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Jinya Disc presents Live at freedom by New Directions, recorded live on 25 April 1981 at Takasaki. The album includes 4 tracks performed by Masayuki Takayanagi - Guitar, and Hiroshi Yamazaki on drums.
Masayuki 'Jojo' Takayanagi was a Japanese jazz / free improvisational musician. He was active in the Japanese jazz scene from the late 1950s. Was one of the earliest noise guitar improvisers, and the first (with Keith Rowe) to use the table-top guitar. Was a leading member of every avant-garde move…
Since their 1988 duo album Sonic Explorations and through a number of group collaborations, the duo of alto saxophonist Rob Brown and pianist Matthew Shipp have extended and evolved their uniquely astute and confident dialog, as heard in this magnificent 8-part studio album, a reflection on their compatibility and perceptive artistry.
"What they have lost are the rough edges or, more precisely, they have been able to incorporate them into what they have learned over the past 30 years. The depth …
* 2020 Stock * An authoritative meeting between two of New York City's strongest players - Matthew Shipp on piano and Nate Wooley on trumpet - distilled to their essence after work with saxophonist Ivo Pereleman, here performing a set of 12 Shipp compositions brilliantly captured in the studio, illuminating Shipp's solid mastery of the keys and Wooley's remarkable technique and creative drive.
Temporary Super Offer! It is surely significant that both Lovens and Stoffner use all four limbs to control their instrument. Lower limbs used principally to play bass drum and hi-hat in the case of Lovens, volume control and effects pedal for Stoffner. Right and left limbs, right and left brain hemispheres It is not surprising that there is plenty going on in their music. “Whatever happened to the Art of the Individual?!” Han Bennink once asked rhetorically to a crowded backstage. Well here i…
On October 14th 1989, Horace Tapscott, founder of the Pan Afrikan Peoples Arkestra, performed alongside his close friend and musical partner Michael Session at the Théâtre du Chêne Noir in Avignon, France. This was during a tour in which they traveled across Europe. The duo presented compositions by Leimert Park musicians Jesse Sharps, Nate Morgan and Tapscott himself.
The stark instrumentation of this concert led to minimal arrangements of compositions typically performed by much larger ensembl…
After "Divertimento for tenor saxophone and small ensemble" (Alien Transistor) and "The Anatomy Of Melancholy" (Disko B) the two members of the Tied & Tickled Trio, Johannes Enders and Carl Oesterhelt, now publish their third collaboration Heart Of Darkness (Themes and Variations). 16 compositions, variations / improvisations for duo or chamber music ensemble;
"Extremely interesting blend of jazz and non-jazz; Great ad hoc jazz improvisations on jazz-informed patterns " - Thomas Meinecke
Reissue, originally released in 1985. Gentle, incisive solo music for violin and electronics by one of the unsung giants of free improvisation. Philipp Wachsmann emerged in the fertile mid '70s underground free music scene in London, playing with everyone from Simon Mayo to Barry Guy to Derek Bailey to Evan Parker, starting a band called Chamberpot, making albums for the collective artist-run label he managed: Bead Records. These LPs, 26 of them in total, were made in tiny batches and are now ra…
* Edition of 300 * Performed by Colin Webster (alto saxophone), Andrew Lisle (drums) at Shrunken Heads Studio, London on 24th May 2019. Recorded and mixed by Senor Al Funklinos. Mastered at the Sunny Side Inc. Studio, Anderlecht (Belgium).
Rodrigo Amado was born in Lisbon, Portugal, in 1964 and took up the saxophone at the age of 17 while convalescing from an accident. Later he studied at the Hot Club Music School and was soon playing with numerous rock, pop and experimental projects. At the shifting boundary between free jazz and improvised music, Amado's position is clear: he plays jazz. He is so clearly a jazz musician that he doesn't require any pre-determined elements of rhythm, harmony, chorus lengths or melody to play jazz.…
“a brisk but free-flowing dialogue with phrases and ideas being batted back and forth between them ... in effect, they are soloing simultaneously with each being aware of the other's playing and responsive to it. Even when Parker gets locked into one of his protracted, circular-breathing solos, Smyth is still there with him, responding with an impressively gargantuan solo of his own. The two obviously understand and complement each other well.” — John Eyles, All About Jazz
“Parker and Smyth use …
**CD Edition** “Peter Brötzmann has made no secret of the fact he doesn’t especially dig playing with pianists, citing a few notable exceptions including Fred Van Hove, Pat Thomas and Masahiko Satoh. Recorded in Dublin in 2015, this adventurous set extends the honour to Irish pianist Paul G Smyth. As Brötzmann locks into a characteristically savage mutter, Smyth responds with hyperkinetic leaps up the keyboard but, when the tenor briefly drops out, he’s able to employ a more deft touch, generati…
"Operating at an extremely high level, Smyth and Corsano share a special connection. One can almost see their thoughts syncing together and their bodies merging into one four-armed monster. Several moments are reminiscent of the best work from Cecil Taylor and Tony Oxley, while still managing to sound like Smyth and Corsano." — Burning Ambulance
“With the energy and focus on display, it is tempting to compare the meeting to two heavyweights coming toe-to-toe, prepared to slug it out… but that wo…
For a performance at Yale University in New Haven, Connecticut, in spring of 1966, percussionist Milford Graves invited pianist Don Pullen to play duets. The two musicians had worked together in a band fronted by saxophonist and clarinetist Giusseppi Logan, with whom they had recorded two LPs in 1965 for ESP-Disk'. Graves was already a daunting presence in free music. One step at a time, he was busy transforming the role of drumming in jazz, introducing a new way of dealing with unmetered time a…
**300 copies** "The second side of this beautiful duo album was recorded more or less half a year after The Swiftest Traveller in Vilnius, while the first one in December 2019. The recordings took place live during the concert series dedicated to improvised music, "Improdimensija", at MAMAstudio. The music is a little less exploratory than this recorded with Don Malfon or Torben Snekkestad. It sounds for me more like a 21st century response to the late music of Jimmy Giuffre music from the end o…
**250 copies, to be released on 30.05.2020** Unique duo live recording from 2016 with Finnish drummer Ilmari Heikinheimo and multi-instrumentalist Jimi Tenor, free-floating grooves in an organic / electric mash-up! Limited 250 copy LP with 6 tracks, comes numbered with download code and info on A4 insert."The existence of harmonic resonance will be proved when the minds of these amazing talents speak to each other thru aether."
**300 copies** "Colin Webster and Dirk Serries are skilled improvisers you can’t pin down on a single outlet. They remain restless seekers, never content with merely repeating themselves, not even within the same project. Compare Gargoyles to Light Industry. They are totally different." - Guy Peters"Serries and Webster meet again at their favorite studio, Sunny Side in Anderlecht, Belgium, in September 2019 for an intimate duo where Serries plays only acoustic guitars. They already recorded a du…
**300 copies** "Another special such place, situated in Holland, but only a few hundred meters from the Belgian border, is JazzBlazzt. It is as homely as can get - basically a garage turned into a small concert venue - but at the same time a miraculous place, where many artists that have appeared on this label have performed." - Guy Peters"Dirk Serries, still on acoustic guitar, meets again violist Benedict Taylor, and pianist Martina Verhoeven (she plays only on the second set) in a live perfor…
**300 copies** "As Derek Bailey once argued, the term ‘improvisation’ is loaded with such widespread connotations (the music is unprepared, flippant, without depth) that you’d almost hesitate to use it. However, no better alternative has become available and moreover: one close listen to Vanguard lets you know that you are dealing with skilled and inspired improvisers adding a worthwhile chapter to a 50-plus years legacy." - Guy PetersPerformed, recorded, mixed and mastered at the Sunny Side Inc…
**300 copies** "And there is an abundance of material displayed here, as Andrew Cheetham and Alan Wilkinson combine impressive technical prowess, dynamics and imagination into a whole that combines physicality with thoughtfulness, tumult with intimacy. A musical performance remains the ideal way to deal with the impermanence of everything, and this album makes an excellent case." Guy Peters"Percussionist Cheetham and reedist Wilkinson, veteran improvisers of the UK scene, collaborate here on fou…
*2022 stock.* Italian piano player Giovanni di Domenico and Catalan drummer Oriol Roca, have been musical partners for fifteen years. They started playing in duo in 2010 to explore the sound possibilities of their instruments, focusing on silence, density and space in music, through improvised fragments and some original compositions. Their first studio album is now released on Belgian label Spocus Records.