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Tip! Aube is a noise project by Akifumi Nakajima, born in Kyoto in 1959. Since the 1980s, he has been using synthesizers and other devices to create small-scale sounds as a hobby. In 1990, he was in charge of the music for the installation "Water 1990" by the artists Soichi Arichi and Takashi Sasaoka, and in 1991, he began his external musical activities as Aube. The same year, he released his debut cassette "Hydrophobia" on Vanilla Records. In 1992, he established G.R.O.S.S., an independent lab…
Tip! This is a boxed set of six consecutive CD releases from November 2017, re-edited in chronological order from the "G.R.O.S.S." CD-Rs that recorded live performances in the 2000s, the mature period of Aube's activities. Aube is a noise project by Akifumi Nakajima, born in Kyoto in 1959.Since the 1980s, he has been using synthesizers and other devices to create small-scale sounds as a hobby. In 1990, he was in charge of the music for the installation "Water 1990" by the artists Soichi Arichi a…
*In process of stocking.* There are nights carved like the journey of the dead out of the livings' daylight. Mert Seger brings to our senses a two steps ritual for this debut on Kump. « Yétèkpãnra », freely inspired by the funeral rites of the Batãmmariba of Togo and Benin depicted by Dominique Sewane, runs along with no clear beginning nor any end, a sound sketch where the shapeless rustle from the depths of the night meets a procession of artefacts. In this space where the dead finds his way, …
*In process of stocking* Tip! 'When our friend and inspiration Peter Rehberg passed suddenly in July 2021, I felt like I had to do something, and what I’m good at is something Peter deeply loved, producing records. so I put together this project with some of his longtime collaborators and friends, Lasse and Jérôme, Marcus Schmickler mastering and Tina Frank designing.
it’s titled Top for multiple reasons but one is that Top was often Peter’s entire reply to a message you’d sent, both concise an…
Aaron Turner: guitar, tapes, effects
Turner is known as guitarist of legendary Isis and Sumac, among others. Today exploring with his solo work an abstraction of metal, avantgarde and noise. Brutal and beautiful at at the same time.
'It was the unexpected event of the 2005 FIMAV festival: avant jazz legend Anthony Braxton joining noisy bad boys Wolf Eyes on-stage. But it did not come completely out of left field. A few months earlier at another festival, the 60-year-old saxophonist had attended a performance by the Michigan noise trio and was transformed, buying a copy of everything the band had to sell that night. The man had been hit in the face by noise music. At the 22nd FIMAV, Braxton was scheduled to play a duo concer…
From the UK based imprint, The state51 Conspiracy, comes, “Modern Dance Gold, Vol. 1”, the debut LP by Better Corners, a brand-new project from Valentina Magaletti, Sarah Register, and Matthew Simms. Harnessing a vast range of sound sources, it's a visionary expanse of abstract textures and tonalities that steadily defies any association with genre - incorporating elements of industrial music, post-punk, dance music, noise, and new age into its incredibly ambitious two sides.
*In process of stocking* Debut tape by Touch Starved, a newcomer in Finnish noise. Harsh electronics with minimal approach that leaves the room for textures to really sink in, brokened by sudden bursts of piercing feedback. Atmospheres moving from dark to ethereal with really nice ambient passages.
Tip! On this third release The New Boyfriends breaks out from duo formation, introducing Masa on saxophone to become together a brain blistering harsh jazz trio. First part is filled with two scorching harsh noise tracks where junk metal abuse, harsh pedal noise and fierce sax blowing collide intensively. The second one focuses more on atmosphere and textures while retaining the qualities of harsh noise
"This seemingly improbable duo finds both artists defending a common cause, with Lanz as stunning turntablist to serve as a perfect companion to Kocher's iconoclastic approach to his instrument. Detailed moves, fast gestures and throbbing pulses are recurrently cut by silences and sustained tones. Short rhythmic patterns and precise syllables emerge only to give way to more intimate sequences where players drift into some neutral space before re-colliding again into actualizations of micro-event…
*99 copies limited edition* Mauthausen Orchestra was one of the most important musical projects of the Italian industrial scene in the 80’s and has contributed to the birth of the power electronics and harsh noise across the globe. Tape after tape has constituted, in a few years, the backbone of what we will know as an alienating and extremist style, made of metal nightmares and sonic torture , often dilated, dissected and extended up to the limit of endurance. Mauthausen Orchestra carry us as r…
With their collaborative duo debut, Dean Spunt and John Wiese invite you to experience the frenzy of percussive space and discreet sound found inside The Echoing Shell.
play loud as one listening session all by dp except voice in 1 by agata krawczyk and in 4 & 6 by luzia rasu. factory-pressed CD in cardboard sleeve. recorded november 2018 to june 2019 at shs32. thank you oliver, sascha, daniel, luzia, agata.
Tip! *2022 stock* audio assembled 2003 - 2005 in Zürich for Schimpfluch Commune Int mastered by Rashad Becker cover artwork by Rudolf Eb.er released on CD by 'The Egg and We', Minsk, Belarus
*2022 stock* Sound Artists Mei Zhiyong from China and Dave Phillips from Switzerland did a tour of China in July 2014 titled “Sonic Rituals”. They travelled through 17 cities playing 19 concerts. The red thread of the film is the subcurrent that talks of feelings, atmosphere, travel, friendship, sounds, passion and of ceremony - of the rituals that are part of the performances, that are the performances and that are part of the greater language of sound and of travelling with sound. Director Mei…
*2022 stock. 250 copies limited release* this dvd comprises video works, live performances and collaborations by radical swiss sound artist dave phillips, sonically active since 1987, part of the notorious schimpfluch gruppe (with rudolf eber, joke lanz) since 1991, having left his signature in numerous bands, projects and collaborations.dave phillips uses sound as a means to activate primordial shared emotions otherwise hidden underneath the debris of civilization. his “humanimalism” indicates …
*2022 stock* Jim Sauter & Don Dietrich (saxophones), Donald Miller (electric guitar), Adam Nodelman (bass guitar). The 3rd annual Halloween extravaganza. Recorded October 29, 1986. Reissue of cassette only release Live in Allentown (Lowlife LL02). Includes the entire second set with Scott Legath on electronics, not previously released.
*2022 stock* The work of upstate New York noise-jazz trio Borbetomagus is frequently described in terms of overwhelming power and aggression. In a live context, that's absolutely the dominant impression one is likely to get. On record, though, it's possible to have some control over the volume, and thus to listen closely and carefully and discern real technique at work, not to mention a subtlety that's not really surprising, given that saxophonists Jim Sauter and Don Dietrich, and guitarist Dona…
Andy Guhl’s career as an improvisational musician went from strength to strength in the 1970s but it wasn’t until 1983 that the Swiss experimenter and architect stopped using any traditional instruments in order to embrace electronic collage, a technique that incorporates the use of modified radios, turntables, transmitters and other objects in a sort of ante-litteram circuit-bending. A similar approach emerged in collaboration with Norbert Möslang as part of Voice Crack, a collective active fro…