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Introducing Hideyasu Terakawa Quartet Live Featuring Hiroshi Fujii
In the finest tradition of BBE Music’s J Jazz Masterclass Series, we have a real obscurity of quality to savour. Taken from the rare 1978 private press album ‘Introducing’ by the Hideyasu Terakawa Quartet featuring Hiroshi Fujii, this private press gig recording was originally released in less than 100 copies. This BBE Music edition is the first time this very rare album has ever been reissued.
Led by saxophonist Hideyasu Terakawa alongside bassist Tetsuo Miura and drummer Aki- hiro "Thunder" Na…
Gouda Bar
Gouda Bar is an original instrumental music project led by composer and Oud player Aly Eissa. Featuring his diverse musical influences, Eissa’s compositions create versatile and twisted meditative atmospheres throughout the musical experience. Aly Eissa is a composer and Oud player based in Cairo, Egypt. He was mentored by legendary composer Abdo Dagher and Oud virtuoso Hazem Shahin. Eissa’s style is deeply-rooted in the Egyptian classical and folk traditions, and influenced by various western g…
Live at the Stone
*100 copies limited edition. Totally sold out at source. Housed in high quality card stock with art silk screened by Alan Sherry at SIWA Printing* Thurston Moore (guitar) Bill Nace (guitar) and Samara Lubelski (violin). Presenting a series of psychedelic textural works, Lubelski creating vibrant and reiterating structures that Nace uses as a foundation for swells and expressive emanations; hypnotic and mesmerizingArt by Spencer HerbstSilkscreen By SIWA prints
Bill Nace / Emily Robb
Tip! *300 copies limited edition* "Before hitting the road together in 2022 Bill Nace and Emily Robb recorded a tour split — a cassette, limited run of 50 — only to be found at their merch table. Now on vinyl, the split captures a moment bursting with verdient, crisp anticipation. Both artists were then on the heels of significant artistic leaps. Robb was wrapping up the promotional cycle of her first full-length solo record, 2021’s How To Moonwalk, and Nace had recently shifted his focus from p…
Call Of The Valley
** Newly remastered for this edition. Limited edition pressing ** Shivkumar Sharma, the guitarist Brijbhushan Kabra, and flutist Hariprasad Chaurasia were all aged about 30 when they made Call of the Valley. Shivkumar Sharma, who had made his first solo album in 1960, was responsible for establishing and popularizing the instrument in Hindustani classical circles. Kabra was also having to prove himself because of the guitar's Western and Indian popular music associations Chaurasia's problem was…
Lure of the Desert
* Newly remastered, limited edition pressing * In the 1920s, Tau Moe (pronounced mo-ay), a Hawaiian musician, arrived in India and introduced Hawaiian music to the Sub Continent. After settling in Calcutta in the early 1940’s, Moe and his family performed, taught and introduced Hawaiian music by building and selling guitars to the local musicians. Indian filmmakers and composers quickly fell under the spell of these instruments and sounds and made them suitable for playing ragas— the melodic p…
The Magic of Music - Guitar and Tabla
* Newly remastered, limited edition pressing * Brij Bhushan Kabra was one of the Indian musicians who heard the steel guitar’s siren call, but his vision went beyond adapting Hawaiian sounds to popular music. Instead, he saw the instrument’s potential for playing ragas. To pursue this dream, Kabra began studying with Ali Akbar Khan, whose fretless sarod offered a sonic example for Kabra to emulate with his lap-slide guitar. Kabra’s instrument was a Gibson Super 400, modified with a drone string…
Kaf Afrit
Swiss/Lebanese experimental duo Praed (Raed Yassin & Paed Conca) is back with a new blast. A band whose musical oeuvre can be described as a mixture of Arabic popular music, free jazz, and electronics. Following Doomsday Survival Kit previously released in 2019 (Akuphone, AKU1011), Kaf Afrit keeps the listener in suspense by imposing its cataclysmic universe. An album inspired by Shams al-Ma'arif, a 13th century esoteric and magic book from Egypt composed of four furious pieces that don't leave …
L'anneau des sept lumieres
The Ring of the Seven Lights (Metametal, long version) (1994-95 / revision and new master: 2013). Seven continuous variations from a single Bonshô sample(Buddhist temple traditional bell from Japan), a tribute to Inayat and Vilayat Khan.
Jean-Claude Eloy: 'I created and partially realized it in 1994-95 during this conversion of Anâhata into an electro-acoustic version alone. I first made a short version out of it which integrated into Electro-Anâhata and became the fourth station within the firs…
Kemo-Sabe
BBE Music continues its highly acclaimed J Jazz Masterclass Series with Kemo Sabe, the debut album from pianist Masao Nakajima. Recorded in 1979 on Yupiteru Records, it’s an elusive beast in the field of J Jazz and balances delicate and refined playing with power and vigour. The Kemo Sabe album features bassist Osamu Kawakami, who has performed and recorded with such J Jazz figureheads as Sadao Watanabe, Isao Suzuki, and Kunihiko Sugano. Sax duty is by Toshiyuki Honda, leader of the popular fusi…
Gaia-Songs
“Gaia-Songs” (1992 - revision 2015). Songs for the other half of the sky n° V - VI. For a soprano (or mezzo-soprano) solo and an actress voice (Sprechgesang technique) with electro-acoustic (fixed sounds). Anne-Lisa Nathan, mezzo-soprano. Helena Rüegg, actress voice. “First there’s this relation between sung voices and spoken voices with regard to the electro-acoustic parts. The sung v…
Kamakala / Etude III / Fluctuante Immuable
One of the Jean Claude Eloy' most essential release 'Kâmakalâ. The Energy Triangle' (1971) for three orchestra ensembles, five chorus ensembles, with three conductors. Orchestra and chorus of the WDR, Schola Cantorum, Stuttgart. Conductors : Michel Tabachnik, Bernhard Kontarsky, Jacques Mercier. Kâmakalâ - a Sankrit term meaning energy triangle - refers to India's philosophy (Tantric Shivaïsm) and is expresses here as the appearance of energy, which is the erotic and cosmic energy (Kama), that w…
Galaxies full-electro
Galaxies' (Warsaw version), electro-acoustic alone. Fully electro-acoustic version of Anâhata / Galaxies realized on the composer's personal computer from the original electro-acoustic recordings of this work.Electronic music studios where the original Anâhata / Galaxies were produced (1984-86): Studio of the Sweelinck Conservatory of Music, Amsterdam (1984 and 1986): the entire production (pre-recorded material processing, new material generation, premixing) and all final mixing processes. Toky…
Le Minuit de la Foi
'Le Minuit de la Foi' ('The midnight of the faith') (2014) for electronic and concrete sounds, around selected sentences by Edith Stein recorded by German actress Gisela Claudius. New work from Jean-Claude Eloy, a long piece under the power of expanded sounds and sacred words.'Le minuit de la foi' is a double album, each CD of which forms a stand-alone entity. Each CD can therefore be listened to separetly. However, you do need to liSten to the full album for it to become meaningful through its …
Shanti (1972-73)
Packaged in a 6 panel digipak. Includes a 16 page booklet in French & English. A massive, four side-long drone-epic masterpiece “Shânti” (1972-73) for electronic and concrete sounds, in a spectacular double CD digipack issue. A hundred-and-thirty-five minute piece of "meditation music" for a four-track magnetic tape by Jean-Claude Eloy, produced in the Electronic Studio of the Radio of Cologne “The term “meditation music” triggered many conflicting comments including positive ones (“... let us s…
Yo-In (1980)
First world publication for the seminal Yo-In (1980) an electro-acoustic work produced in Japan and revisited by the Museum of Modern Art of the City of Paris in 1981. “Sound Theater for an imaginary rite”. Yo-Inleads to a sort of “celebration-ritualization of the day of man on Earth”.Jean-Claude Eloy discovered the meaning of Yo-In by going deeper into the culture of Japan where he had been invited by Toru Takemitsu in 1970: “Yo-In, echo, rhyme, resonance, psychic reverberation”. Karheinz Stock…
Some Kind of Telling
Providing the simple text 'Blowing into playback remembrances. Rescription. Some kind of telling.' Banana seem to improvise in space, with considered timing, to-hand objects and bursts of feedback, voice and hidden instrumentation. The tape rings of previous releases of theirs such as MP Hopkins solo LP 'Blue-Lie Half Breath' on Penultimate Press or Alexandra Spence's 'a veil, the sea'. I hear nods to the 'Onkyo' scene in the whistling feedback and stark spaces. Comparisons to works by Akio Suzu…
Fogo / Folego (Tape)
** Edition of 75 ** Soundtrack commissioned by the dance platform Cerco Coreogràfico (São Paulo, Brasil), for the performance AMA. Composition by Patrícia Bizzotto with the collaboration of Andreia Yonashiro, Bárbara Malavoglia, Marion Hesser, Sara Lana, Felix Blume, Francisco César, Lucas Veríssimo, Marina Cyrino, Matthias Koole, Shari Simpson.
Nido
**Edition of 100** "Recorded with a 4-track cassette recorder in c/ Natalio Rivas 7, Granada, Spain, on the nights of June 23rd (Nido i) and September 21st (Nido ii), 2018. Electric guitar, toy instruments, recordings of my daughter playing in Las Mimbres, Granada. The two tracks were meant to be some sort of lullabies, some music my then-2-year-old daughter could fall asleep to." - Francesco Covarino
Tiento Madera
** Edition of 100 ** Tsss Tapes presents Tiento Madera by Marco Serrato: double bass and Raúl Cantizano: flamenco guitar. Recorded, mixed and mastered by Nacho García in Sevilla, October 18th, 2020.