The Scenic Route
*2025 stock* Following from 2016’s Peel Away the Ivy, The Pattern Forms return with The Scenic Route; an album which embodies a fresh new direction of idiom and focus. Where Peel Away the Ivy found the group setting out their stall, bringing library music influences to their brand of classic pop songwriting, this time around they have created a much more distilled, largely instrumental studio group sound, which focuses on mood and texture as well as being a tour de force in arrangement. Adding a…
Haig Fras
*2025 stock* Luminous Foundation's previous releases, Spontaneous Archives Vols 1 & 2, sparked with mineral fire, like shards of kosmische comet debris burning up in the Earth's atmosphere. Haig Fras is an entirely different affair, a semi- melodic, shimmering drift. Occasionally there’s a sense of oceanic melancholy and throughout an enticing organic beauty. Haig Fras collects a series impressionistic soundings inspired by the subaquatic mountain range of the same name found between Cornwall an…
Lazare
Original 1986 first LP with original innersleeve on Industrie Discografiche Lacerba of dark electronic art-wave music produced and featuring Tuxedomoon's Steven Brown.
Ways Of Seeing
*2025 stock* Cate Brook's fifth album as The Advisory Circle. A beautiful and uplifting selection of electronic pieces, inspired by late 70s and early 80s library music. Never descending into parody or obvious re-enactment Brooks is the absolute master in this field. Two members of Friendly Fires make guest appearances; Ed Macfarlane on vocals on No Way Back, and Edd Gibson co-production on Scuba. The CD & LP packaging is designed by Julian House. The elegantly simple artwork and typography, re…
From Out Here
*2025 stock* The Advisory Circle (aka Jon Brooks) explores darker territory than on 2012’s more pastoral As The Crow Flies. This time Brooks hints at a Wyndham-esque science fiction story, where bucolic English scenery is being manipulated and maybe even artificially generated by bizarre multi-dimensional computer technology. Brooks’ strong sense of melody and composition is still evident as are his renowned sound design and production skills. Consequently the album is a rich and rewarding exper…
Broken Folk
*2025 stock* The 10” is pressed on translucent green vinyl with sleeve art by Belbury Poly's Jim Jupp. It’s released on Seatman’s own label KS Audio in association with Belbury Music. A five track EP of collaborations with folk singer Douglas E. Powell selected from Keith Seatman’s Albums: A Rest Before the Walk and all hold hands and off we go. It opens with a remix of the title track Broken Folk by Ghost Box veterans, Belbury Poly.Melancholic and subtly psychedelic, these songs are redolent of…
Extracøntinent
The extracøntinent that Damien Mingus invites us to visit on this new album from his My jazzy Child project is by no means an imagined or imaginary space. It's the palpable space forged by the musician's 25 years of activity, where popular and traditional music, free music and learned traditions collide. And don't confuse the ∅ (empty set) with the Ø (island in Norwegian) used in the title of this album and some of the tracks - it's insularity that's being asserted here. An island-continent made…
Bedroom Album
Produced and engineered by Jah Wobble at home in his bedroom (hence the title), the album was originally released in spring 1983, showing a different side in the bass player evolution. His proper 2nd album after a major label stint with Virgin - for his debut - and the stratospheric collaborations with Holger Czukay & The Edge. A mystical hybrid of dub fusion, ethereal wave and global beat, still ahead of his time.
Música de Baixa Fidelidade
*300 copies limited edition* Two records came out in 1988 that forever changed the perception of "experimental" or "serious" music produced in Portugal. These were "Plux Quba" by Nuno Canavarro and "Música de Baixa Fidelidade" by Tózé (António) Ferreira. Both were released by the same label - Ama Romanta -, an influential independent imprint closely linked to avantgarde pop band Pop Dell'Arte. Because those records appeared in what could be perceived as an "alternative pop" framework, they rescu…
Coniugazioni
*Limited edition of 100* A new tape by Alessandro Bosetti! At once relaxation tape, language course and conceptual text-sound composition « Coniugazioni » ( Italian for « Conjugations » ) is an immersive harmonic-grammatical meditation made of swirling garlands of verbs and enveloping just intonation harmonic flows ( on synthesizer and monochord ) in which harmonies are generatively deducted from verb conjugations. « Coniugazioni » invites the listener into a synesthetic experience which is hypn…
Mondo Infotografabile
*Limited edition of 70* Like a multifaceted Nico Päffgen afloat in Silvano Bussotti's spoetata prose, Grip Casino offers us the negative of pictures portraying a world that is unphotographable and even, in that darkroom that is the world's mind - ultimately undevelopable. The darkroom of the world is the wonder that is our daily life. Hovering on flying carpets, magicalmisterytouring guitars, we land on Grip Casino's planet, a place where we get deboned by gentlemen butchers, rolled in sci-fi m…
Fierce / Lighten
*100 copies limited edition* The late Hironari Iwata, best known for his experimental work with "Toukaseibunshi", explored even more uncharted territory under the alias "Haiginsha". This long-lost cassette from 1986 has been resurrected with a meticulous remaster, sourced from one of the few remaining original tapes, courtesy of noise pioneer Toshiji Mikawa. The album weaves a striking tapestry of guitar, melodica, recorder, voice and industrial percussion, each element bending and colliding in …
A Harsh Smoker’s Sonic Compilation
Big tip! A Harsh Smoker’s Sonic Compilation is an audio album featuring thirty-three original tracks in the form of a high-quality, custom-made paper booklet linked to a digital release! All audio tracks are accessible through a link or QR code contained within the compilation/booklet. The hosting page is fully private without any tracking or advertisement. Both MP3 and original audio formats are available to listen to and/or download. It is possible to stream the album using the mp3 player host…
Moroccan Electroacoustic Music 1972-74
Huge Tip! Composer Ahmed Essyad was born in Salé, Morocco, in 1938. After studying music at the Rabat Conservatoire (Morocco) he moved to Paris in 1962, where he became a student of Max Deutsch and, later, his assistant. Trained in the avant-garde practices of Western musical composition, he also claimed the Amazigh folk music of Morocco as a fundamental source of inspiration for his work. In 1965, he was already incorporating elements of oral tradition in his work so as to question the language…
The Sky With Broken Arms - Vol.II
Huge Tip! Limited Edition Green Petrol Grey Marble Color Vinyl LP. Full-color cover artwork printed on Italian fine art 250g linen textured paper; hand-pasted on pro-printed reverse cardboard jackets. Includes two inserts. Cover artwork by Roberto Opalio (35mm slide film, Indian ink drawing). This vinyl-only follow up to the eponymous 2018 CD-only album is in memory of Auko Dijkstra, one of My Cat Is An Alien's first fans, who founded Aukam Records in 2023 appositely to release this LP in collab…
Música del Desierto
Música del Desierto was commissioned by Desert Museum of Coahuila to mexican artist Antonio Russek.
Fighting False God
Of Tanz Victims formed in the early 80s when industrial music was taking off in parts of North America. What started things off for OTV was a 7″ vinyl of gritty, looped and guitar-laden industrial that felt fresh and alive, with the name Fighting False God. On the 30 year anniversary of its first issue, Artoffact Records will release a remastered and redesigned edition of this Canadian classic.
Gondeln / Möslang
Swiss noise improvisor Möslang on one side, Wendy Gondeln (aka german enfant art terrible Albert Oehlen) on the other. EP from 2016.
Einschlagskrater
Split 7” by Norbert Möslang and Ralf Wehowsky on Meeuw Muzak!
3 Wishes
Split 7” of a cover of a Klaus Nomi song by Stefanie Ressin and a ‘version’ by Asmus Tietchens.