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Sonata / Equalisation
1992 release ** "I’ve long been interested in the extension of instrumental resources by electronic means, so when the Equale Quintet invited me to write a piece for them I decided to write in a part for a sixth player controlling a range of devices which would extend the sound of the five brass instruments. The title Equalisation is a slightly ironic reference to the technique, often used in rock music recording, of filtering a sound in certain ways to heighten its effect. Officially, the filte…
Awakening
2011 release ** "When jazz critic Peter Margasak interviewed Nicole Mitchell for the liner notes he wrote for Awakening, she explained: "I wanted to dig back into the old-school jazz a bit and yet still make room to branch out into never-never land." And that is a perfect description of what the Chicago-based flutist/composer does on this 2011 date, which finds her leading a pianoless quartet that employs Jeff Parker on electric guitar, Harris Bankhead on upright bass and Avreeayl Ra on drums an…
Cuica In The Third House (CDr)
2008 release ** Limited and numbered edition of 250 copies, part of the KMB Jazz CDr Series. "The 2007 solo debut of New York free improvising trumpeter Matt Lavelle, here performing on the hybrid instruments, the Bass-Trumpinet and Bass-Clarumpet, introduced and punctuated with spoken word insight and declarations, and using overdubs on selected tracks, making for an intimate and accomplished album of modern free jazz."
Sierść
2007 release ** "Ben Zeen's music is a combination of an analog modular synthesizer, controlled by Theremin antennas and a ribbon controller, laptops as a source of deconstructed, destroyed, processed loops and samples of various origins and used simultaneously as an effects center for other, external sound sources, prepared instruments and field recordings. The laptops are equipped with numerous controllers - knobs, touch, light."
X
2016 release ** ""X" as the unknown, "X" as a reference to time. "X" as a definite position between possibility and contingency. The album X by the Swiss band Strøm works with remix as a method, explores the potential of the origin. Or the result's? The work on the concept album started with an improvised piece by Gaudenz Badrutt (analog synthesizer) and Christian Müller (contra bass clarinet and live effects). In a process of intense live sampling by Badrutt and Müller the starting material was…
The Laughing Torso
2008 release ** "Splendid debut of Testing Vault, project of dANi/Alvo, already active as a collaborator in other releases of the Italian industrial undergrowth, and produced by our own Final Muzik. The Laughing Torso makes no secret of its influences, above all the primordial industrial of the 80s in its less aggressive and more meditative expressions, those closest to certain ritual music accompanied by the use of the voice in the form of recitations / spoken word, but also the more shady Coil…
Solemn
2007 release ** "I've rarely heard anything this slow avoid being repetitive this successfully and, in fact, it wouldn't be too difficult for other bands to take a leaf out of Solemn's book and try a similar approach. One of the ways in which this does well is down to the structuring of the album. The two opening songs are both colossal slabs of slow doom that include lots of subtle keyboards and soundscapes, as well as an outstanding vocal performance, more on which later. They pack in just abo…
Ianurek 5.0 X 100
2010 release ** "The Album “Ianurek 5.0 x 100″ represents a metaphysical world made for interact with the listener. Shapes and colors fill the mind, bringing the listener in a condition where the contours are outlined by the various points of union between the tracks. The record born from a subject/form focused in the foreground, characterized by a plasma contortion. This movement becomes the pulsating heart of the tracks, and the concept need to be found between the interaction of the sounds, e…
Punish The Guilty (2CDr)
2008 release ** "The way we perceive sound geography can depend on many factors, being them a recollection of visited places, a fantasy journey or the sheer appreciation of a work made by other visitors; in that sense, I:Wound’s double CD is one of the best collages of local recordings and electronic splicing that I can name right now. The whole set revolves around loops and cut’n’paste memories of Indian sources, from radio and public gathering noise to praying chants and children playing, all …
Enhanced Room Acoustics (CDr)
2008 release ** Limited edition of 100 copies. "Expanded in 1993 with members Peter Duimelinks and in 1995 Roel Meelkop, this trio explores the world of micro electro-acoustic music, playing on waste found on the streets and with a fine addition of field recordings."
My Right Of Frost
2012 release ** My Right of Frost draws sound signs from electronic circuits rewired and made unstable up to the feedback’s critical point. The sequences proposed are totally improvised from the point of view of the musical value of the sounds, and tonally unrepeatable. Across and beyond the concept of circuit bending, My Right of Frost operates constantly on the verge of oscillators and filter’s collapse, extemporizing electronic paths that diverge to form a macro-sign, i.e. the artwork.
Stage
2006 release ** "'Stage' is Steinbrüchel’s second full-length solo release on Line. The album contains 10 scenes that move between warm organic and melodic digitalised sounds and cold crystalline-like sparks. The sounds and compositions are even more detailed and have a more melodic approach then previous recordings by Steinbrüchel. Single isolated and stretched tones are structured together with smaller loops and particles of clicks and noises into dense atmospheres. Parts of the sounds used in…
Footsteps on Dead Leaves
2003 release (VERY RARE) ** Talharion is the new obscure musical side-project of Raffaele Serra, already author of several CDs and CDs-R, most of them produced by the Italian label Afe Records. "Footsteps on Dead Leaves" is the first chapter in this new musical adventure. Fascinating dark sounds, strained atmospheres, obsessive pulsations, hypnotic loops, occasional electronic effects, little noises and distortions, decadent processions with slow, disquieting progressions, short environmental…
Nel Ventre Della Balena
1995 release ** Piume E Sangue disguised as Duo Portugal in two long tracks of bizzare interpretation of contemporary music.
Million Ways To Spend Your Time
2006 release ** "This compilation is dedicated to the 5th birthday of Ukrainian indie-label Quasi Pop. CD feautures absolutely new & exclusive tracks from the main label-mates (Andreas Brandal, Biblioteka Prospero, Peel Off The Bass, Jørgen Knudsen) and a lot of "special birthday stuff" from labels's old & new friends from different countries. Enjoy our surrealistic blend of weird pop, organic noise, neo-psychedelic, electro-acoustic, garage folk & processed field recordings!" (label info) Great…
Drive Home With A Hammer
2005 release ** "This is the first full-length CD release by Norwegian noise artist Andreas Brandal. He has been making music with various bands and projects since the late 80's and released a several 7" and LPs on famous Norwegian label Smalltown Supersound as solo artist, as well as a participant of improv-noise duo Larmoyant. "Drive Home With A Hammer" is not "just another noise record". Once you hear it, you will be unexpectedly surprised by unique sense of Andreas in manipulating with inter…
Cistern
2005 release ** "Cistern was made in a two million gallon underground reservoir at Fort Worden, a de-commissioned military base overlooking the entrance to the Puget Sound. The space's resonance extended the instruments in a way similar to electronic processing. The acoustic properties of the cistern created new sonic relationships to which the group applied their musical concept. Cistern captures Doublends Vert's first experiences in the sound-world of the cistern. Doublends Vert formed in 2003…
Scaruia (CDr)
2001 release ** Limited edition of 100 copies. ""Scaruia", by Officina Elettromagnetica, an Italian duo formed by Mauro Martinuz (King Of Tuna) and Devis Granziera (Teatro Satanico), is the first album of the catalog, presented in cd-r format and in a limited edition of one hundred copies. The six tracks that make up this short album are characterized by a skillful manipulation of field recordings, faithfully reported in the titles, all taken from terms of the Venetian dialect. Percussive and hy…