Folk /
Fragment For Balance
After 4 years of work on their 11th release for ReR, Biota, this extraordinary, reclusive, and highly individual audio-visual collective continues to evolve through the painstaking accumulation and disposition of a seemingly incompatible range of both exotic and familiar musical languages, instruments, techniques and studio manipulations – into one of the few genuinely original bands at work today. It took a long time to refine their unique process of composition to this level of ambiguity and d…
The Forest In Me
More in tune now with the rhythm of the sun and moon, Xylouris White speak to each other across great distances with the intuition and fellowship that can only be found over years in each other’s company. With fewer distractions, appreciative of the freedom to play with new sounds and spaces, they carve The Forest In Me from unbelievably thin air.
Hawksworth
Several decades young on the trap kit, Matt Espy makes his solo bow with an album of solo drums, in dialogic flight with birdsong. Restaging a seminal moment from his seismic early days in music (and inner life), Matt references places he’s been between then and now with hallucinatory evocation. Hawksworth is a new organic space where percussive meditations on a life in music create NEW life in music, a comment on the nurture of nature itself.
Drashel
A second world-in-a-grain-of-sand LP of domestic cosmic from A Happy Return on the cult Spillage Fete label.
Parlor Tricks And Porch Favorites
Amish Records is pleased to finally announce an expanded and remastered edition of P.G. Six’s 2001 debut album, 'Parlor Tricks and Porch Favorites', to be released as a gatefold double LP and digitally on Feb 24, 2023. Fully remastered by Giuseppe Ielasi, artist Meredyth Sparks reimagines the beautiful Chris Krol cover art in an evocative gatefold design.
Psyché
Drop a needle on Psyché's debut double-sider and you'll see visions, or rather Mediterranean visions, be they of waves of heat shimmering above dunes of sand, or of women dancing around a bonfire on a rocky plain, or of bushy cliffs overlooking emerald-green and turquoise sea. The name Psyché is of course ancient Greek for 'soul' or 'mind', signifying the band's love of psychedelic funk, but also the wide range of Mediterranean influences – from Southern Europe to the Balkan Peninsula, and from …
Cumbia Mahàre / Ophis
Drop a needle on Psyché's debut double-sider and you'll see visions, or rather Mediterranean visions, be they of waves of heat shimmering above dunes of sand, or of women dancing around a bonfire on a rocky plain, or of bushy cliffs overlooking emerald-green and turquoise sea. The name Psyché is of course ancient Greek for 'soul' or 'mind', signifying the band's love of psychedelic funk, but also the wide range of Mediterranean influences – from Southern Europe to the Balkan Peninsula, and from …
In My Own Time
Tip! *50th annyversary deluxe edition* Recorded over a six month period in 1970/71 at Bearsville, In My Own Time was Karen Dalton's only fully planned and realized studio album. The material was carefully selected and crafted for her by producer/musician Harvey Brooks, the Renaissance man of rock-jazz who played bass on Dylan’s Highway 61 Revisited and Miles’ Bitches Brew. It features ten songs that reflected Dalton's incredible ability to break just about anybodys heart – from her spectral evoc…
Ghost Notes From The Stone Vessel
This album is an intimate and historical dive into the work of Laurence Vanay. The titles on this album were carefully chosen by her daughter, Marine Thibault, in order to help us rediscover the sensitive repertoire of a little-known artist who was nevertheless at the forefront of her era.
Padang Moonrise (The Birth Of The Modern Indonesian Recording Industry ⋆ 1955-69)
Tip! Padang Moonrise is the story of modern Indonesian music that emerged underneath the volcanoes of Java and Sumatra. Java, the most populous island in the archipelago of over 17,000 islands and 1300 distinct ethnic groups, and its capital city Jakarta, was where most of the post-colonial national identity, politics, administration and music production was centred.
Traditional songs from Java, Sumatra, Bali and beyond were re-imagined by a small group of state-sponsored musicians that also com…
Perú Selvático - Sonic Expedition Into The Peruvian Amazon 1972-1986
Tip! *In process of stocking* Less than a hundred miles inland from the capital city of Lima lies the great Peruvian jungle, an untamed land of impenetrable forests and endless winding rivers. In its isolated cities, cut off from the fashions of the capital, a unique style of music began to develop, inspired equally by the sounds of the surrounding forests, the roll of the mighty Amazon and Ucayali Rivers, and the rhythms of cumbia picked up from distant stations on transistor radios. With the a…
Sonido Verde de Moyobamba
Formed in 1980 by guitar prodigy Leonardo Vela Rodriguez, Sonido Verde de Moyobamba created some of the hardest, craziest Cumbia to emerge from the Peruvian jungle. With distorted, surf-addled guitar facing off against lysergic organ and hyperactive tropical rhythms, Sonido Verde conjured the organic sound of the dense forests surrounding their hometown while riding their dance-party grooves to dizzying psychedelic peaks.
Compiled by Analog Africa, Sonido Verde de Moyobamba presents eight ultra-…
The Hillbillies In Hell Omnibus: An Encyclopaedic Compendium Of Hades' Greatest Hayseed Hits (1954-1974)
The Vaults of Hell open once again… This Diabolic collection assembles dusty favourites from the acclaimed and out-of-print Hillbillies In Hell series with previously unsighted subterranean jewels in an all-new Necrotic Experience. Witness this daemonic carousel of broken Nashville delights – Brazen Voodoo Rituals, Satanic Trysts, Apocalyptic Cataclysms, Premature Burials and Beastly Jousts. Sometimes grim, sometimes beautiful – this extraordinary anthology of knowns and unknowns, battered Opry …
The Now Sound Of Nashville: Psychedelic Gestures In The Country Music Experience (1966-1973)
From the people who brought you Hillbillies In Hell… Sitars, Fuzz Guitars and LSD sugar cubes…a Lysergic collection of Forgotten Nashville. Hayseed Moog Hoedowns, Psyche Teen Meltdowns and Wild Weed Compounds. All cut on Music Row by serious Nashville players in comfortable suits. Eight Miles Higher than a Haystack – you’ll witness melting, Dali-esque cakes, Apocalyptic Flower Power driven by banjos and fiddles, Floating Bongo Lullabies and Crazed Nashville Knock-Off Ersatz Exploitations.
Someth…
Live At San Quentin
Following his 1971 conviction for the murder of seven people, including the actress and model Sharon Tate, the notorious cult leader, Beach Boys associate and failed singer-songwriter Charles Manson was sentenced to death, later commuted to life imprisonment. Recorded with just an acoustic guitar in his jail cell, Live At San Quentin dates from 1983 and is probably the most poppy of Manson’s improvised far-out folk songs ever committed to tape, with flushing toilets and background conversations …
A Mournful Kingdom of Sand
*In process of stocking* The cabalistic duo Ak’chamel strikes again with a second record called A Mournful Kingdom of Sand. Following the publicly and critically acclaimed The Totemist (AKU1023) released in 2020, this album sucks the listener into another esoteric journey which - according to the band - is a perfect soundtrack for the desertification of our world. Ak’chamel, The Giver of Illness is an enigmatic duo from a border state. Fourth World Post-Colonial Cultural Cannibalists Circumcisin…
It's My Story
*2022 stock* Oregon's fathers of freak-folk/folk psych pioneers The Tree People have, incredibly, made another album once again. Responsible for two awesome works in the late '70s and early '80s, here they are now with a new album and they sound exactly as they did 30 years ago. This could be their best work ever. Mellow, tender freak-folk with acoustic guitar, double bass, recorder, flute and percussion. Eleven new tracks, plus a new version of "Space Heater" from their 1979 debut. Includes a b…
It's OK To Be Happy (1999-2001)
Early and mostly previously unreleased recordings from Dundedin's The Strange Girls, a band that initially consisted of Clayton Noone, Kaaterama "Motty" Morehu and Jon Arcus. The Strange Girls existed on and off from 1999 up until Motty's passing in 2019 and left behind a peculiar trail of gems scattered around on a myriad of limited lathe cuts, cassettes and CDrs. It's OK To Be Happy focuses on the trio era - Jon Arcus left the band in 2002 - and starts at the very beginning with 'Satan', the f…