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"Jeremy Brown might be a new name to many listeners of this music. He is a Professor of Music at the University of Calgary in Alberta Canada who teaches improvisation, is the Director of the University Jazz Orchestra and the Saxophone Ensemble and is a notable and prolific scholar of music. He is a busy professional musician who plays saxophone, flute, clarinet in classical, and jazz settings. He is a virtuoso, who is very highly regarded in Canada and elsewhere. I met him when I was the Killam …
We are all the time thirsty for music played by legendary clarinet master Perry Robinson! Fortunately, before he passed away about four years ago, he leave some music recorded with his musical partner and also an excellent clarinet virtuoso Michael Marcus. Together, Mr. Robinson and Marcus, and the iconic drummer Jay Rosen established The New York Clarinet Society and now we received one of the latest recordings in the band’s history!
"We came together as a family in sound - a perfect triangle.…
**In process of stocking. 200 copies** Everything surrounding Brace looks simple and clear. The name, Brace, five letters, one syllable. The title of their debut album, “Quaternity”, refers to the four pieces in it. Even the straightforwardness of the song-titles leaves no room for doubt. The Bristol duo featuring Ollie Moore (reeds/keyboards) and Aidan Searle (drums/percussion) know what it is doing: plain free jazz born of instant composition. Moore has been around for a while, an active playe…
*2022 reissue.* "Maskerade“ is among the most fascinating fusion and spiritual jazz LPs from West Germany. The sought after album was originally released in 1974 on the tiny label "Creative Music Records“, with only a few hundred copies known to exist. Leader Dieter Bihlmaier stands out as a fantastic flute player, recalling some of the best moments of icons like Eric Dolphy, Sahib Shihab or Jeremy Steig. Bassist Jan Jankeje, percussionist Gerhart Ziegler and vibraphonist Gerhard Dietz form his …
In October 1974, the first number of “L'Indépendant du Jazz”, a small self-produced magazine DIY -before punk supposedly invented the concept- was launched by Jef Gilson, Gérard Terronès, Jean-Jacques Pussiauand a few other specialists of a different kind of jazz in France, it looked at the already long career of Jef Gilson and in detail at the album with saxophonist Philippe Maté : The "Workshop" is, with Philippe Maté (alto-sax), an undeniable success. Maté is genuinely ‘the’ most inventive Fr…
*Limited edition of 600 copies* Nomadic spiritual jazz duo The Sea Ensemble embodied the ethos of their era and art to a uniquely poetic degree. Founded in the early 1970’s by ethnomusicologist Zusaan Kali Fasteau and versatile instrumentalist Donald Rafael Garrett (sideman to John Coltrane, Archie Shepp, and Roland Kirk, among others), the couple’s lifestyle mirrored their music: restless, questing, collaborative, and improvised. Their itinerant journeying spanned Senegal, Congo, Morocco, Haiti…
*2022 stock.* Not exactly prolific this band: their first album "And The Missing R" dates from 2008 already, and now, seven years later we get their sophomore album, and that is many years too late, but their music is great. The band still consists of Belgian-Italian Daniele Martini on tenor sax, Belgian-Italian pianist Giovanni di Domenico, Portuguese bassist Gonçalo Almeida who resides in Rotterdam, and Portuguese drummer João Lobo.
The first track, "Non Negative Python", is a slow intimate a…
*2022 stock.* Tetterapadequ is formed by Italian Daniele Martini (tenor sax) and Giovanni di Domenico (piano), and Portuguese Gonçalo Almeida (double bass) and João Lobo (drums). This quartet creates improvised music, mostly subdued, introverted and restrained, where the four musicians create small creative aural environments, with scarce sounds and making use of empty space. Their first release"And the Missing R" (2008) has appeared on the acclaimed Portuguese label Clean Feed. After some years…
Torbjörn Zetterberg’s new record, Opinions, is not a conventional “solo” outing. It doesn’t represent the bassist, composer, and bandleader stepping away from all that to prove his mettle as a virtuoso unaccompanied improvisor. Anyone familiar with Zetterberg’s small group recordings needs no confirmation of his prowess. And anyway, strutting his stuff is not his vibe. Certainly not the vibe of this record, where the bassist plays more than bass, a solo venture on which he is occasionally joined…
Japanese free jazz pioneer and trumpeter Itaru Oki, who passed away in August 2020, was active mainly in Europe. He was one the key players in the development of a distinctively Japanese take on free jazz in the Tokyo scene of the late 1960s and early 70s, leading his own power trio and collaborating with other formative names like percussionist Masahiko Togashi and bassist Keiki Midorikawa. His last recording (recorded live on October 7, 2018) was a 75-minute improvisation with legendary Masahi…
Tip! For the 8th edition of Mats Gustafsson's NU Ensemble, Gustafsson focused on the current state of the world, „Hidros 8 Heal" is an attempt to rise and find the questions about the state of things. there is an extreme unbalance on local and global levels at the moment — from ideological, economical, cultural and political perspectives – and we need an equilibrium of some sorts very soon. can it heal ? what can make it all heal? and for how long can it heal?
Anna Högberg - alto and baritone sa…
Over the last half-decade Saxophonist and composer James Brandon Lewis has emerged as one of the most exciting figures in jazz and improvised music, a voracious listener who rejects stylistic hierarchies and one that has feverishly explored new ideas and embraced fresh motivations with every new project. Inspired by molecular biology, he develops a special system for a surprising and beautiful music with his Quartet with drummer Chad Taylor, pianist Aruán Ortiz, and bassist Brad Jones. He has ta…
Strut continues their work from the archives of Idris Ackamoor and The Pyramids with a first ever vinyl release of Ackamoor’s debut avant-garde / Afro-jazz recordings from 1971 with The Collective, based out of Yellow Springs, Ohio. The group was formed after Ackamoor had returned to Antioch from a spell in L.A. under the wing of influential saxophonist Charles Tyler. Pianist Lester Knibbs had been appointed to the Antioch college music department as an assistant professor and had followed a sim…
Limited edition of 200 copies.* "In statistics, a ‘spurious correlation’ is a mathematical relationship in which two or more events or variables are associated but not causally related, due to either coincidence or the presence of a certain third, unseen, factor. Spurious correlations look like causal relationships in both their statistical measures and in graphs, but they're not real."
*Limited edition of 500 copies.* This was definitely a perfect title for Ornette Coleman's second and last album for Contemporary before switching on Ertegun's Atlantic label. Originally released in 1959 "Tomorrow is the Question" was an early evident step towards the revolution to come. An adventurous yet accessible, bluesy album with Coleman and Don Cherry tasting for the first time the freedom of a pianoless rhythm section featuring Percy Heath or Red Mitchell on bass and the great Shelly Man…
4 Cuts Placed In "A First Quarter", the companion piece to Solos, is the sonic result of a collaboration with artist Lawrence Weiner. As Landry remembers, “I was working for Keith Sonnier at Castelli Gallery and met Lawrence. He asked ‘can you make a video for me?’ So we did "To and Fro..." At some point he was working on "A First Quarter" (1973) and wanted me to do the music. I said ‘I already have the music.’ He said ‘what do you mean?’ I had recorded several pieces with Kurt Munkcasi and walk…
On February 19, 1972, a crew of mostly Louisiana-raised musicians came together at the Leo Castelli Gallery on West Broadway in Soho to perform a wholly improvised concert. This ensemble’s solos spring from collective improvisations and a tumultuous backbeat, loosely inspired by the creations of Coltrane, Coleman, Albert Ayler, and their brethren. The de facto leader was Richard “Dickie” Landry, a saxophonist and keyboardist who joined composer Philip Glass’s group in 1969. Landry had become a f…
William Parker’s Universal Tonality documents an epic performance which brings his titular concept to full, vibrant life. An exquisite example of this system in practice, it features a truly once-in-a-lifetime assembly of creative music luminaries and legends. Clocking in at nearly two hours and featuring six extended pieces flowing across two discs, this Universal Tonality happening took place in December 2002. Parker invited 16 musicians of various ages, cultures and musical backgrounds – to j…
*In process of stocking.* The exemplary & well-traveled cornetist Kirk Knuffke here introduces a bold new trio – with bassist Michael Bisio & pianist Matthew Shipp – on an intimate & expansive double album. Gravity Without Airs features the three world-class musicians on both Knuffke compositions and in open form, together creating a tour-de-force of poetry and verve. “Rhythmically precise, New Orleans funky and full of grace, Kirk Knuffke’s music is a reflection of his multifaceted personality:…