Best sellers
Complete Feedback Works
Numbered edition of 200 copies. Six LPs in a box, with restored original artwork reprinted in monochrome blue. Each record comes with its own extra materials: inserts, booklets, postcards and posters. Between 2011 and 2022 Alga Marghen devoted an archival series to the early, unreleased magnetic tape and feedback works of Éliane Radigue: five LPs, issued in small runs and repressed only in tiny quantities, that quietly rewrote the story of where her music came from. A few months after the compos…
Dusty Colors
*300 copies limited edition* Soave returns with Dusty Colors, an astounding new full-length by Roberto Musci, one of the most enduring and important figures in the movement of Italian Minimalism. Utilizing the composer's longstanding, singular approach to electroacoustic composition that first altered the collective consciousness back in 1984 with the legendary LP, The Loa Of Music - intertwining field recording, samples, and Musci's own instrumental interventions - Dusty Colors draws its primar…
How To Destroy Angels
First ever reissue of Coil's 1984 debut on L.A.Y.L.A.H.: seventeen minutes of gongs, bowed metal and slow decay, subtitled Ritual music for the accumulation of male sexual energy. Single-sided 180 gram vinyl with etched B-side and a previously unpublished hard board insert.
The Electronic Works
Dutch Oscillation Series (DOS) proudly announces the release of a box set featuring the complete electronic works of Ton de Leeuw (1926–1996). This publication marks the first instalment in a new series that brings the history of Dutch electronic music to life for a broad audience. The official presentation will take place on Saturday, 12 September, during the Gaudeamus Festival for contemporary music in Utrecht.
Unique discoveries from the archive. For far too long, twentieth-century Dutch elec…
BLK+LND / K&L for KL
Two of Phill Niblock's final compositions for low-pitched instruments, heard together as he intended: BLK+LND for acoustic bass and bass clarinet, K&L for KL for two bass clarinets, both built from recordings layered into slow microtonal mass. Completed weeks before his death in January 2024. LP with insert.
From Such a Blue Sky
The astounding second outing from the duo of Midori Takada & Jakob Bro, arriving on Copenhagen's Loveland Records just under a year after 'Until I Met You'. Across two stunning sides, subtle abstraction amongst sprawling ambiences, "Fourth-World" sensibilities, and pulsing minimalism. Limited LP.
Upsetters 14 Dub Black Board Jungle
One of the most influential dub albums ever made. The remixing techniques used – radically new for 1973 – helped transform the role of the producer and the engineer to that of creative artists in their own right.
Style
Bomb! Rhodes and Hammond, wah-wah guitar, strings, horns and the first traces of the synthesizer, moving between jazz-funk, bossa, psychedelia and pop with the ease that only the Roman studio scene of the mid-1970s could produce. Recorded in Rome in 1974 for RCA Italiana's short-lived library series and pressed in a tiny run for film, television and advertising producers rather than for sale, Gianni Oddi's Style has been one of the most sought-after titles in Italian library music for decades, a…
Live at the KiMo Theater Albuquerque 1979
On Live at the KiMo Theater Albuquerque 1979, Cecil Taylor leads a newly reconfigured Unit through a rare Western American performance of volatile grace and immense detail. Piano, alto saxophone, violin, bass, cello and multi-instrumental percussion form a shifting, luminous organism - less gladiatorial than Taylor’s 1978 bands, but no less radical in its freedom.
The Third World-Underground
A title like a manifesto, and music with the conviction to carry it. For a few nights at the close of 1972, the Jazzhus Montmartre in Copenhagen held a trio that would barely survive the season. Abdullah Ibrahim - then still recording as Dollar Brand - sat at the piano; Don Cherry stood with his trumpet; Carlos Ward raised his alto. From the performance of November 14 came The Third World-Underground, a record that surfaced only in Japan, on Trio Records' Nadja imprint in 1974, and then all but …
Pipe Dreams II / III
Mary Jane Leach's Pipe Dreams II and III, recorded on the organs of Miry Concertzaal, Gent (2023) and Kunst-Station Sankt Peter, Cologne (2024): beating tones and antiphonal clouds of sound, following the 1989 original issued by Blume.
The Will of Tongues
The most ambitious work of Sarah Davachi's career to date. Spanning more than two hours of music across three LPs, The Will of Tongues arrives on the composer's own Late Music imprint as a vast, deeply considered statement - a meditation on the act of listening itself, and on the mental spaces that sound, given duration and reduction, continually opens.
Over the last decade, Davachi has emerged as one of the most singular voices working at the intersection of minimalism, early music, and electro…
Robert Nasveld
Tip! *300 copies limited edition* Robert Nasveld (born 1955) studied piano at the Utrecht Conservatory and specialized in the twentieth-century repertoire, with a particular focus on Dutch, Russian, and American music. He thoroughly immersed himself in the piano works of the American composer George Crumb with concerts in Europe, Russia, and the United States. As a composer he also studied electronic music with Ton Bruynèl and recorded a handful of tape pieces which are collected on this LP. The…
Untitled - Solo for the Building of a Museum
Tony Conrad alone with amplified violin and self-built Long String Instrument, playing behind a sheet inside the unfinished Mudam in Luxembourg, October 2002. Nearly an hour of unbroken drone, first published here with an extended interview by Philippe Franck. CD digipack, 8 page booklet.
KKAARREENNIINNAA
On KKKAAARRREEENNNIIINNNAAA, Charlemagne Palestine, Oren Ambarchi and Daniel O’Sullivan turn a 1997 “magic song” for a beloved dog’s spirit into a towering trio ritual. Organ drones, phase‑drifting cassette voices, Leslie‑swirled guitar and viola blooms coil around Palestine’s keening live chant, forming a single, dense, ecstatic invocation that feels like a séance conducted inside a vibrating cathedral.
SIC
On SIC, Nurse With Wound and Aranos construct a cold, roaring ambient symphony from metallic percussion, numbing drones and disembodied voices. Long unavailable on vinyl, this edition restores a quietly menacing work where sound sculpture and slow-moving ritual converge, suspended between dread, dream and industrial weather.
Öppet Fyra
In close collaboration with musician Mats Gustafsson and jazz archivist Roger Bergner at the Centre for Swedish Folk Music & Jazz Research, Caprice presents a relatively unexplored period of Scandinavian creative and experimental music from the 1960s and 70s. In the record series Öppet, we look towards the future by digging in the past. We find exclamation points of creativity from a period that, in many ways, was a time of pioneering in art as well as music. Anything was possible, and we like t…
Quiet Forest
"My encounter with the Hoh Rain Forest, located inside Olympic National Park across the water from Seattle, felt like seeing a whole new world for the first time in my life. Long green fronds draped along the branches, like a scene in which fairies could be heard whispering to one another. But when you try to listen, no sound can be heard. Amidst the mysterious silence, in which no birds or insects make a sound, every living thing seemed to have stopped in its place, only to start dancing when s…
Late Loop
Andy Stott returns to Modern Love with Late Loop, his first album in five years. Two voices sit at the centre of the record: Alison Skidmore, Stott's vocal partner for more than a decade, and Elaine Howley, working with him for the first time. They were given songs in various states of completion, some close to finished, others fragments or loops, often pitched down and slowed. The vocals were layered up, then carved back until only what was needed remained, carrying a set of songs mostly concer…
Musique d’été
Pierre Mariétan (1935–2025) was a prolific Swiss composer, sound artist, and pioneer in acoustic ecology who spent most of his life working in France. Over his long career, he composed more than 300 instrumental, orchestral, vocal, and electronic pieces. Mariétan studied under avant-garde legends like Pierre Boulez, Karlheinz Stockhausen, and Bernd Alois Zimmermann. In 1966, he founded GERM (Groupe d’Étude et de Réalisation Musicales), a music collective that blurred the lines between strict com…