes 10 never published before pseudoscience illustrations, tip!** Nikolaienko's full length release is a playful and intriguing archive of sounds influenced by the works of electronic music pioneers and experimenters. The album acts as a tribute to early-electronics' golden era, playing out as a requiem, pondering the theme of nostalgia through warm analogue, space-aged sounds. For the artist, it’s an odd and ironically funny sound document…
Burkhard Stangl and dieb13 live and work in Vienna, both being long time protagonists of the local scene as well as travelling and collaborating with musicians from all over the planet. Many of those collaborations and connections have been documented on the double-CD compilation klingt.org: 10 Jahre Bessere Farben [mikroton cd 5 | 6] commemorating the first ten years of existence of named online platform, which was founded and is since being run by dieb13.Burkhard Stangl needs no further introd…
Musica Genera presents another album from French musique concrète composer Lionel Marchetti (in 2005 MG had released the CD Docteur Kramer (You Are Not You) by Marchetti and Emmanuel Petit), this time realised together with his artistic partner Yôko Higashi, Japanese performer, dancer and vocalist. The album contains three compositions of musique concrète, one by Marchetti, one by Higashi and a collaborative work by both artists.Each of the tracks is an elaborate sound construction of individual…
Two pieces of musique concrete. Docteur Kramer (2002-2004). One composition of Lionel Marchetti. Zizi (2001-2002). One composition of Emmanuel Petit and Lionel Marchetti.