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Another Thought was the first collection of Arthur Russell’s music to be released after his death in 1992. Released on CD by Point Music in 1993 it marked the beginning of nearly 30 years of work to let the world hear the enormous archive of unreleased recordings Arthur left behind. Be With revisits this first compilation for a new gatefold double vinyl version and a triple-fold digipak CD re-issue.
This is the only place where you can hear some of Arthur’s most recognisable music, like the titl…
Tip! Welcome to the 20th Century: "My point of departure for the octet was to treat the ensemble as a flock of clarinets and develop swarm-like scenarios. At the same time, I thought of the 8 players as a kind of acoustic 8-channel-installation with the musicians surrounding the audience. This could be seen as an expansion of the stereo analogy we sometimes work with in The International Nothing. While The Nothin’ is all about developing a very personal language of new sounds with self-invented …
"Richiamare" is an attempt to create a bridge to the past, a connection between absence and precariousness as a vivid action of the present. The French Suite No. 3 by J.S. Bach is a piece that accompanied me for many years during my growth and studies as a musician. It made me confront the difficulties of the instrument, the need for dedication and the tendency to reach a higher stage of awareness. Many years later, that same piece resonates in my memory in a different way. It has created its ow…
Confront Recordings proudly presents Towers of Silence, an evocative new album by acclaimed artists Don Malfon and Vasco Trilla. This release explores sonic landscapes that blur the boundaries between experimental jazz and ambient improvisation, inviting listeners into a deeply immersive auditory experience. On Towers of Silence, Malfon and Trilla weave intricate textures and haunting melodies, crafting a soundscape both intense and contemplative. Their masterful interplay demonstrates a profoun…
“Scratching at the Surface” is a new collaboration from Erin Rogers and Kelsey Mines. This collection of striking vignettes dives deep into sonic exploration, weaving together powerful low-end resonance and shimmering high tones. Inspired by the sea’s raw energy and quiet beauty, Rogers and Mines craft a mesmerizing soundscape of undulating rhythms, bold textures, and immersive mystery.
Friendships and musical ties that are born unpredictably and are woven through distance, allowed the fortuitous encounter of Tarabita Espiral. A trio made up of Colombian saxophonist and clarinetist Maria Valencia, Puerto Rican NY- based double bassist Brandon López and NY-based vibraphonist Matt Moran. These three vibrant artists eschew traditional roles to sculpt a musical landscape of restless motion and textural dissonance.
Valencia’s reeds seethe and spiral, channeling both fractured lyrici…
Ada Rave and Marta Warelis, two luminaries of Amsterdam’s improvised music scene, unite on Peel/Mondo to craft a compelling dialogue between saxophone and piano. Rave, an Argentinian saxophonist renowned for her bold tenor sound and innovative techniques, joins forces with Warelis, a Polish pianist celebrated for her sonic versatility and explorations of the piano’s timbral possibilities.
This double album was recorded on the night of June 3, 2014, at Saint-Merry Church, in the heart of Paris. Beyond its architectural beauty, Saint-Merry possesses an extraordinary acoustic quality, which has shaped countless sonic experiences and left its mark on this recording. It was in this inspiring setting that we had the privilege of recording this music with Michel Doneda, in a moment of deep immersion, carried by the unique resonance of the space. The talented Augustin Muller masterfully …
Rooted in improvisation and guided by openness, the Klinck Trio—Adia Vanheerentals (saxophone, voice), Maya Dhondt (piano, voice), and Elisabeth Klinck (violin, voice)—crafts music where sound and silence are equally vital. Their debut album is an exploration of fragility, unfolding like a delicate conversation in which each note is chosen with intention and every pause carries presence. Recorded in the summer of 2024 at Studio Ledeberg, 'My Hair Is Everywhere' captures a moment in time: three m…
"Once upon a time before dubstep, there was MXLX. A pre-teen pioneer pisstaker from the same era that spat out Black Dice, Liars, Lightning Bolt, Sunn O))), he's been forging his posi-noise/negi-trance universe 'The Croatoa Institute' for decades now. Matthew Loveridge, the lovable hater you hate to love presents a suite of post-modern minimal piano. I don't know anything about pianos but it reminds me a bit of Su Tissue's 'Salon De Musique' and Luciano Cilio's 'Dialoghi Del Presente'. I love th…
Huuuuge Tip! CD Edition. Where the bells begin, everything else follows. Long before Charlemagne Palestine discovered the thick molasses sonority of the Bösendorfer piano, before the strumming technique that would define his maximalist-minimalist vision, there were bells. Colossal carillon bells in the tower of St. Thomas Church on Fifth Avenue in New York, where a teenage Palestine hammered hymns into the Manhattan sky before spending hours lost in spectral improvisations that drew Moondog, Ton…
Drawing from Tasmania’s rugged landscapes and the spectral absence of its lost fauna, Clinton Green composes a series of site-specific sound works that fuse kinetic turntable setups with ambient field recordings. The album is an evocative journey through environmental improvisation, blending mechanical invention, wildlife acoustics, and subtle instrumental textures into a narrative of listening and ecological reverence.
Theo Alexander’s Stable Processes with Slow Ornaments, released by Flung Records in 2025, is a 36-minute single-movement work for viola, bass clarinet, and eight tape players. The composition fuses acoustic and electronic textures, unspooling as a patient meditation on resonance, memory, and the slow shifts of sound in space.
It is with great pleasure we announce the vinylization of the fourth (of five) albums released during their lifetime by this superb Providence-based acid-folk duo, who existed from 1996 to 2003. The Iditarod was primarily the vehicle for Carin Wagner and Jeffrey Alexander, who created a spare UK-damaged folk sound with intimate psychedelic touches and fully contemporary atmospherics, although they often had friends along for the ride. On this album (edited down from the original CD), guest music…
Dan Melchior is great randomizer of a musician. Born in the UK, based in the US for the last 20 years, his discography ranges from raw garage rock to avant garde tape collages, visiting a whole lots of other points in between. Exhibit A is his first collaboration with P.G. Six (aka Pat Gubler) the wonderful New England based multi-instrumentalist, who has previously appeared with Wet Tuna (FTR 364LP, 2018), Weeping Bong Band (FTR 313LP, 2018), MV & EE (FTR 167LP, 2015) and Joshua Burkett (FTR 19…
Spiral Joy Band are one of the descendants of Richmond VA's legendary musical juggernaut, Pelt. Active and mutating for nearly 20 years, the iteration of the Spiral Joy Band who recorded this session in Madison Wisconsin in 2011 was a trio. Troy Schafer, Patrick Best and Mikel Dimmick play an array of instruments -- violin, viola, harmonium -- to produce lush tapestries of the multiphonic drones for which they are known. I remember Pelt getting called 'The Hillbilly Theatre of Eternal Music' at …
A landmark in avant-garde jazz returns: the definitive, remastered edition of Alan Silva’s 1969 Paris session for BYG’s Actuel series. Leading his 11-piece Celestial Communication Orchestra — with titans like Anthony Braxton, Archie Shepp, and Grachan Moncur III — Silva channels the raw, boundary-pushing energy of the New York free jazz explosion. Deluxe packaging, restored artwork, and new liner notes by Kevin Le Gendre complete this long-sought treasure. Originally released in 1969, this explo…
"Their differences intensify the soundscape. Francesca Gemmo provides a sensitive, contemplative, but deceptive lyricism, with memories of the wistful antique modes of Satie or Debussy’s impressionist palette twisted into shadowy subterranean echoes and knotted note clusters. Magda Mayas imaginatively extends Henry Cowell’s innovations of touch and timbre, alternately coaxing and attacking, releasing previously concealed phantom textures, percussive episodes, near-electronic hues, and micro-alte…
*300 copies limited edition.* Blod, the enigmatic Swedish folk collective, announces the release of Den Oändliga Historian (The Endless Story), a new album that represents both the band's darkest exploration yet and paradoxically their most uplifting work. Recorded during spring 2025 and released on Förlag För Fri Musik (catalog number 033), the album showcases an expanded lineup featuring core members Gustaf Dicksson, Elin Engström, Julia Bjernelind, Magnus Jäverling, and Erik Ridelius, alongs…
Jonas Kocher returns to solo work with Archipelago, his third solo album, following Solo (2011) and Materials (2009). Across seven improvised pieces, Kocher explores the tension between control and unpredictability, between the organic and the mechanical. The result is a captivating music where precision meet raw physicality, and where each moment unfolds with striking immediacy. Rich in contrasts and textures, Archipelago navigates through resonant chords, fragmented melodies, sharp attacks, ha…