Jazz & Improvisation / Free Jazz

1994 release ** "Hooker's music is good, unabash ed free-jazz improvising. He and Lawrence make an effective duet: Hooker's rolling bed of drumming avoids direct comment on Lawrence's strong, Lyons-inflected alto. Of the trio and quartet tracks on the album, Pralaya and Radiance are probably the strongest. The horn players get their solo moments and do well with them, but the music is framed to emphasize the group, and that's where a listener's ears are drawn. There's good group improvising to b…

1989 release ** An early Available Jelly Quartet; the instrumentation scaled down to two horns, bass/tuba, and percussion. Original compositions and covers of Brian Wilson and Misha Mengelberg. "The 1989 album from Available Jelly, In Full Flail narrowed down the band's physical lineup while extending its musical reach. Down to a quartet, the band included Michael Moore on saxophones and piano, Gregg Moore on tuba, trombone, electric bass, and mandolin, Michael Vatcher as master drummer, and the…

2015 release ** "Matthew Shipp, the supreme jazz pianist of his generation, and Mat Walerian, the finest Polish jazz woodwind player of his, have combined their talents in concert on several occasions. This album documents one such event on May 15, 2012. Shipp hardly needs an introduction at this point thanks to a career of over a quarter century, including not only many acclaimed albums under his own name but also a long and prominent tenure in the David S. Ware Quartet and a vast array of coll…

1995 release ** "This work had its origin in the '60s. That's when I met Irene Aebi and Frederic Rzewski in Rome. The three of us have been working together ever since. The Living Theatre (founded by Julian Beck and Judith Malina in New York) was at that time very active in Italy and, as the most powerful and innovative theatre group anywhere, was becoming part of all our lives. I knew them from New York from the late '50s (The Connection, The Brig), and so did Frederic, who had composed and pla…

1997 release ** Daniel Carter, alto saxophone, tenor saxophone, flute, clarinet, trumpet, piano, voice - Randall Colbourne, drums, piano - Paul Flaherty, alto saxophone, tenor saxophone, voice - Raphe Malik, trumpet, piano - Sabir Mateen, alto saxophone, tenor saxophone, flute, clarinet, piano, voice.

1993 release ** "This aggressive trio of improvisers is unified by one idea throughout this session: that none of them gives a damn what the other thinks. It's a liberating notion and one not often seen on the other side of the Atlantic. In this set of tracks, the ancient drummer of British free jazz, Tony Marsh, is pitted in with the ever-youthful Paul Rogers and the energetic youngster Simon Picard on tenor. Marsh is the key to the communication as well. His swooping cymbal work and shifting f…

Some of soprano saxophonist Steve Lacy's most interesting recordings are his earliest ones. After spending periods of time playing with Dixieland groups and then with Cecil Taylor (which was quite a jump), Lacy made several recordings that displayed his love of Thelonious Monk's music plus his varied experiences. On this particular set, Lacy's soprano contrasts well with Charles Davis' baritone (they are backed by bassist John Ore and drummer Roy Haynes) on three of the most difficult Monk tunes…

"First visit to the audio equivalent of a graphic novel. Follow A Very Heavy Person is more than an album—it is an experience, an inquiry, an adventure into the unknown, defying easy categorization and existing in the liminal space between music, poetry, and philosophy. Armaroli and his quintet have crafted something truly singular—a journey through sound that is both timeless and profoundly rooted in the ephemeral beauty of the present moment." - Mark Corroto

2006 release ** "Janna is the recording on which the extraordinary improvising cellist Ernst Reijseger collaborates with Senegalese poet and instrumentalist Mola Sylla and percussionist Serigne C.M. Gueye on a program of songs and poetry that erases the borders between European and African traditions and creates something entirely new from the ruins. This could only be accomplished if each member of this trio brought the entirety of his musical heritage with him to the table and placed it there …

Friedrich Gulda (16 May 1930 – 27 January 2000) was an Austrian pianist, composer and musical crossover artist. Coming from a classical background, he began playing the piano at the age of seven. At the age of 12, he began his musical education with Bruno Seidlhofer (piano) and Joseph Marx (music theory and composition) at the Vienna Academy of Music, now the University of Music and Performing Arts in Vienna. At the age of 16, he won the Geneva International Music Competition and quickly rose to…

An essential jazz masterpiece from celebrated Canadian pianist Paul Bley, presented in a deluxe edition. Originally released in 1969 as part of the iconic Actuel series, this definitive remastered edition of Ramblin' invites listeners to experience the artistry of Paul Bley’s 1966 Rome session in unprecedented clarity. Recorded at Studio RCA in the Eternal City on July 1, 1966, Ramblin’ captures Paul Bley alongside the formidable rhythm section of double bassist Mark Levinson and drummer Barry A…

1996 release ** ""The final in a series of three CDs that feature the idiosyncratic Moscow Composer's Orchestra led by the incomparable Vladimir Miller and featuring ex-Ganelin Trio drummer Vladimir Tarasov and, of course, Tuvan vocalist Sainkho Namchylak. The reason for the title of the album is that it was recorded live at the Bolzano Jazz Festival. Unlike the other discs in this series, this one features long versions of two previously released compositions -- "Two Tone Tuva" and "March of th…

1991 release ** "During the late '80s and early '90s, the Art Ensemble of Chicago recorded a number of albums for the Japanese DIW label. While a couple of these releases were fine additions to their catalog (notably, Dreaming of the Masters, Vol. 1 and The Art Ensemble of Soweto), the majority found the band treading water, breezing through tunes and structures long a staple of their repertoire but rarely either breaking new ground or playing with inspiration. Dreaming of the Masters Suite is a…

1989 release ** "The Nichols program, recorded in 1984, was by a band with Sean Bergin (alto sax), Michael Moore (alto sax), Maurice Horsthuis (viola), Toon de Gouw (trumpet), Han Bennink (drums), Ernst Reijseger (cello), Paul Thermos (alto sax), Steve Lacy (soprano sax), Larry Fishkind (tuba), Misha Mengelberg (piano), Wolter Wierbos (trombone), and Garret List (trombone). The Monk program, from 1986, consisted of Ab Baars (soprano and tenor sax, clarinet), Michael Moore (alto sax and clarinet)…

1993 release ** "No matter how many albums David Murray issues, he never coasts or goes through the motions. This is mainly a quartet date, although Murray shows on the title track his ability to back a singer as Taana Running gives a moving vocal, complete with her original lyrics. Otherwise, these are either spirited uptempo numbers or equally energized ballads. Murray's sweeping tenor sound remains a marvel, and few can match him in controlling drive, pitch and volume. Drummer Rashied Ali has…

The heart sits and takes in all wakes of the universe. A blessing to discover sound and how it enters the body and is shared to all. I feel the sound wraps in and out of my heart and pours through the saxophone. Searching, discovering the Creator. I pray this music reaches into your heart, goes all the way to the deepest place and blossoms up the most beautiful gardens of joy and love, curiosity. I am forever grateful to meet souls such as Lex, Miguel, and Caroline. Through these recordings I po…

2013 release ** "“Two for Joyce – Live in Trieste”, a new cd from Long Song Records/Audioglobe is the successful account of their performance. 50 minutes of improvised music, a long track of music that shows the vast range of their abilities wonderfully. According to some, Tippett gives his best both alone and in a duo, which is not to diminish his excellent work to date in many ensembles. He is a profound and inventive pianist, austere and grandiose at the same time, as when there’s a waterfall…

Kalaparusha Maurice McIntyre - tenor saxophone, clarinetMalachi Thompson - trumpetMilton Suggs - electric bassAlvin Fielder - drums Recorded July 12, 1975 at Studio Rivbea, 24 Bond Street, NYCRemastered by Arūnas Zujus at MAMAstudios, Vilnius, LithuaniaPhotos by Thierry TrombertCover art and design by Jeff DiPernaLiner notes by Ed Hazell

An extraordinary, previously unheard session by alto saxophonist Arthur Blythe originally recorded on July 6, 1976 in New York City, and performed in the expansive, unconfined environment of the loft jazz movement, delivering remarkable extended solos on alto saxophone. The minimalist ensemble comprises Juni Booth on bass, Steve Reid on drums, and Muhammad Abdullah on conga, devoid of piano or additional horns, allowing Blythe ample opportunity to showcase his improvisational skills. The initial…

1993 release ** "The leading New York avant jazz harpist has appeared on hundreds of free improvisation recordings in collaboration with artists such as Fred Frith, John Zorn, Elliott Sharp, Lee Ranaldo, and Ikue Mori, among many others. During the '80s and '90s, she pioneered the electric harp of her own design, an instrument which thrives on the rich tonalities of the traditional harp matched with the flexibility of an electric guitar. The instrument was so unique that it shaped and influenced…

2003 release **

Temporary Super Offer! "For the followers of Ornette Coleman’s music, 1963 and 1964 were the lost years. His final session for Atlantic Records, Ornette on Tenor, was in March 1961, and though he played sporadic club dates in ’62, his self-produced Town Hall concert in December was to be his last significant appearance until he accepted a Village Vanguard gig in January 1965. The reasons for this hiatus, apparently, were personal, economic, philosophical, pragmatic, and artistic, all at the same…

2007 release ** "Founded by Village Voice icon Greg Tate and co-led with Dayton Ohio monster bassist Jared Michael Nickerson since 1999, Burnt Sugar the Arkestra Chamber is a sprawling band of musicians whose prodigious personnel allows them to freely juggle a wide swath of the experimental soul-jazz-hip hop spectrum. Burnt Sugar was originally conceived as a forum for the New York area improvisational musician to compose, record and perform material which reflects the breadth and depth of Ameri…

How Many Clouds Can You See? is the second album by English saxophonist John Surman featuring  Alto Saxophone – Mike Osborne; Baritone Saxophone, Flute – John Warren; Baritone Saxophone, Soprano Saxophone, Bass Clarinet – John Surman; Bass – Barre Phillips, Harry Miller; Drums – Alan Jackson, Tony Oxley; Piano – John Taylor; Tenor Saxophone, Flute – Alan Skidmore; Trombone – Chris Pyne, Malcolm Griffiths; Trumpet – Dave Holdsworth; Trumpet, Flugelhorn – Harold Beckett; Tuba – George Smith. John …

1989 release ** "It is one of the finest of Zusaan Kali Fasteau's albums from a solo perspective, she contributes very characteristic cosmic tones on sanza, soprano, vocals, piano, ney, shakuhachi, kaval, mizmar and berimbau. She is most notably and effectively joined by the great Rashied Ali on drums, Bob Cunningham on contrabass, Elizabeth Panzer, harp, James C. Jamison, guitar, David Cornick, percussion, and Paul Leake on tabla. The group members come in and out as needed, with Kali being the…

Fall Into a Rabbit Hole of Delicious Sound with New Trio Album from Up-And-Coming Saxist Eric Shorter & 577 Records

A New Quartet Has Been Born from the Souls of Daniel Carter, Ayumi Ishito, George Draguns, and Ed Wilcox, and Their Debut Album Stands to Redefine Experimental Music Entirely

Brooklyn’s 577 Records is ecstatic to introduce you to a soaring trio making a name for itself in the global experimental community.  Their debut album, Siesta, delivers blissful, organized chaos bolstered by these artists' seemingly limitless imaginations.  Expect the unexpected.  Forged from a 2024 chance meeting in Buenos Aires, Argentina, the Wallace, Vazquez, and von Schultz project came together as quickly as it did naturally.  Their “big bang” moment of origination occurred at the suggest…

Rising UK Trio Sveið Unleashes Human-AI Improv Collaboration That Will Blow Your Mind Wide Open

2024 stock. With her new album, I Went This Way, (due October 23, 2020), Rachel Musson debuts her own ambitious compositions, incorporating spoken word text and daring instrumental experimentation, alongside eight other accomplished musicians. The ensemble was built around the close working relationship between saxophonist Rachel Musson and drummer Mark Sanders. The music, a blend of compositions and improvisation designed to highlight all of the different musical voices in the ensemble, is susp…

2024 stock. That’s right, Carter plays piano on this date! It’s the first thing heard as this disc kicks immediately into definite but mature overdrive. It’s a blast to hear William Parker, bassist for Cecil Taylor’s much-lauded Feel Trio, free-walking under Carter’s percussive attacks, certainly indebted to Taylor but even more pointalistic. The case is made on “Zero Softly”, a spare minimalist musing where notes hang in the air like galaxies only to fade beneath Federico Ughi’s carpet of brush…

Federico Ughi Together with Leo Genovese and Brandon Lopez Explores the Spaceways in the New Multidimensional LP ‘Infinite Cosmos Calling You You You, Vol. 1’

2018 release ** “Towers of Silence features Malaysian master saxophonist Yong Yandsen and Singapore-based Australian drum virtuoso Darren Moore. Recorded at Tokyo's legendary GOK Sound studio in October 2017, Towers of Silence is a distillation of Yong and Moore's approach to acoustic improvisation. The amalgam of their sounds at times creates ghost tones where apparitions of unknown origins create rarefied space.”

2013 release ** "UK collection that focuses on Flying Dutchman Records, a Jazz label started by Bob Thiele. Liberation Music looks at the label's first five years, through it's Jazz and spoken word releases. This exciting and revolutionary label was launched in 1969 by producer Thiele, after he left the Impulse label where he produced John Coltrane. Featuring: Angela Davis, Gil Scott-Heron, Lonnie Liston Smith, The Esoteric Circle, Black And Blues, Louis Armstrong, Bob Thiele Emergency, Carl B S…

*2025 stock* This eclectic group features the legendary multi instrumentalist Daniel Carter as well as the scientist/pianist Matthew Putman, drum wizard and 577 Records co-founder Federico Ughi, together with the brilliant up-and-coming member of the New York downtown scene, Texas-born clarinet player Patrick Holmes plus veteran bassist Hilliard Greene, a mainstay of the avant-garde for the last 20 years.

Collaborations are unique to their combinations, producing totally original and innovative ideas with the addition of a single factor. In this case, legendary musicians and 577 mainstays join together in this unique arrangement for the first time, allowing for yet another reinvention. Saxophonist and multi-instrumentalist Daniel Carter, pianist Leo Genovese, bassist William Parker (also playing Gralla and Shakuhachi on this album), and drummer and vocalist Francisco Mela, unite for another impro…

Soul Of Africa stands as a cornerstone of the Afro-Parisian jazz scene of the 1970s and 1980s, uniting the expressive tenor sax of Hal Singer with the adventurous piano and arrangements of Jef Gilson. Recently reissued by Endless Happiness on 180g vinyl, this sought-after album brings back a key document in the fusion of African rhythms and Parisian jazz innovation. Recorded in Paris, the album features a stellar lineup: Jacky Samson (bass), Bernard Lubat (vibraphone, piano), and the “Malagasy R…

**2025 Stock. Very last copies** A Monumental 52 CD + 2DVD + photo-book box (Every box is numbered and unique because Han Bennink himself painted each copy by hand! ) to celebrate 45 years of Instant Composers Pool - and worldwide delivery is included! "Improvisation is like daily life... like crossing a street" - says Han Bennink. The ensemble of the Instant Composers Pool, or ICP, improvises for 45 years now on the highest level. "These guys can swing like madmen and then all of a sudden play…

2009 release ** "You like free jazz raw and hard and real and authentic? Well then here's a treat for you: Daniel Carter meets Randall Colbourne meets Paul Flaherty in a free-for-all blowing session."

2025 stock  A cinderblock-sculpting freakout session from Don Dietrich (Borbetomagus/The New Monuments) and Ben Hall (The New Monuments). Highly-touted by Aaron Dilloway, deep sea creatures, and your local tire dealership.