FEN
Otomo Yoshihide Live in Shenzhen
Tip! *In process of stocking. 2022 stock* Over the years, Otomo’s music has spanned across Free Jazz, Noise, Free Improvisation, Sound Art, popular music, film scores, and compositions for large amateur ensembles. Carrying the lineage of the Japanese Free Jazz movement that developed in the 1960’s, Otomo has exploited the sonic possibilities of both the electric guitar and turntable. He is one of the key figures who defined a now internationally recognized genre of Japanoise. His band Ground Ze…
Plays Standards
** 2LP exclusive 25th Anniversary release ** Finally this day has come - Not Two Records together with Wschodnie Triady and No Earplugs proudly present you special edition of Ground Zero Plays Standards 2-LPs exclusive 25th Anniversary release!
Legendary Ground Zero Plays Standards has been released in 1997 for Nani Records, then reissued for DIW (2000) and ReR (2002). So far it has only been released on CD, until this day. Vinyl edition is available now in limited copies. The vinyl master was …
Out To Lunch
Reissue, originally released on CD in 2005. Eric Dolphy's final studio album is hailed as one of the finest examples of mid-60s post-bop. Dolphy, having recorded the album in February 1964, was in Europe less than six weeks later and his all-too-brief life ended less than two months after that. It marked his last flurry of original compositions and is considered his apex. It is fascinating to consider whether he would have moved past or away from the album in 1965, had he lived. Though Dolphy sh…
3
*In process of stocking* "This is also connected with exorcism. In the ruling system of medieval religion and politics, demons, devils, etc. were treated as viruses that could contaminate the governing system or as bad sectors inside the memory that caused malfunctions. Since the devil constructs a position value in the system through the body of a person possessed by the devil, it is necessary to find out the devil’s real name, that is, the prototype code or pattern information in order to expe…
Flatwise Huddle - Performing And Expanding Cracked Everyday Electronics 1968-2016
Andy Guhl’s career as an improvisational musician went from strength to strength in the 1970s but it wasn’t until 1983 that the Swiss experimenter and architect stopped using any traditional instruments in order to embrace electronic collage, a technique that incorporates the use of modified radios, turntables, transmitters and other objects in a sort of ante-litteram circuit-bending. A similar approach emerged in collaboration with Norbert Möslang as part of Voice Crack, a collective active fro…
Oh My God, And Yours
*Edition of 200. Mirror cover, transparent vynil* "Beautiful release on Yan Jun’s Sub Jam label. Toshimaru Nakamura was the first one that I ever saw using a no-input mixer, already in the 1990s. What exactly Yan Jun’s open-input feedback means, I am not sure, but I love the noise coming from both! Some sounds are as if they come from distorted guitar, I hear earth hums and glitches, there are a lot of different dynamics and small events in the pieces, but all in all it’s enervating music that a…
Music Will Ruin Everything
*300 copies limited edition* "the very reason i initiated this project was vanished in time. however, it’s not very long time since it has suspending into this “physical object is dying” and “society is dying” situation. and it’s long enough to coming back with ideas of “connecting objects and bodies over language” and “connecting an outer territory”. so i have diving back to the files again, starting editing and translating, inviting few more physical entities and fortunately yihao joined as de…
7 Poems And Some Tinnitus
Hsia Yu is a legend in Taiwan’s poetry scene. She is one the most influential figures of youth subculture for decades. Under several pen names such as Li Gedi, she is also one of the top lyrics writers in the Mandarin pop music scene. She publishes her poetry only on her own independent label. Yan Jun is a Beijing based musician and poet. In later 90’s and early 00’s he was a key figure in China’s underground rock scene as music critic. Since early 00’s he works on the margin of music with field…
Otomo Yoshihide, Ryu Hankil, Yuen Chee Wai, Yan Jun, Sachiko M, Yang Ge, Xiao Qiang, Hong Qile, Gogo J, Olivier Heux, Tao Yi, Junyuan
Big Can*In process of stocking* "There was this large, abandoned, cylindrical metal object, maybe an oil tank. In 2009, several people cam to the site and made some noise. They were Otomo Yoshihide, Ryu Hankil, Yuen Cheewai, Yan Jun, Sachiko M, Yang Ge, Xian Qiang, Hong Qile, Gogo J, Olivier Heux and Junyuan. The sounds chosen are refreshingly non-obvious, no fist-banging on the interior walls. There are soft clocks and drips as well as a number of sustained sounds–whistling, moaning, keening–that don’…
Mirror One
Tip! "noel meek is from new zealand. he used creates electronic music. he also runs a label called "end of alphabet". we have never met yet. once in 2016 he asked me to compile an album. i then contact zhu wenbo for expand the idea. the result was the “there is no music from china” compilation. in summer or late spring of 2020, while everybody was trying to understand the pandemic thing, noel emailed me about to record an album together. i said yes, and maybe we can do it this way... but could y…
Yu Yan Lao Gong
**Limited edition of 75**
Zhu Wenbo: language laboratory cassette player, tape Yan Jun: scissors, sticker, tape Recorded by Yan Jun in Studio h, Beijing, July 16th, 2020 Mastered by Francesco Covarino. Released November 8, 2021
Live In Europe 2016
Stunning duo comprised of two of the most important musicians of the Japanese underground/avant-garde, Otomo Yoshihide in a duo with the great Japanese drummer, Hiroshi Yamazaki – who has Kaoru Abe among his extensive list of past collaborators, and was also a member of Masayuki Takayanagi’s pioneering New Directions group. This album is dedicated to Masayuki Takayanagi.Otomo Yoshihide moves between free jazz, noise, improvisation, composition and the unclassifiable with a generosity that opens …
Twice
** Six-panel digipak, photos by Yan Jun/Zhu Wenbo, design by Yuko Zama ** Erstwhile Records presents Twice by Yan Jun and Zhu Wenbo. Yan Jun: recorded in Beijing, Feb 2021. Zhu Wenbo: recorded in Qingdao and Beijing, Sept 2020 - Feb 2021. Photos/image scans by Yan Jun/Zhu Wenbo. Design by Yuko Zama. Produced by Jon Abbey.
Duo / Timing
** 2021 Stock ** Meeting at GOK Sound studio in Kichijoji, Japan in front of a small audience, Swedish baritone saxophonist Mats Gustafsson (The Thing, Fire!) also performing on flutephone and live electronics, and Otomo Yoshihide (Ground-Zero, Regenorchester) performing on guitar, turntable and banjo, recorded these eight amazing improvisations of unusual and unique attitudes and timing. After 2 years it materialized on CD work at all. Mats Gustafsson's strongest baritone saxophone, self-made i…
Brother of Divinity
** 2021 Stock. Glass-mastered CD in hand-stamped, recycled chipboard cover ** 845 label leader and sonic explorer Tim Olive uses magnetic pickups and electronics in this meeting with radical living room concert sound artist, poet and improviser Yan Jun in Kobe, Japan, Jun using a variety of electronics, radio and field recordings as the two improvise in a wonderfully mischievous set of errant dialog and restrained deconstruction.
First up is a twenty-eight-minute work, which was recorded in Octo…
Foreign Correspondents
In 2013, Noid and Matija Schellander travelled from Vienna to East Asia to meet up with Ryu Hankil and other musicians from Japan, Hong Kong, China, South Korea and Europe. Carrying compositions, sound art pieces and workshop preparations in their luggage to be tested by changing social and artistic settings, by everyday tour life and to be used as starting points for debates in various forms.
The first CD - “Tokyo Office” - is a trio of Noid, Schellander and their main collaborator on this tour…
Soto
Tip! *2022 stock* Sploosh Records presents Soto by Otomo Yoshihide and Martín Escalante. Recorded by Kota Uematsu at Soto, Kyoto on 05/30/19. Mixed and mastered by Lasse Marhaug. Thanks to Kukangendai, Miho, Jonas. Artwork by Ron Regé Jr.Otomo Yoshihide - GuitarMartín Escalante - Sax
Live in Florence
* Edition of 175 * Recorded on May 30th, 2018 at Tempo Reale Festival in Florence, Italy. Mixed & Mastered by Ryan Power. Performed by Otomo Yoshihide - guitar and turntables and Chris Pitsiokos - alto saxophone and electronics. Layout & Cover Art by Jaime Zurverza.
Imagined Commonities: Live At La Cave 12, Genève
FEN is an improvised music quartet. Comprising Otomo Yoshihide (Japan), Yuen Chee Wai (Singapore), Yan Jun (China) and Ryu Hankil (Korea), it was formed in 2008 in Marseille.
The initial intent of forming FEN was not based on a particular pursuit of any specific form of musical aesthetic, but rather to develop and deepen the improvised music networks of Asia. This desire was furthered by these 4 individuals, each with their individual endeavours to organise music-related activities and bridge co…
Eastern Saga: Live at Tusk
Turkish free jazzers Konstrukt continue their series of exciting collaborations with Otomo Yoshihide, highly repudiated multi-instrumentalist and composer in the experimental world. #4 in the continuing series of Konstrukt collaborations on Karlrecords is a live document of the concert by the Turkish freeform group with the Japanese experimental musician Otomo Yoshihide from the TUSK Festival 2018. Konstrukt, the Istanbul based free jazz/freeform group founded and led by Umut Çağlar and Korhan F…