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Drummer and Composer David Lee Jr.’s stunning and rare album Evolution (1974) blends the deep experimentalism of John Coltrane and Sun Ra with the pulsating second-line and parade rhythms of New Orleans to create a stunning sonic and rhythmical tour de force. In a lineage of incredible New Orleans drummers that includes James Black, Idris Muhammed, Zigaboo Modeliste of The Meters, and stretching back to Earl Palmer and Baby Dodds - David Lee Jr. stands out for his fire, experimentalism and an ou…
Huge Tip! Digitally remastered edition of this 1974 album, a true holy-grail for Deep and Spiritual Jazz collectors around the world. This album was originally independently released to raise funds to combat the ongoing drought in the Sahel region of Africa (an area covering parts of Senegal, Mali, Burkina Faso, Nigeria, Chad, Darfur, Sudan and Ethiopia). During his lifetime Roy Brooks released precious few solo albums. Black Survival, the Sahel Concert at the Town Hall was originally released o…
Original release completely reproduced as faithfully as possible. Pressed and printed in Japan. Mind-blowing reissue of Kosuke Mine Quintet's first release, Mine, originally released on Three Blind Mice in 1970. This is the terrifying debut album from saxophonist Kosuke Mine, with a sense of tension that seems to burst throughout, and is a monumental work that marked the historic beginning of the prestigious three blind mice label
Completely original reproduction specification (reproduced as f…
Big Tip! Original release completely reproduced as faithfully as possible. Misty is one of the most sought-after titles from the acclaimed Three Blind Mice catalog. Few, if any, international audiophile jazz recordings have maintained the kind of deep and profound influence over techniques and even entire label repretoire as Three Blind Mice's Blow Up, Midnight Sugar and Misty. Originally recorded in Tokyo in 1974, this Piano Trio release from TBM features Tsuyoshi Yamamoto on piano, Isoo Fukui …
2024 Stock. New edition of this seminal album available as a 1000 copies edition only on new premium red vinyl! As a radical jazz artist, Steve Reid played with an extraordinary group of artists – including Miles Davis, Sun Ra, Fela Kuti, James Brown, Ornette Coleman, Lester Bowie, Freddie Hubbard, Jackie McLean, Dionne Warwick, Archie Shepp, Chief Bey, Olatunji, Arthur Blythe, Dextor Gordon, Gary Bartz, Dee Dee Bridgewater, Sam Rivers, Leon Thomas, Lonnie Smith and Horace Silver!
Reid was born …
A heretical symbol of Rare Groove, with its alternative and avant-garde ferocity! Irvine Weldon's 1973 masterpiece, which continues to have a wide influence around the world even today! Although it is based on jazz, it is a work released in 1973 that is more soul/funk than the first album, and reflects more experimental and political aspects and ideas. For over 30 years, it has been loved by diggers all over the world and reigns at the top of the rare groove as a most wanted item, and today the …
Hilton Felton's Family & Friends is a rare groove classic that now gets reissued for the first time ever courtesy of P-Vine. The master keyboardist has a cult following thanks to his magically mellow and sophisticated playing style. He was prolific, too, recording several great albums but none as definitive as this one, which is a sought after and pricey gem if you want an original. It has many highlights such as the fantastic jazz-funk cover of the Delfonic's classic 'La, La Means I Love You', …
Funky groove master Les Demar's legendary live recordings have been sampled by numerous artists and DJs, and have captivated jazz funk listeners and rare groove freaks alike with their raging drum breaks and intense grooves. Recorded at Concerts by the Sea in Redondo Beach, California, in August 1978, the eight-piece big combo's frenetic night is back in its original 1970s release!
The fusion-like 'Quetzal' (A1), which starts with an opening MC and cheers, quickly raises the tension, followed by…
Funky groove master Les Demar's legendary live recordings have been sampled by countless artists and DJs, and have captivated jazz funk listeners and rare groove freaks alike with their raging drum breaks and intense grooves! Recorded in August 1978 at Concerts by the Sea in Redondo Beach, California, the eight-piece big combo's frenzied night is back in its original 1970s release!
A sharp jazz-funk "Manfred S" (A1) that starts from a drum break that just asks you to sample, a ballad "Once Upon …
Bomb! Khan Jamal doesn't need much introduction: Born Warren Robert Cheeseboro, he was a jazz vibraphone and marimba player from Philly. He founded the band Sounds of Liberation in 1970 with Byard Lancaster. In 1974, during one of his many trips to the old continent, he recorded this album in France at Jeff Gilson's Palm studio. It is a delicate game of lucid and intense contrasts between Christian Vander's drums provides a rock oriented touch, the marimba and the vibes with influences from the …
MajoIe Hajary is an atypical musician. Born in Paramaribo (Suriname) to Indian parents and raised in Amsterdam. In 1970, in France, accompanied by the best Jazz musicians and with arrangements by Roger Guerin, she recorded “La Passion Selon Judas”. The result was an incredible fusion of Psych, Funk, Indian and Jazz elements – deep religious Jazz in the vein of Jef Gilson.
Tip! To abandon animals for music – and avant-garde jazz at that –, could seeming shocking to some people. However, it is exactly what Manuel Villarroel did, as he was a vet for three years before leaving his native Chili for Europe and a career in music. And though the animals may have suffered, the world of music can be grateful. Born in 1944, Manuel Villarroel lent an ear to the best pianists from North America: Oscar Peterson and Erroll Garner then Herbie Hancock, McCoy Tyner and Cecil Taylo…
Tip! Before coming to Europe, in 1970, pianist Manuel Villarroel was a vet in his native Chili. A few years later, as leader of the Machi Oul Big Band, he returned to the animal kingdom. A very specific kind of animal, for sure, the Quetzalcoatl, also known as the Feathered Serpent. What is behind this title (also the name of one of the three original compositions on this album released on the Palm label in 1976), is first and foremost a sort of homecoming…
After discovering the jazz of Herbie H…
A vinyl reissue, in Ecm new audiophile Luminessence series, for Kenny Wheeler’s sensational ECM leader debut. Recorded in New York in 1975, and produced by Manfred Eicher, Gnu High brought Canadian trumpeter Wheeler to a new level of international acclaim, for both his impassioned playing and his profoundly lyrical writing. Here Kenny is fronting an extraordinary quartet, with Keith Jarrett, Dave Holland and Jack DeJohnette, all masterful improvisers who had shaped their intuitive collective und…
As well as being the great vibraphone innovator of the era, Gary Burton is known for his unparalleled intuition as a talent scout. In 1973, The New Quartet introduced Abraham Laboriel: this was the first recording of the bassist who would soon become one of the most in-demand session players across all genres. “It must be emphasised that Laboriel sounds like a major artist in the making with his astonishing bass work,” wrote Melody Maker. Guitarist Mick Goodrick also emerged as a player to watc…
Brazilian percussionist Naná Vasconcelos’s Saudades album, recorded in March 1979, was the culmination of a dream for a musician who had long yearned to hear the berimbau in an orchestral context. This ‘concerto’ for an innovative player of a traditional instrument was made possible with the creative input of Egberto Gismonti, here the arranger of the material for strings, as well as co-composer and supporting soloist. The Radio Symphony Orchestra Stuttgart was conducted by Mladen Gutesha (who h…
Hot on the heels of Old Friends, New Friends comes Old And New Dreams, an operation meant as a new flagship for Ornette Coleman, whose lack of enthusiasm for the project left a gap duly filled by Dewey Redman. The result is this delightful excursion into post-bop outlands that sounds as alive as ever. Two Coleman pieces comprise nearly half of its duration—which is saying much, for like many of ECM’s joints of the 70s, this one breezes by in under 50 minutes. The first Coleman piece, “Lonely Wom…
*2024 repress* Rare and rich contents from 1970s Japanese jazz which is now gathering global attention, originally released on Terumasa Hino's private label Love Records and distributed by a Japanese major label. Representing "Ode To Workman" from J Jazz : Deep Modern Jazz From Japan 1969-1984 released on BBE, in his session with local NY musicians, Love Nature along with three other reissues are so important pieces in 1970s independent jazz. The fourth and last work form Terumasa Hino's Love Re…
* Metallic Gold Wax * In the 1970s, Betty Davis defied genre and gender by pushing her voice to extremes and embracing the erotic. She articulated a kind of pre–punk, funk–blues fusion that had yet to be normalized in mainstream music — a style that few musicians have come close to replicating. As one of the first Black women to write, arrange, and produce her own albums, Betty was a visionary who disregarded industry boundaries and constraints. Raw, unapologetic, and in full control, Betty pave…