We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
Satoko Fujii's Min-Yoh Ensemble with Natsuki Tamura, Curtis Hasselbring and Andrea Parkins: trumpet, trombone, accordion and piano on Japanese folk songs and new pieces in the same spirit, recorded in New York in 2006.
Jean Derome and Louis Sclavis share a quartet with Bruno Chevillon on double bass and Pierre Tanguay on drums, live at Victoriaville on 19 May 2001: flutes, clarinets and saxophone on compositions by both leaders.
Vancouver's Hard Rubber Orchestra led by trumpeter John Korsrud, with guests Lori Freedman, Marilyn Lerner and Brad Turner: new big band music by Korsrud, Turner, Jean Derome, René Lussier and Ron Samworth, recorded in 2000 and 2001.
Boris Kovač and the Ritual Nova Ensemble from Novi Sad: saxophones, clarinets, violin, piano, bass and soprano voice in a chamber music that joins Pannonian folk memory, minimalist repetition and jazz.
René Lussier conducts Vancouver's NOW Orchestra, recorded in February 1995: guitar and daxophone with Paul Plimley, Peggy Lee, Dylan van der Schyff and a full reed and brass section, in a suite of quick-changing vignettes.
Pino Minafra's Sud Ensemble in the studio in Milan, January 1995: trumpet, didgeridoo and ocarina with Carlo Actis Dato, Lauro Rossi and Giorgio Occhipinti, mixing southern Italian band music, free jazz and theatre.
André Duchesne's large ensemble live at the 1989 Victoriaville festival: three electric guitars, saxophones, cello, piano and drums, with Yannick Rieu and Claude Lamothe, in composed Montreal musique actuelle.
Jean Derome's written music for a Montreal ensemble of flutes, clarinets and saxophones with bass, drums and percussion, recorded at Studio Victor in 1988. Composed jazz with a nod, in the title, to Japanese court music.
Mountain Call by bassist Miroslav Vitous with Michel Portal, Jack DeJohnette, Esperanza Spalding, Bob Mintzer, Gary Campbell and Gerald Cleaver, recorded in Prague between 2003 and 2010. ECM, 2026.
Chicago producer and composer Will Miller’s Resavoir has established a strong following at the intersection of jazz, electronic music, and beat-driven production, with more than 9,000 vinyl records sold and 82M+ streams across the project’s first three albums. Resavoir’s 2019 self-titled debut received an 8.2 from Pitchfork alongside broad international critical acclaim, with ongoing support from Gilles Peterson, Lefto, Anthony Valadez, Somewhere Soul, Andrew Jervis and Lovie, plus airplay on BB…
On March 19th, 1999, legendary soprano saxophonist Steve Lacy played with his working trio at The Velvet Lounge at 2128 ½ S. Indiana Avenue in Chicago. Owned and operated by tenor saxophonist Fred Anderson, The Velvet Lounge was the central hub for adventurous jazz music in Chicago from 1993 until Fred passed in 2010. Music critic and journalist Peter Margasak previewed the concert in the alternative weekly Chicago Reader, and someone blew up a xeroxed copy of it that Lacy inscribed across the …
CD version. This album is a tribute to the person and spirit of John Coltrane. It was produced by musicians who not only admire Coltrane but embody similar values.While it’s always a good time to honor Coltrane’s memory, this particular moment seems to carry an increased urgency of remembering his message and mission.Since some owners of this amazing record may be unfamiliar with Coltrane’s character, it’s worthwhile to briefly state a few biographical details.First, Coltrane was a compassionate…
*100 copies limited edition* New York City ensemble Part-Time Samurai introduces Grass Is Greener, its debut album for 577 Records: a collection of music shaped by movement, uncertainty, memory, and the gradual recognition that a life in transition can also be a life taking shape.
Led by saxophonist, vocalist, composer, and bandleader Noah Galbreath, Part-Time Samurai brings together trumpet, trombone, saxophone, vocals, keyboards, guitar, bass, and drums in music that moves freely between intri…
Follow up to 2020's Plays For Trane, this is Plays For Trane Vol. 2. The band dives further into John Coltrane's catalog, turning it inside out, bending it, holding it with care. Forkelid, together with Mattias Ståhl, David Stackenäs, Vilhelm Bromander and Jon Fält, revisit the jazz giant in a celebrated transformation, reimagining the sounds of John Coltrane.
The world knows Muriel Grossmann as a bandleader, saxophonist, and composer of highly individual and original music. Her work has become closely associated with a modern revival of spiritual jazz, reflected in albums such as Golden Rule, Universal Code, and Quiet Earth, and in performances across Europe with herlong-standing quartet.
That is one side of the story. In Ibiza, where Grossmann has lived and worked for over two decades, another side of the artist reveals itself. Locals know her not o…
Gustav Horneij’s Organic Pulse Ensemble blends jazz tradition with modern groove, inspiring unity & protest, uplifting listeners in the fight for freedom and justice for all.
Walldorf Studio, near Frankfurt, 1 and 2 May 1975. Albert Mangelsdorff on trombone, Palle Danielsson on bass, Elvin Jones on drums. Seven pieces, thirty-nine minutes, released by MPS the same year.
Mangelsdorff had recorded with Jones once before, on the 1968 duet album Albert Mangelsdorff and His Friends. The Wide Point is the first of his trombone-bass-drums trio records, the format that would produce Trilogue with Pastorius and Mouzon the following year and the Montreux album in 1980. The ban…
Studio Tempo, Montreal, 19 July 1996. Kenny Wheeler and Paul Bley, two Canadians who left for New York forty years earlier, in duo for the first time on record. Thirteen short pieces, seven by Wheeler and six by Bley, alternating; trumpet and flugelhorn against a piano that leaves most of the space empty.
Grand Rapids, Michigan, Urban Institute for Contemporary Arts, 28 April 2003. The Billy Bang Quintet with Frank Lowe on tenor, Andrew Bemkey on piano, Todd Nicholson on bass and Tatsuya Nakatani on drums. Lowe was playing with one lung. He died that September, and this is his last recording.
Bang and Lowe went back to the loft years and had made a run of duo and group records together. Justin Time, which had Bang under contract for Vietnam: The Aftermath and its sequel, released the tape in 2007…
Paris, Studio Davout, 12 and 23 October 1989. Pharoah Sanders with William Henderson on piano, Stafford James on bass, Eddie Moore on drums and Cheikh Tidiane Fall on percussion. Produced by Wim Wigt for Timeless, released in 1990.
The Penguin Guide called it the straightest jazz album Sanders had made for years, and heard what he was after: a hypnotic groove that lets the horn float almost at will. Steve Loewy at AllMusic writes that the results may have disappointed some fans at the time, but …