Jazz /
Calenture and Light Leaks
“a brisk but free-flowing dialogue with phrases and ideas being batted back and forth between them ... in effect, they are soloing simultaneously with each being aware of the other's playing and responsive to it. Even when Parker gets locked into one of his protracted, circular-breathing solos, Smyth is still there with him, responding with an impressively gargantuan solo of his own. The two obviously understand and complement each other well.” — John Eyles, All About Jazz
“Parker and Smyth use …
Tongue in a Bell
**CD Edition** “Peter Brötzmann has made no secret of the fact he doesn’t especially dig playing with pianists, citing a few notable exceptions including Fred Van Hove, Pat Thomas and Masahiko Satoh. Recorded in Dublin in 2015, this adventurous set extends the honour to Irish pianist Paul G Smyth. As Brötzmann locks into a characteristically savage mutter, Smyth responds with hyperkinetic leaps up the keyboard but, when the tenor briefly drops out, he’s able to employ a more deft touch, generati…
Psychic Armour
"Operating at an extremely high level, Smyth and Corsano share a special connection. One can almost see their thoughts syncing together and their bodies merging into one four-armed monster. Several moments are reminiscent of the best work from Cecil Taylor and Tony Oxley, while still managing to sound like Smyth and Corsano." — Burning Ambulance
“With the energy and focus on display, it is tempting to compare the meeting to two heavyweights coming toe-to-toe, prepared to slug it out… but that wo…
The Complete Yale Concert, 1966
For a performance at Yale University in New Haven, Connecticut, in spring of 1966, percussionist Milford Graves invited pianist Don Pullen to play duets. The two musicians had worked together in a band fronted by saxophonist and clarinetist Giusseppi Logan, with whom they had recorded two LPs in 1965 for ESP-Disk'. Graves was already a daunting presence in free music. One step at a time, he was busy transforming the role of drumming in jazz, introducing a new way of dealing with unmetered time a…
Improdimensions
**300 copies** "The second side of this beautiful duo album was recorded more or less half a year after The Swiftest Traveller in Vilnius, while the first one in December 2019. The recordings took place live during the concert series dedicated to improvised music, "Improdimensija", at MAMAstudio. The music is a little less exploratory than this recorded with Don Malfon or Torben Snekkestad. It sounds for me more like a 21st century response to the late music of Jimmy Giuffre music from the end o…
Live at Tenho
**250 copies, to be released on 30.05.2020** Unique duo live recording from 2016 with Finnish drummer Ilmari Heikinheimo and multi-instrumentalist Jimi Tenor, free-floating grooves in an organic / electric mash-up! Limited 250 copy LP with 6 tracks, comes numbered with download code and info on A4 insert."The existence of harmonic resonance will be proved when the minds of these amazing talents speak to each other thru aether."
Light Industry
**300 copies** "Colin Webster and Dirk Serries are skilled improvisers you can’t pin down on a single outlet. They remain restless seekers, never content with merely repeating themselves, not even within the same project. Compare Gargoyles to Light Industry. They are totally different." - Guy Peters"Serries and Webster meet again at their favorite studio, Sunny Side in Anderlecht, Belgium, in September 2019 for an intimate duo where Serries plays only acoustic guitars. They already recorded a du…
An Evening at Jazzblazzt
**300 copies** "Another special such place, situated in Holland, but only a few hundred meters from the Belgian border, is JazzBlazzt. It is as homely as can get - basically a garage turned into a small concert venue - but at the same time a miraculous place, where many artists that have appeared on this label have performed." - Guy Peters"Dirk Serries, still on acoustic guitar, meets again violist Benedict Taylor, and pianist Martina Verhoeven (she plays only on the second set) in a live perfor…
Vanguard
**300 copies** "As Derek Bailey once argued, the term ‘improvisation’ is loaded with such widespread connotations (the music is unprepared, flippant, without depth) that you’d almost hesitate to use it. However, no better alternative has become available and moreover: one close listen to Vanguard lets you know that you are dealing with skilled and inspired improvisers adding a worthwhile chapter to a 50-plus years legacy." - Guy PetersPerformed, recorded, mixed and mastered at the Sunny Side Inc…
The Vortex of Past Time
**300 copies** "And there is an abundance of material displayed here, as Andrew Cheetham and Alan Wilkinson combine impressive technical prowess, dynamics and imagination into a whole that combines physicality with thoughtfulness, tumult with intimacy. A musical performance remains the ideal way to deal with the impermanence of everything, and this album makes an excellent case." Guy Peters"Percussionist Cheetham and reedist Wilkinson, veteran improvisers of the UK scene, collaborate here on fou…
Sounds Good
*2022 stock.* Italian piano player Giovanni di Domenico and Catalan drummer Oriol Roca, have been musical partners for fifteen years. They started playing in duo in 2010 to explore the sound possibilities of their instruments, focusing on silence, density and space in music, through improvised fragments and some original compositions. Their first studio album is now released on Belgian label Spocus Records.
Down the Hill
*2022 stock.* Since their meeting in the Hague in the Netherlands in 2002, Alexandra Grimal and Giovanni di Domenico have been playing together regularly. Since 2011 they have been offering several subtle and inspired tête-à-têtes: Ghibli, Chergui and Down the Hill, which was released on January 19th, 2020. Ghibli, around a repertoire composed by the Italian pianist, released on the Sans Bruit label in 2011, the music navigates on the mineral lines of Alexandra Grimal's saxophones that come to r…
Chergui
*2022 stock.* Alexandra Grimal goes in her own way, elegant but robust, through the territories of jazz and improvised music over recent years. It was only natural she would meet and regularly play in duet settings with Giovanni di Domenico, as versatile an adventurer as Alexandra is, both in his musical choices and collaborations. Three years after their first recording together (2011's Ghibli on the Sans Bruit label), Chergui was recorded over two nights at the Théâtre du Châtelet (Paris, Fran…
Ghibli
"Alexandra Grimal goes in her own way, elegant but robust, through the territories of jazz and improvised music over recent years. It was only natural she would meet Giovanni di Domenico over the Alps, who has woven her a series of compositions where they locate/find the ironic meander of their dialogues. A sophisticated "chamber" jazz music that yet seems to flow so naturally... One forgets the music writing to only catch the emotion of the moment."Alexandra Grimal: soprano saxophoneGiovanni di…
Leave No Trace: Live In St. Louis
As live albums go, Tashi Dorji and Tyler Damon nail it down. No matter the crowd -- head thrashers, Instagram zombies, shaken jazzniks -- the shadow lines of feedback and bombastic percussive bombs are always at peak intensity. Through telepathic engagement the Bhutanese-born guitarist Dorji and Midwestern drummer Damon act with one-mind destruction as Leave No Trace: Live In St. Louis perfectly captures. It’s a pure sound for these disruptive, politically tumultuous times. Or Marc Master…
Pulsation
Two side-long improvised tracks – recorded in a spacious concert hall in Tokyo, and featuring the drums and percussion of Masahiko Togashi alongside some very inventive work on guitar from Masayuki Takayanagi!
Togashi is very different than the usual jazz drummer – and even when working the kit, has this way of moving forward, then stopping, moving forward, then turning – almost as if he's trying to be as a-rhythmic as possible! Takayanagi's guitar is a great accompaniment in this mood – as he…
Vilnius Noir
Ran Blake, piano. David 'Knife' Fabris, guitar. Ran Blake solo and duo with David 'Knife' Fabris. Works from Alexander Olshansky, Joel Yennior, Jason Yeager, George Russell, Peter Udell, Tommy Goodman, Michel Legrand, Herman Yablokoff, Abraham Ellstein, Antonio Carlos Jobim, Stevie Wonder, Duke Ellington, Barney Bigard, Irving Mills. Recorded live on 10th December, 2010 at St. Catherine's Church by Arunas Zujus. Limited edition of 500 records
Journey
On Journey, violinist India Cooke and bassist Joelle Leandre improvise in that exalted state of grace that every improviser hopes to attain. It’s a state in which everything they play just works. It’s as if they can’t play a bad note or make a sound that doesn’t advance the music. In this state, the music unfolds without prior arrangement and at speeds too fast for conscious control, yet it’s development and intent is always clear. That deep communication between two or more people is exactly wh…
Overhang Party
Stellar duo head on collision bet ween Kaoru Abe and free hitter/ skin mangler Toyozumi. The interaction between the t wo of them creates fire works of improvisational exquisiteness, free rambling seat sniffing combustion that on some occasions instigated Abe to divert his attention from his beloved sax to wards marimba and piano hammerings joined with harmonica blo w-outs. Ferocious, ghastly and kerosene charged head slamming action bet ween t wo of Japan's first wave free jazz terrorists.. Tak…
Imponderable evidence
Matchless Recordings presents a live concert by Eddie Prévost and Evan Parker recorded at Gateway Studios, Kingston-upon-Thames, London, on November 10th, 2003. The album includes five tracks performed by Evan Parker - tenor saxophone and Eddie Prévost - drums.