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Unhalfbricking
Unhalfbricking is the third album by the British folk rock band Fairport Convention and their second album released in 1969. It is seen as a transitional album in their history and marked a further musical move away from American influences towards more traditional English folk songs that had begun on their previous album, What We Did on Our Holidays and reached its peak on the follow-up, Liege & Lief, released later the same year.
The album features several Bob Dylan songs, which he had not yet…
What We Did On Our Holidays
Sandy Denny's haunting, ethereal vocals gave Fairport a big boost on her debut with the group. A more folk-based album than their initial effort, What We Did on Our Holidays is divided between original material and a few well-chosen covers. This contains several of their greatest moments: Denny's "Fotheringay," Richard Thompson's "Meet on the Ledge," the obscure Joni Mitchell composition "Eastern Rain," the traditional "She Moves Through the Fair," and their version of Bob Dylan's "I'll Keep It …
Liege & Lief
Liege & Lief is the fourth album by the British folk rock band Fairport Convention. It is the third album the group released in the UK during 1969, all of which prominently feature Sandy Denny as lead female vocalist (Denny did not appear on the group's 1968 debut album), as well as the first to feature future long-serving personnel Dave Swarbrick and Dave Mattacks on violin/mandolin and drums, respectively, as full band members (Swarbrick had previously guested on Unhalfbricking). It is also th…
So far and further on ...
*6 Colour variants limited to a total of 276 numbered copies* Introducing a meticulously crafted DIY limited vinyl box set housing 3 LP’s and a comprehensive illustrated booklet. This set is highlighted by a captivating textured sleeve handmade with deluxe Bookbinding Savanna Cloth combining the timeless charm of vinyl records with the tactile allure of vintage materials. Immerse yourself in the depths of folk-rock’s best hidden gem and the thrill of a collector's treasure trove. This limited ed…
It's A Beautiful Day
*2023 stock* "It's a Beautiful Day were no less memorable for their unique progressive rock style that contrasted well with the Bay Area psychedelic scene...It's a Beautiful Day remains as a timepiece and evidence of how sophisticated rock & roll had become in the fertile environs of the San Francisco music scene." - All Music
Kip Of The Serenes
*2023 stock* Ireland's answer to the Incredible String Band, Dr. Strangely Strange engaged in the same type of psychedelic acoustic music with folksy arrangements. With traditional instruments like penny whistle, fiddle, harmonium, and mandolin, Dr. Strangely Strange was more solidly rooted in melody and structure than the group's flaky Scottish counterparts. Produced by British modern folk guru Joe Boyd, Kip of the Serenes is built around simple and repetitious melodies occasionally interrupted…
Heavy Petting
*2023 stock* On their first album, Irish band Doctor Strangely Strange declared themselves to be "strangely strange but oddly normal," and by their time of their second effort, 1970's Heavy Petting, it's possible that "oddly normal" no longer applied. The spiritual cousins of the Incredible String Band, although less rooted in folk traditions, their music flitted around like a butterfly, rarely settling anywhere for long -- and certainly never for the length of an entire song. "Gave My Love an A…
I Can't Promise
Recorded between August 24, 1983 and September 9, 1984.
Senza Orario Senza Bandiera
* 2023 stock * “Senza timetable senza Bandiera” was releasedo on October 23, 1968. It is the long-distance debut of the New Trolls and is also the first concept album in the history of Italian rock. A work born from the encounter between a group then considered avant-garde, the New Trolls, a singer-songwriter used to going in a stubborn and opposite direction like Fabrizio De André, the visionary poet Riccardo Mannerini and Gian Piero Reverberi, a cultured musician and arranger and prepared. A c…
A Vulture Is Not A Bird You Can Trust
Another underground folk masterpiece back on the map. Forerunner of the british revival Ian A. Anderson licensed the album on his own The Village Thing on December 1971. Besides a couple of excellent cover- Black Uncle Remus penned by Loudon Wainwright III and a minor Bob Dylan classic as One Too Many Mornings – the album shows a more forward thinking production, with several bucolic progressive arrangements.
Fairport Convention
By far the most rock-oriented of Fairport Convention's early albums, this debut was recorded before Sandy Denny joined the band (Judy Dyble handles the female vocals). Unjustly overlooked by listeners who consider the band's pre-Denny output insignificant, this is a fine folk-rock effort that takes far more inspiration from West Coast '60s sounds than traditional British folk. Fairport's chief strengths at this early juncture were the group's interpretations, particularly in the harmony vocals, …
Lorca
Limited edition of 1000 individually numbered copies on 180gr. silver coloured vinyl. Tim Buckley released his fifth studio album Lorca in 1970 on Elektra Records and was one of Buckley's few avant-garde albums. The album is a journey into the mind of Buckley while he discovered new ground. He used a more abstract descriptive writing style, avoiding direct narratives and standard song themes. It was a reflection of the works of Spanish poet Federico García Lorca, hence the album title. Buckley w…
Folk Studio A
*2023 stock* "Released nearly 25 years ago in a very limited pressing, Folk Studio A's debut has quickly become one of the most rare and sought after LPs coming from Italy. We are aware that many collectible rarities can be musically very thin, but this is not the case with this stunning masterpiece. Following in the footsteps of the British folk-prog revival, they delivered a shiny little gem that can easily be put on the same level as giants like Mellow Candle, Tudor Lodge, Fairport Convention…
Child Of Nature
A further exercise in musical curation, Child Of Nature is our latest sonic confluence of self-released tracks from the loners, hippies and outsiders of the 70s and early 80s. A collection of privately pressed music, able to breathe and be created free from the constraints of heavy handed commercialism, yielding a pure vision of artistic expression. Child Of Nature features ten songs of brooding soft rock and psychedelic folk steeped in melancholia. Some ache for better times or past lovers, whi…
Orphan Egg
*In process of stocking* Orphan Egg were a short lived group who were formed in 1967 in San Jose California. Their sole self-titled album was released in 1968 on the small independent company Carole Records. Essentially a garage-psych album – in the tradition of future iconic compilation like Nuggets or Pebbles – Orphan Egg was recorded by a bunch of students at Saratoga High School in Saratoga. Occasionally they won the Vox Battle of the Bands, a nationwide competition. They also appeared on th…
Zerfas
*Back in print with hype sticker ! In process of stocking* This is probably one of the US private press scene's greatest treasures. The sole album published by this American five-piece was released in 1973 in a ridiculously small run and soon was elected as a contemporary cult. The band from Indianapolis consisted of brothers David Zerfas and Herman Zerfas, and was originally formed in 1969. While they released just a single self-titled album, they continued to play gigs until 1983. All the mat…
Unfinished Picture
Recorded in 1973 at the Church of Saint Mary Magdalene in Paddington, London, Unfinished Picture is Rupert Hine's second LP. The songs where all composed by Hine with lyrics by David McIver and Simon Jeffries. On its sessions, Hine was surrounded by a host of outstanding musicians that included Simon Jeffes (Penguin Cafe Orchestra), Mike Giles (Giles, Giles & Fripp / King Crimson), Mick Waller (Cyril Davis, The Steampacket, Jeff Beck Group), Ray Cooper (Eric Clapton, Elton John) among others.
Ru…
The Farm Band
*Warehouse find! In process of stocking* The Farm Band was unbelievably not the only band that sprung from a hippie farm community in the 70s. Between 1972 and 1977 the band released four albums including this self titled double LP featuring 8 tracks highly influenced by the Grateful Dead-esque psychedelic trips, like in the 17 minute "I Believe It".
Black Tempel Pyrämid Discs
*30 copies limited edition. In process of stocking* Patrick R. Pärk’s Black Tempel Pyrämid has been insanely prolific since its inception at the back end of 2020, releasing eight albums over a variety of labels in that time. The six-CD box set ‘Black Tempel Pyrämid Discs’, incredibly, offers up six entirely unreleased albums dating from that same time period. A deep dive into primitive droning kosmische territory.
Eat Meat, Swear an Oath
A dreamlike dispatch from mid-80's Japan, the first and only Hallelujahs album is an entrancing and gentle work of psychedelic pop brilliance. In a series of informal studio sessions between 1985 and 1986, Shinji Shibayama (Nagisa Ni Te) gathered a group of friends, emerging luminaries from the burgeoning Kansai underground rock scene including Naoki Zushi (Hijokaidan, Spiral Stairs / 螺旋階段), Ken Ichi "Idiot" Takayama (Idiot O'Clock) and Chie Mukai (Ché-SHIZU) to form what would become known as H…