Experimental / Musique Concrète

*300 copies limited edition* Coming on top of a decade-long sonic exploration of the potentialities of the guitar as a pure sound generator, the performance for solo guitar and objects 'Sacred Habits' is the most recent solo project by Modena-based composer and musician Luca Perciballi (whom the most devoted listeners of Kohlhaas catalog may recall playing electric and acoustic guitar in Alessandro Bosetti’s album 'Didone').In Perciballi’s performance the gestures and signs of the body are assem…

Recorded at various locations on electronic devices between 2021-2024. Assembled February 2024 at Snake Studio in Eureka, CA. An ode to rural childhood sound fantasies. Tapes dubbed in real time with double-sided 6 panel jcards in norelco case.

Continuing in the Creel Pone "6" Igloo program, here's a picture-perfect reproduction of one of the more obscure & bewitching entrants into the label's early discography, Henry Krutzen's 1981 "Silances" LP; IGL 006. Nestled somewhere between Ghédalia Tazartès' mutant Sound Poetry, Anton Bruhin's acoustic / Alphorn drones & the more "Private" sensibilities of Badouin Oosterlynck, Paul A.R. Timmermans, or latter-day channelers like Raymond Dijkstra, the largely quiet, humble multi-track constructs…

Creel Pone replication of this fascinating, un-Google-able LP offering a largely acoustic take on historically electronically-assembled Musique Concrète, performed by the Collectif Musique Verte in 1982. An associate of Knud Viktor - who took the album's cover photo - and, by proxy, L'Oiseau Musicien boss Jean-Claude Roché, French "Composer and musicologist" Jean-Yves Bosseur was a member of the ensemble GERM - "Groupe d'Etude et Réalisation Musicale" - the same that realized that version of Ter…

After emerging from a red shag-carpeted basement in Baltimore in 2012, Comfort Link produced a series of skewed concrete muzak albums knitted together with wobbly tape loops of found and recycled sounds, gradually shifting toward a darker post-industrial sound collage style on more recent releases. On Metaphysical Swatting, battered reel-to-reel tape machines and portable cassette recorders scramble up the primary sound sources of voice and organ - ancient reels of tape with loose oxide are over…

*2024 stock* This album recorded in 1967 by the Electronic Music Studio (EMS) of the University of Toronto exemplifies early experimentations in electronic music. It was the first studio of its kind in Canada (founded by Dr Arnold Walter) and the second in the North American Continent. The abstract songs are eerily captivating. Liner notes include explanations of how the songs were created, as well as biographical information on the members of the EMS.

*2024 stock. Custom CDr* This 1980 album features compositions by Barton McLean, Charles Gruber, Gene Menger, and Catherine Schieve that present “several highly individualistic approaches to the combination of cultures in sound.” Influences from electronic music, from notation systems that can “translate” sounds and gestures from the human and natural worlds, and music based on non-Western oral and pre-literate tradition combine to inspire these works. Liner notes contain an introduction to the …

Gaining prominence during the 1980s home recording movement, Randy Greif has built a devoted following over the years for his unorthodox compositional style. On his early tapes, industrial and dark ambient textures are melded with cinematic song structure more akin to the most wildly experimental of post-punk acts. “Golden Joy Club”, first released as a cassette in 1986, is a well-known highlight of this era. Transferred from its original master tape and newly restored for CD by Grant Richardson…

Available for the first time as the artists originally intended!

British experimental musician Alexander Tucker releases his Thrill Jockey debut Dorwytch in April 2011. This record breaks new ground for Tucker by combining minimalist string arrangements with electronic manipulations and drones to produce doom chamber-pop songs and psychedelic music-concrete collages. Tucker’s sound has developed over the years since his first self-titled solo album, which featured acoustic finger-picking, experimental electronics and was released on Jackie O Motherfucker’s U-…

A set of kinetic and sometimes meditative sound collages built from recordings shared between both artists, their first recording together. The element of chance was adapted into the editing process, resulting in vibrantly textured layers that interact with each other in unpredictable ways.

"In 2020, I bought a used Sanyo M-5799 dictaphone, from the internet. The dictaphone arrived with a mini cassette. When I played the tape, there was a recording from the previous owner. He was testing the recorder, to see if it was functional, but at some point he recorded the words "... Less to be, not to be". These "messege" from this old man standed to me like he wanted me to listen his advice or his existential fears" This album is dedicated to this man, to the concept of "the end of humanit…

"Moldy Cushions was recorded from the summer of 2022 until spring 2023 at my new Clamorworks studio in San Pablo, California. Additional parts were recorded in Brasília, Brazil while working on the SESILab science museum and in Hyderabad, India while on tour with Seeded Plain. This is my first solo album since 2016's Bizarre Flight on Gertrude Tapes, with most of the time in-between focused on other collaborative projects.The pieces on Moldy Cushions started as improvised sketches, with many of …

*300 copies limited edition* Channelling is a kinetic sound performance that utilizes various components salvaged from discarded and obsolete consumer technology, reanimating them by piping amplified sound through them. The motors and mechanisms respond to these sound impulses in erratic and unpredictable ways. The actions of, and emanations from, the devices are subsequently amplified. "An array or swarm of vitalities, intertwined, of non human powers which transit channels. Trajectories that f…

*300 copies limited edition* This CD collaboration was made after we were invited by Joachim Nordwall to play together for the very first time at the Parasoll Festival in Gothenburg.

*300 copies limited edition* Cecilia Lopez: Synthesizer and electronics. Brandon Lopez: Double Bass. Recorded at GSI in New York, August 2020.Recorded by Jason Rostowski. Mixed by Cecilia Lopez and Jon Lipscomb. Mastered by Jon Lipscomb. Art and design by Ian Kornfeld

*300 copies limited edition* All titles composed and arranged by Eryck Abecassis on modular synthesizers, guitar, sampledinstruments software, Roger Linn linnstrument keyboard, field recordings.Studio : Mobile courgette (Paris), LH 151 (Le Havre)Train station, streets and beach recordings location : New Delhi, Ahmedabad, Madrid, Héraclée Beach La Croix-Valmer.

Tip! To get a good handle on ‘Aslope’ look no further than the intricate ‘Scattered sprinkle, no turn’, a 12+ minute collage of moonlit organ vamps, stifled voices and disembodied, robotic poems. Heaving from smeary abstraction to penetrable drama almost imperceptibly, featherlight rhythms are cut short by uncanny voices: “stop, turning, a page,” like some rogue navigation assistant, slicing into ticking clocks and xerox noise. It’s like listening to a film without access to the visuals - all th…

*2023 stock* Sampler of some iconic Italian experimental, electronic and jazz musicians active in the 90s (some of them up till now).

*250 copies limited edition* Alvear, Bondi & d'incise consists of Cristián Alvear from Chile, and Cyril Bondi and d'incise from Switzerland. The three musicians collaborate frequently in duo and trio formats. This album documents a duo performance by Alvear (guitar) and d’incise (vibraphone, electronics) of “Sleepless Night” (2022), a work by Spanish composer/sound artist Clara de Asís; and a trio performance by Alvear (guitar), Bondi (vibraphone) and d’incise (electronics) of “uno, dos o tres e…

*2024 stock. 250 copies limited edition* Born in 1964, Tetuzi Akiyama is a guitarist/improviser active inside and outside Japan. Masahide Tokunaga, who was born in 1982, is an always-original alto sax player. Masatake Abe, born in 1993, is an innovative electric bass player on the jazz/improvised music scene. These three musicians of different generations performed together at Ftarri, Tokyo, on June 6, 2021. This CD contains two improvised pieces (about 25 minutes each) from that concert.This is…

*250 copies limited edition* Ai Watanabe is a Tokyo-based composer. After studying at Tokyo College of Music’s graduate school, she went to France and completed a graduate program at the Conservatoire à rayonnement régional de Paris, and subsequently earned a doctoral degree at Tokyo University of the Arts. In recent years Watanabe has been focusing on electroacoustic music using field recordings as additional materials, earning high praise inside and outside Japan. Kokichi Yanagisawa is a guita…

*200 copies limited edition* Aquiles Hadjis was born in Maracaibo, Venezuela. In 2009 he moved to Tokyo, and in 2017 he received a Ph.D. in Fine Arts from the Department of Painting at Tokyo University of the Arts. Still based in Tokyo, he is engaged in creative work in the fields of film, painting and music. Antonio Mazzei, also from Venezuela, is a pianist and composer. He studied with Fred Hersch and Kevin Hays at New York's New School for Jazz and Contemporary Music, and has since continued …

*200 copies limited edition* Canadian musician Lee Noyes (born in 1977) lived in New Zealand from the mid-1990s to the 2000s and subsequently moved to Sweden, where he continues his work on the improvised/experimental music scene, playing electronics, percussion and other instruments. American guitarist Barry Chabala (born in 1961) has released numerous recordings on improvised/experimental music labels such as Erstwhile Records, winds measure recordings, and Another Timbre. Noyes and Chabala ha…

*200 copies limited edition* Ongoing since 2014, Mushoku In Excursion is a duo project by Takahashi 'Takakhan' Seiji and Yuko Nexus6. Kyoto-based Takahashi has planned and organized a wide variety of performances and events. Yuko Nexus6 is a performance artist/writer who lived for a long time in the Kansai area and now resides in Tokyo. The creation of this album began with the two making a one-hour recording by the Uji River in Kyoto. The tape became a foundation over which Yuko Nexus6 (piano, …

Nathan Ivanco’s Shadow Pattern, based in Hamilton, Ontario, is a project for whom the term ‘under-the-radar’ is a cute understatement. Operating with scant regard for the cultivation of listenership or exposure, Ivanco’s work - both as Shadow Pattern and through his Hamilton Tapes label - usually manifests via subterraneously low-key tape editions that rarely if ever make out of his home country of Canada. Typically these releases are procured by direct contact with Ivanco himself and forgo the …

*2024 stock* Yannick Dauby returns to Discrepant for Vol2 of his ongoing study of the sounds and sights on the Penghu Archipelago, Taiwan. Penghu Experimental Sound Studio Vol2 uses interviews, field recordings, found objects and subtle electronic manipulation to transpose Yannick's impressions of the island's natural beauty. All sounds, field recordings and improvisations on electronic instruments, are from Penghu, Taiwan. Interviews of children extracted from the film "Childhood of an Archipel…

This double CD set includes an extended collaboration between The New Blockaders & Grinder-without-Organs, and two live recordings of anti-theatre premiered at Cafe OTO (London, UK) and Audio Foundation (Auckland, NZ). The set also includes a link to access a bonus film and extra, printable material. CD1 features 'Ein Glücklicherer Zufall: Genau Zu Lang (A Happier Accident: Exactly Too Long)', an hour-long, part studio / part live collaboration between seminal anti-music stalwarts The New Blocka…

This release reunites Pablo A. Gimenez’s first four albums, originally published between 1987 and 1991 on Javier Cinca’s label, Sindicato de Trabajos Imaginarios (S.T.I) in Zaragoza, Spain. They contain various forms of home-made electroacoustic compositions, that draw inspiration from traditions such musique concrete or free jazz.

Tip! "A completely new, original album from me - available on CD and streaming / downloadable audio. This is (I mean it this time) one of my best works overall. Almost totally abandoning the frigid digital textures of its distant ancestor "Strangelet," this one aims for an almost unsettling intimacy with which to accompany a noir-drenched journey into songs of unstable identity and uncertain final destinations. While "Metaphysics..." features many elements that will be familiar to my supporters,…

2024 stock. Source material recorded in Berlin on a warm July afternoon along with some cheap sparkling wine. Arranged, mixed and mastered by Jeff Surak.

Manuel Carbone: Synths, cassette loops and samplerssorta opalka: Synths, field recording, object(on II) Roeliff Jansen: Digital sampling(on III,VI) noiserr: Voice, synths, tape recorder (on IV) Chemiefaserwerk: Casio m-10, tape recorderOriginal cover photography: Orland C.Collage and layout: Ross Scott-BuccleuchMastering: C.metaesquema

*100 copies limited edition* Reading Group, in collaboration with Braddock, PA-based imprint Huner Francis, is pleased to present "Spatial Data Management (Original Score)" by Ulla E. Straus and John Andrew Wilhite, a beautiful score to an equally beautiful film by Philadelphia-based artist Greyory Blake. The score to Spatial Data Management (2021) is a contemplative and referential ambient work. It provides the backdrop for the essay film’s exploration of how stolen value and the contemporary p…

Extraordinary, free, and expressive, the trio woo (Wodrascka Owczarek Orins) is the result of the moment and fortunate encounters. Paulina Owczarek and Peter Orins have been playing together for a few years, meeting in Berlin in Satoko Fujii’s orchestra, then venturing into a duo, producing music of subtle gestures, barely perceptible movements, but also of raw and liberated energy. Christine Wodrascka meets Peter Orins within the Franco-American ensemble Sangliers, with Dave Rempis, Keefe Jacks…

* Super limited picture disc LP, with new Babs Santini artwork. Already sold-out at source * One pressing and that’s it, buy or die – you know the drill. Nurse With Wound at their peak. “Sylvie and Babs is one of the most memorable, playful, and fascinating albums in the NWW oeuvre (though a decidedly unrepresentative one)…few (if any) other artists could’ve woven capricious contrarianism, low humor, bad puns, endless non-sequiturs, and chaos into such a satisfying whole“ – Anthony D’Amico _"Thi…

Tip! 1988 saw the release of several timeless and remarkable EPs from Nurse With Wound, one of those classics is Alas the Madonna Does Not Function. Madonna in some respect was a turning point for NWW. It’s a record that whilst unmistakably retaining that ineffable NWW character brought rhythmic and almost ‘musical’ elements into play. Madonna could be seen along with the Soresucker and Cooloorta Moon EPs as the bridge between the old and the new, the natural precursors to Thunder Perfect Mind a…

2024 stock. This early (1982) project from Arizona “Audio Artist” Richard Lerman presents musical composition performed with bicycles. Lerman explains: “A gamelan orchestra is a large group of percussive instruments, usually metallic, from SE Asia. In fact, the sound of such a group is not unlike the timbre of amplified bicycles.” With such an idea, he embarks on a project that captures the amplified sounds of moving bicycles in harmonious rhythms creating songs. Liner notes include detailed inf…

2024 stock. Voicings for Tape/Soprano/Piano is a collection of performances by composer, educator, and pianist Sorrel Doris Hays that reflect her Southern roots and feminist themes. The first of four tracks, “Southern Voices for Tape” consists of random spoken conversations interwoven with music from a 1979 Sacred Heart concert. “Blues Fragments” is an excerpt from “Southern Voices for Orchestra” featuring soprano Daisy Newman. “Celebration of NO” is from a larger work titled “Beyond Violence” a…

Strange Times is a virtuosic realization of contemporary  electroacoustic soundscapes composed and performed by Stephen Ruppenthal and Gary R. Weisberg. With masterful employment of electro-acoustic techniques and tools, including the original 70's Buchla Music Easel Ruppenthal used in the Electric Weasel Ensemble, these two artist create an essential, psychedelic, electro-acoustic experience. Strange Times is a hallucinatory journey into our epidemic-ridden times through a collection of startli…

Tip! *50 copies limited edition* Special limited run of 50 cassettes with photographs UV printed on the tapes of a cow and some buildings (urban mountains) made by Ermke. The covers/cases feature interpretations of mountains the philosopher and artist/musician Tim Bradley made from photographs provided by Ermke. Each cover is hand painted with watercolors, acryclic, and pencil, plus many are melted and burned by Bradley for this edition! Extremely detailed and beautiful work on these. Recorded …