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Classical Music
Edition of 250. You know that old phrase, 'Teach a penguin to cuss, and you'll never have to buy another comedy record' I'm sure you do. But what about its codicil? 'Teach a guitarist to play synth, and you'll never have to buy a new age record?' If you know that one, you might well be put off by the fact this album features one of New Zealand's most wickedly post-tongue guitar players fiddling about with oscillators and analog synths (in concert with a guy who does this stuff all the time). But…
Visceral Realists
Debut LP by the New Zealand duo of Bruce Russell (Dead C, Handful of Dust, etc) and Luke Wood. Visceral Realists is a high-concept commentary on the state of vinyl, analogue recording, music culture, art, etc. A 45-rpm bullet of short bursts of free electric sound, the music here is tactile and rough but not “noise music.” Russell and Wood play over loops of scratchy records, with their guitars and electronics surging to get over the wall. Russell’s guitar sound from his vintage transistor amp a…
Space Hymns
A generous and off-the-track psych-rock experiment, Space Hymns originally saw the light in 1971 on influential UK company Vertigo, home of the most forward-thinking prog bands of the time. Enlisting the pure genius of the future 10 CC Kevin Godley (drums, flute) and Lol Creme (lead guitar, synth), the band was led by esoteric frontman Ramases (aka Kimberly Barrington Frost). The vocalist had a vision in the mind to late sixties where the Egyptian Pharaoh informed him he was his new incarnation.…
Sanctus
The first album in a trilogy of new material, Sanctus represents the new architecture of the Organum sound. Recorded utilizing an implicit graphic score, the album is comprised of four discrete parts, each a variant of the others. These are not parts as in a movement or continuation of the composition, but rather four distinct audio canvases that represent a continuum of the elements at large. Composed in the spirit of the early Organum material, David Jackman has resurrected the droned-based, p…
Lassithi/Elysium
2012 repress. "The first full length release by the UK based Aeolian String Ensemble. Although originally set to be issued on the legendary United Dairies label, this material has now been remastered, includes a new piece, and is instead available in the US. The work was produced by David Kenny, a long time collaborator and engineer on many Nurse With Wound and Current 93 projects. Consisting of two evolving compositions, Lassithi (1992) and Elysium (a specially commissioned new work), this CD o…
Lebenserinnerungen Eines Lepidopterologen
2010 expanded reissue of the 1999 compilation Lebenserinnerungen Eines Lepidopterologen ("Memoirs of a Lepidopterist"), collecting the collaborative and early solo works of Andreas Martin and Christoph Heemann as an extensive two-CD retrospective. Moving between minimalist guitar compositions, tape-music narratives, and an array of cascading electronics, each of Martin and Heemann's solo recordings blends seamlessly within the milieu of their collaborative work. While one can hear how this forge…
Raincoat In The River Vol.1 / ICA Concert
2025 stock Marvin Nunez, aka “Uncle Marvin,” was one of the few tenor saxophone players who explored the world of sub-tone music. A world of whispers heralded by vibrations so low and subtle they could not be heard by the naked ear. We don’t hear the bass, we feel it through the soul of the ear. Through our feet, fingers and the intuitive now. Marvin Nunez wore a black raincoat with a fur lining all year round. He seemed to appear and disappear at will, coming out of the shadows and returning th…
John Blum Astrogeny Quartet
2025 stock John Blum (piano), Denis Charles (drums), Antonio Grippi (alto sax, alto clarinet), William Parker (bass). Studio recordings from 1998. There are few sessions to rival this one for sheer urgency and gusto. It's as if something pent-up in these four musicians waited for this combination of players to unleash it... the music explodes into action. Pianist John Blum is a secret hero of New York's free jazz community, known as a proficient and forceful improviser in the tradition of his me…
We Don't
2025 stock We Don't is a previously unreleased 1981 session pairing Jemeel Moondoc with Denis "jazz" Charles (1933-1998). in the 1970s, Moondoc was a member of ensemble muntu with William Parker. Moondoc's quirky & vivid alto style suggests the influence of Ornette Coleman, but the comparison "does not do justice to Moondoc's originality" (the penguin guide to jazz). Moondoc's grandfather, the original 'moondoctor' & the family namesake, sang & danced in medicine shows at the turn of the century…
Perles Noires Vol. II
2025 stock Sunny Murray's talent is bigger than any category you could use to describe it. he's one of the most original musical minds of the past 50 years, a genuine innovator, the liberator of the drum kit, and an artist of uncompromising honesty. murray's playing in the 1960s with albert ayler, cecil taylor, archie shepp, & others opened up entirely new expressive realms for the drums in jazz. murray's act of liberation --to free drummers from their strict time keeping role-- still outrages m…
Perles Noires Vol. I
2025 stock Sunny Murray is widely credited with being the first drummer to fully liberate the kit, developing a form of omni-directional accompaniment that dissolved the distinction between supporting and leading and helped spark the free jazz revolution that took place in the early 60s. Indeed, Murray spent time with most of the new music's major theorists, including both Cecil Taylor and Albert Ayler. But in recent years he hasn't seemed like quite the drummer he was, lacking the focus and (pe…
Mali: essential recordings of Carnatic bamboo flute (1969-1970)
Gorgeous double CD issue of two crucial albums by "the greatest living flutist of South India", T.R. Malingham or Mali to millions of South Indians, presented in respectfully opulent stye by Japan's EM reissue imprint. This is meditative, spiritual, and exotic music of the highest order, combining his two most revered recordings from 1969 and 1970 over two very special discs. Mali is said to be able to commune with birds via his playing and that's quite understabable. His virtuoso use of …
Crash
Crash was Robert Ashley's last opera. It premiered at the Whitney Biennial weeks after his death in 2014, and presented again in 2015 at Roulette, where this recording was made. Featuring the original cast: Gelsey Bell, Amirtha Kidambi, Brian McCorkle, Paul Pinto, Dave Ruder, and Aliza Simons. Music Director: Tom Hamilton. "What I have appreciated most about previous reconceptions of Ashley's operas was the extent to which newcomers found fresh possibilities. Already in Crash, broadened horizons…
In Sara, Mencken, Christ and Beethoven There Were...
**Deluxe slip-cased version features a 110-page book** Definitive CD reissue of this original Cramps label album from 1974, an early classic from Robert Ashley with music provided by Paul DeMarinis. This deluxe slip-cased version features a 110-page book, reproducing the original John Barton Wolgamot text along with fascinating liner notes explaining the whole project from Keith Waldrop and Robert Ashley. The CD features one long composition with Ashley reading a text by poet John Barton Wolgamo…
Still Lives
Three amazing works for pure waves and instruments. Lucier has pioneered in many areas of music composition and performance, including the notation of performers’ physical gestures, the use of brain waves in live performance, the generation of visual imagery by sound in vibrating media, and the evocation of room acoustics for musical purposes. His recent works include a series of sound installations and works for solo instruments, chamber ensembles, and orchestra in which, by means of close tuni…
Musica Iconologos
A surprising release from the radical Fluxus composer, Yasunao Tone
- an encoded description of the visual image in utmost detail. In the
mythical future, somebody can translate the sounds of this compact disc
back into pictures. Personnel: Yasunao Tone and Craig Kendall - image selection and processing; Craig Kendall - computer programming, digital sound creation, manipulation; John D.S. Adams - assistant producer and audio consultant.
Sound Paintings
Joan La Barbara begins Sound Paintings with a scream that pushes you into an unusual world of vocal sound. Her virtuoso singing style, developed over a 20-year period, can be heard on this disc, which combines some of her earlier works with more recent compositions. She takes her extended techniques, which include multiphonics, overtone singing, and glottal clicks, and orchestrates them in layered soundscape compositions using from 8 to 16 tracks of material.
Three Works For Live Electronics
Originally released on Lovely Music as Pulsers / Untitled in 1984. This re-release includes an additional piece from David Tudor, Phonemes. Pulsers explores the world of rhythms created electronically by analog, rather than digital, circuitry. With analog circuitry, the time-base common to the rhythms can be varied in many different ways by a performer, and can eventually become unstable. Untitled is a part of a series of works composed in the 1970s that were developed through experiments in gen…
Crone music
2019 repress on CD; 1990 release. Commissioned by Mabou Mines, the experimental theater group from New York, for their interpretation of King Lear, Pauline Oliveros's Crone Music is a subtle and haunting electronic music endeavor. Interfacing an abundance of digital delay processors, reverb effects, and foot pedals to bend pitches from piercing to twisted, sonorous tones, with her one-of-a-kind expanded accordion, Oliveros produces rich, eerie textures. Personnel: Pauline Oliveros -solo accordio…
Crystal
Maggi Payne's musical imagination is vivid: she is interested in the surreal, the inward, the micro, and the accumulation of physical and psychological tension. Periods of silence gently evolve into flowing drones of complex resonances. Oozing drones evolve into dense and powerful peaks of short duration. On one cut, multi-tracked voices shift in and out of phase, creating alternately shimmering and percussive patterns; on another, digital delay and 32 separate flute tracks create a rain forest …