Experimental / Minimal

Timo van Luijk's labels Metaphon and La Scie Dorée present three essential releases that map the territory of contemporary experimental music - from the vaults of Romanian fury to the birth of generative sound, from Darmstadt radicalism to psychedelic meditation. Nicolae Brînduș's Match / Soliloque 1&4 / Antifonia (1986) remains the most eccentric entry in Electrecord's legendary RCM series - a controlled explosion where Romanian folk memory meets spectral composition, free jazz violence, and ta…

For two decades, Bart De Paepe has navigated the psychedelic underground, creating a singular artistic path through labels like Astres d’Or, Ultra Eczema, and No Basement Is Deep Enough, and through collaborations with Sylvester Anfang’s funeral folks, Louise Landes Levi, Timo van Luijk, and Raymond Dijkstra. Zürahümnah distills his expansive vision into four immersive tracks that blur the line between light and darkness, time and reverie.

*250 copies limited edition* The Mad Laboratory Of Anti-Matter is a free and improvised music duo based in Beirut. Created in 2022 by multi-instrumentalist Nadia Daou (NÂR) and clarinettist Paed Conca, an iconic figure on the improvised music scene. Raw and industrial, the dark soundscape of this laboratory is an exploration of the void and everything that can be found and emanate from it: a sensory, physical, timeless experience. The trance-like quality of repetitive music is combined here with…

"Once upon a time before dubstep, there was MXLX. A pre-teen pioneer pisstaker from the same era that spat out Black Dice, Liars, Lightning Bolt, Sunn O))), he's been forging his posi-noise/negi-trance universe 'The Croatoa Institute' for decades now. Matthew Loveridge, the lovable hater you hate to love presents a suite of post-modern minimal piano. I don't know anything about pianos but it reminds me a bit of Su Tissue's 'Salon De Musique' and Luciano Cilio's 'Dialoghi Del Presente'. I love th…

A comprehensive survey of experimental sound practices across generations, geographies, and aesthetic approaches. This four-release bundle from Dead Mind Records presents vital documents of uncompromising artistic vision: from contemporary electronic collaboration to archival excavations of ambient and industrial histories. At the center stands Carlos Giffoni & Joachim Nordwall's New Music - a visceral convergence of two sound artists operating at the outer edges of techno, noise, and electro-ac…

Melophobia spins tension out of spontaneous contact - Dave Tucker (guitar) and Pierpaolo Martino (double bass and electronics) improvise with sharp attention to rhythm, fracture, and digital manipulation, conjuring environments that threaten – and then dissolve – melodic order.

Semiotic Drift is a living conversation - Maggie Nicols uses voice as a map to possibility, Matilda Rolfsson provides creaking, insistent percussion, and Mark Wastell frames everything in the deep resonance of amplified tam-tam. The work rides the edge between storytelling and pure abstraction.

Juno invites deep contemplation through slow-moving layers of sound - Barry Chabala’s guitar, David Forlano’s electronics, and Drew Gowran’s percussion work in unhurried mutual orbit, exploring patience, resonance, and negative space rather than technical bravura.

Ensemble A is a turbulent meeting of three fiercely individual improvisers - Ignaz Schick harnesses live electronics and turntables, Anaïs Tuerlinckx dismembers and reinvents the piano, and Joachim Zoepf twists reeds into guttural shapes. The result is a volatile sound collage, sometimes blunt-force, sometimes eerily restrained.

Oneiric evokes drifting memories and waking dreams - an album created by Jane in Ether where recorders, piano, and violin/voice entwine in gauzy, tactile improvisations. Their music moves in soft spirals, trading clarity for a haze of overlapping tones and near-silence, aching toward something just out of reach.

Death in the Urban Jungle by Lance Austin Olsen is an expansive electroacoustic tapestry, weaving copper plate, shruti box, tape fragments, and wordless voice into a narrative of decay and emergence. Resonances and silences shape a listening experience as tactile as it is elusive.

Liminal Spaces, by Ed Jones and Emil Karlsen, sketches a quiet but complex dialogue between saxophone and percussion. Their communication is fluid, as fleeting motifs and rhythmic fragments surface and dissolve, inviting the listener into the shifting boundaries of spontaneous improvisation.

Moon sees Simon Rose and Nicola Hein map a shifting terrain between breath and electricity. Baritone saxophone and microtonal guitar unfurl in subtle layers, crafting a microcosm where fragility and abrasion lie side by side, always moving, always searching.

The Duke of Wellington is a vivid portrait of Derek Bailey and John Stevens in spontaneous conversation, recorded live at a London pub in 1989. The set captures their dynamic synergy; jagged guitar and agile percussion interlock and diverge in an unrepeatable display of free improvisational skill.

Within (2) / Appearance (2) by Michael Pisaro-Liu presents a contemplative exploration of duration and silence, foregrounding gradual transformation. These extended works for guitar and double bass, created with Michael Francis Duch, reward patient listening and engage with resonance and subtlety over spectacle.

Benjamin Tassie’s Earth of the Slumbering and Liquid Trees is an immersive 70-minute composition featuring performances by Zubin Kanga on keyboards, blending sampled historic organs, analogue synthesizers, and real-time digital processing. The work, part of the ‘Cyborg Soloists’ research project, was recorded live in Amsterdam and surrounds listeners with a multi-layered soundscape exploring themes of ritual, memory, and environmental transformation.​

Theo Alexander’s Stable Processes with Slow Ornaments, released by Flung Records in 2025, is a 36-minute single-movement work for viola, bass clarinet, and eight tape players. The composition fuses acoustic and electronic textures, unspooling as a patient meditation on resonance, memory, and the slow shifts of sound in space.​

On Invisible, Mike Majkowski delivers a set of six immersive compositions situated at the intersection of ambient dub and textural electronica. Spanning 2019 to 2025, the album’s subtly evolving loops and enveloping atmospheres invite a deep listening experience, foregrounding mood and sonic presence over melodic statement.

Limited edition of 50 copies on purple vinyl. A meeting of two uncompromising sound artists, Carlos Giffoni and Joachim Nordwall, New Music fuses pulsating electronic rhythms, immersive drones, and abstract textures into a vivid, physical listening experience. Emerging from the outer edges of techno, noise, and electro-acoustic composition, both artists channel their distinct sonic vocabularies into a shared space of tension and transformation. Giffoni's deep synth drones collide with Nordwall's…

Dutch 80s cassette pioneer meets Blood Incantation's cosmic ambient side. Enno Velthuys recordings paired with Riedl's archival drift. Meditative, intimate, timeless.

Club Moral emerged on January 1st, 1981, in Antwerp, Belgium, as both a collective and a challenge. Founded by artists Anne-Mie Van Kerckhoven (AMVK) and Danny Devos (DDV), it operated as an industrial band, a performance platform, and a venue that became a magnet for Europe's most uncompromising voices. Between 1981 and 1987, the Antwerp space hosted exhibitions, happenings and live shows featuring Produktion, Boyd Rice, John Duncan, Coupe de Grace and others—turning the city into a crucial out…

The experimental landmark Opera by FNTC returns in a remastered CD edition, nearly forty years after its original cassette release on Staalplaat in 1987. A striking document of Europe's late 80s cassette underground, Opera captures the collective at their most adventurous - merging spontaneous composition, sound collage and performance art into a single immersive experience. As a member of the Fluxus movement, Willem de Ridder brought his conceptual sensibility to the project, pushing the bounda…

Pièces Monophoniques by Marc Melià transforms reduction into revelation. Composed using a single analog monophonic synthesizer, it unfolds nine meditative studies on tone, silence, and resonance. The result is a luminous work where simplicity becomes substance, and constraint opens a portal to emotion and timeless stillness.

2018 release ** "Claudio F Baroni returns to Unsounds with Motum, an album featuring three recent compositions for electronic quartet, organ and string quartet. The thread connecting the works on Motum is – nomen est omen – motion and movement. Baroni explores this central theme in concept and sounds, in his inimitable layered, open and dynamic style. Motum takes the listener on a path from the very origin of sound as air in motion to hitherto uncharted territories. The music originates in myria…

This is the story of a Telegram audio message suddenly poured and cast into the materiality of a vinyl record. Is it a  correspondence archive? Above all, it's a field recording, a moment bit torn from everydayness, where Androo found some fresh air in a church in Sardinia and started playing the organ. Next we're in Naples, and Androo is playing a tiny instrument as we can hear sporadically the street hum in the background. This was all recorded on an already too old iPhone during the summer of…

2009 release **

2009 release ** Card sleeve.

2013 release **  Computer – Ricardo GuerreiroTrombone – Radu MalfattiViola – Ernesto RodriguesRecorded live at the "Musica Viva Festival" 20.09.2012 in Lisbon.

6 x Black 140 grs Vinyl each one in spineless sleeve, heavyweight cardboard slipcase/custom numbered at the back, insert-photo individually signed but the artist, marketing sticker. Limited & numbered to 500 copies for the world. Pascal Comelade, the visionary Catalan composer, unveils his latest sonic meditation with Improperis - Compositions et enregistrements, a remarkable work that celebrates four decades of uncompromising instrumental music since his emergence in 1984. This extraordinary co…

Tip! In the realm of experimental music, certain collaborations feel inevitable - the convergence of like-minded artists whose individual voices seem destined to merge into something greater than the sum of their considerable parts. Bitterviper represents precisely such a meeting of minds, bringing together four musicians who have each participated in some of the most striking avant-garde music-making of the past two decades for an album that redefines what collaborative minimalism can achieve. …

Hoffman’s bass in Sightings defined NYC noise. Organ’s Obsolete: solo, looping, immersive bass meditations—psychedelic, visceral, and uniquely powerful.

Samara Lubelski crafts intricate, fragile sonic worlds—simultaneously delicate and chaotic. Her music explores creation, destruction, and liminality, evoking alien yet lyrical landscapes where every gesture births its opposite, forever shifting between presence and disappearance.

Astrïd and Sylvain Chauveau previously released the collaborative album Butterfly in the Snowfall in 2014, and have played shows together and with Rachel Grimes. Sylvain often covers songs, changing the original music using electronic or a minimalistic harmonium. For their new collaboration, Astrïd and Sylvain decided to work together for the first time on an album of cover songs, starting with Nina Simone’s version of Dambala, then Nancy Sinatra’s Bang Bang (a song Sylvain regularly performs li…

** Few available. All pantone offset printed glossycovers, pantone printed insert. **Prepare to be transported by Discorde, the mesmerizing debut LP from Megabasse-the solo alias of Pierre Bujeau, acclaimed guitarist of Tanz Mein Herz and Omertà. This highly anticipated repress, strictly limited to 300 copies, comes housed in stunning Pantone offset-printed glossy covers with a matching Pantone insert-a collector’s dream, crafted with the same meticulous care as the music within. Recorded in 201…

Stephen O'Malley crafts a meditative exploration of resonance and memory, blending drone guitar textures and minimalist compositional strategies into a single, immersive soundscape that reflects his distinctive approach to contemporary experimental music.

2006 release ** "A collaborative one-track mini-cd from US Tidal (aka David Brownstead, ex-666 Volt Battery Noise, and currently involved in the militan zionist project Barzel) and Dutch Peter Duimelinks (known for his activity in THU20, Kapotte Muziek and Goem), clothed in two splendid photos by Alluvial's own Kevin Wienke. The work is inspired by the Jewish purification ritual, but as the cd gives no further information about that I will stick to the music - which by the way is excellent. "Abl…

2011 release ** Limited edition of 450 hand-numbered copies. "Tetuzi Akiyama, an improviser who plays both acoustic and electric guitar, performs in Japan and other countries, including on yearly overseas tours. Takuji Kawai, born in 1963, studied classical piano as a child and received a master's degree from the graduate school of Tokyo National University of Fine Arts and Music. He started improvising in the mid-1980s, and in addition to improvised music he currently performs works by contempo…

2012 release ** "Laura Cannell and Rhodri Davies create a rich and minimalist sound, combining chords and drones on recorders and harps oscillating with different tones and harmonics. It is inspired by fragments of English renaissance music and Laura's native Norfolk landscape. The two performers only met twice before they felt that there could be a common ground to explore and the result has produced an exciting new collaborative duo. Feathered Swing Of The Raven is a collection of improvisatio…

200 copies. CD wallet with 8 page booklet including photos from a scrapbook, found in Willem de Ridder’s archive. The word Fanatic comes from the Latin fanum, temple. A fanatic is someone possessed, by God or the Devil. From 1985 until 1989 Willem de Ridder, Hessel Veldman, Cora Emens and Nick Nicole were the members of post-art ensemble Fanatic (or later FNTC). Willem and Hessel already worked together in the late 70s and early 80s on various radio shows and performed with musicians like Alvin …

*120 copies limited edition* Shell I is the second edition on Edições CN by Brussels sound artist Florence Cats. It is a magical collection of 23 edits for voice, field recordings, theremin and piano. Cats’ recorded piano rehearsals and singing sketches reminds us of Cornelius Cardew works. They are at the heart of Edições CN, where a sketch or rehearsal holds as much, if not more, truth than a definitive composition. A melody line from Debussy passes by. Waves crash in the distance. Sails and f…