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*300 copies limited edition* Re-edition into CD of the tape out on OEC in 2018 and immediately sold-out. Re-mastered for CD by Devi(L)s Granziera (aka Teatro Satanico). Live actions in their entirety by Atrax Morgue: Live @ SOTTOMONDO - Treviso / Italy - on October 23 1999; Live @ URGA - Tokyo / Japan - on December 03 2006. Music, words, vocals by Marco "M. Nothing" Corbelli, "Alive and Dead" no need to say more...
*300 copies limited edition* "Paranoia standard edition has sold-out and here comes the expanded edition / re-print of one the best, if not the best, Atrax Morgue CD release. To this new edition we have added two alternative versions of the track Il Forcipe di Thanatos which were first released on the 7" vinyl Malaplacenta out on OEC in 2017. The original project dates back in 2007 just before Marco's death. On those two alternative tracks you can hear Marco's voice ranting the text written by M…
*300 copies limited edition* "First releaset as a tape in 1995, reprinted as a CDr in 2002. Finally, after 24 years, in 2019 omes CD-Digipak re-edition of this legendary album. For the CDr re-release the tape was completely remastered at Sweet Slaughter by none else than Marco Corbelli and the following were added: 2 unreleased tracks recorded in 1995 + 2 unreleased tracks recorded in 2002. This was and still is best Italian Morgue P/E Industrial. Brutal Synth-Noise by the cadaverous mind of thi…
*2026 stock. 200 copies limited edition* IRM presents An Act Of Self Mutilation Is An Act Of Freedom, a work that transforms inner conflict, physical intensity, and emotional extremity into a radical statement of liberation. Released through Phage Tapes, the album inhabits the unstable space between violence and vulnerability, collapse and renewal, destruction and release.
Rather than offering easy catharsis, IRM confronts the listener with an uncompromising sonic language—raw, abrasive, and dee…
*75 copies limited edition* Richard Ramirez returns with The Hurting, a devastating new tape that plunges deep into the bleakest corners of harsh noise, industrial decay, and psychological unrest.
Across its abrasive and suffocating soundscapes, The Hurting transforms distortion into a language of pain. Layers of feedback, blown-out frequencies, metallic resonance, and corrupted textures collide and collapse, creating an atmosphere that feels both brutally physical and deeply internal. This is n…
Aux Armes returns with Siege, a merciless and deeply charged new album released by Minneapolis-based label Phage Tapes.
Built from punishing industrial electronics, stark rhythmic structures, and an atmosphere of permanent confrontation, Siege is music shaped by endurance. Its nine tracks move through tension, resistance, sacrifice, and remembrance, balancing mechanical force with a stark emotional weight. There is no release from the pressure: every pulse feels like a warning, every repetition …
*300 copies limited eidtion* Power Electronics, for the most part, stays within its lanes of transgressive misanthropy, with a blackened explosiveness of tortured psyches and nightmarish reflections for the darkest facets of the human condition. Since Whitehouse introduced the phrase, concept, and framework to Power Electronics, its authorship has been primarily male. But within the past decade or so, a diverse web of voices - female, feminist, non-binary, queer - has thrust the PE aesthetic bey…
Trepaneringsritualen explores themes of religion, magick and the hidden realms of consciousness, taking its musical cues from the old school of ritual ambient & death industrial. Rhythmic and seething at times, and oozing forward with a creeping sense of desolation at others, Trepaneringsritualen conjures forth bleak but mesmerizing visions of the end-times.
"Perfection & Permanence": a hymn to Isis; a further exploration of the duality of the holy harlot, the black skinned Magdalen, mother and …
*200 copies limited edition* Historic first-ever compilation of the extreme UK electronics trio directed by dominatrix / model Dannielle Black, along with Barry Fuller and Jason Whittaker they were active in the early 90s tape trading scene putting out their own releases through the BV Tapes imprint. Often bearing explicit artwork, label operations grinded to an abrupt halt when UK customs seized a shipment of fetish magazines from Paris which included a photographic feature on Danni. Fuller was…
Vologne debut album tells stories about loss, existence and oppression...when lost illusions turned into black rage. To the restless and misunderstood people who enjoy another kind of beauty.
*300 copies limited edition* Re-edition of the Cult Industrial-Noise / Power-Electronic split album out in 1997 on OEC. The original LP, limited to 470 copies, is long time sold-out: time for reprint it into CD format. It’s amazing, it has been 28 years since the original split LP was released. These tracks all sound better than ever thanks to a meticulous mastering job by Grant Richardson. “120 Days of Sodom” is accompanied by the only previously unreleased Deathpile track, which was recorded i…
Lub arrives like a controlled implosion. On this debut full‑length, SOF - a Berlin‑based Portuguese artist steeped in metal, noise and the more hostile edges of underground sound culture - treats the album format as a site of self‑preservation through destruction. Rather than slotting into any familiar subgenre lane, these tracks rip up the social contracts of song form: riffs don’t resolve where they “should,” structures don’t flatter attention spans, and there is no chorus waiting to offer cat…
Last Wish is one of those records where Himukalt turns autobiography into something sharper, stranger and more confrontational than confession. Framed as fiction but sparked by the collapse of a sexless relationship, the album channels not heartbreak but a more corrosive residue: contempt, pity, unresolved rage. The narrator admits that by the end “I didn’t love her; I just felt pity for her,” yet the anger remained, and Last Wish becomes the space where that anger is stretched, tested, and held…
Seven Memories / Human Meat brings Himukalt and Subklinik together in a collaboration that feels less like a split and more like a shared autopsy table. Across its two halves, the record traces a tight arc from psychic excavation to corporeal desecration, turning the body and memory into raw material for a language of diseased electronics, guttural atmospheres and suffocating space. It is an album that treats industrial and death‑ambient not as fixed styles but as solvents, slowly stripping away…