Best sellers
In Concert at Yale University
Bomb! Sourced from the master tapes. First-time vinyl reissue Black vinyl single LP version. The late percussionist Milford Graves was one of the most unique artists the world has ever seen. Born in Jamaica, Queens in 1941, he began his career in the early '60s as a part of New York's vibrant Latin jazz scene. His focus quickly turned inward, shifting towards a practice that explored the very nature of self. From his work in the New York Art Quartet and collaborations with Albert Ayler, Sonny …
The Complete Yale Concert, 1966
Bomb! ** Sourced from the master tapes. First-time vinyl reissue ** Groundbreaking early work from drummer Milford Graves and pianist Don Pullen – a set of long, free improvisations that were originally issued on Graves' Self-Reliance Productions label! The music is even more striking than sounds from the time on the ESP label – and also really predates some of the freer work of this type from the European scene – as Graves is a monster on the drum kit and a range of percussion, reaching out wit…
In Greenwich Village
Originally released in 1967, Ayler's first LP on Impulse! and arguably his best for the label. "During 1967-69 avant-garde innovator Albert Ayler recorded a series of albums for Impulse that started on a high level and gradually declined in quality. This LP, Ayler's first Impulse set, was probably his best for that label. There are two selections apiece from a pair of live appearances with Ayler having a rare outing on alto on the emotional 'For John Coltrane' and the more violent 'Change Has Co…
Flaming Tunes
Post-punk, rising like a phoenix during the second half of the 1970s, was a movement that few could have anticipated or foreseen. Sophisticated, and impossible to nail down, bands like Wire, P.I.L., The Pop Group, The Fall, A Certain Ratio, Pere Ubu, Throbbing Gristle, and dozens of others, wedded forward thinking radicalism and the focused energy of punk, with revitalized forms of experimentalism that rethought the terms and ownership of the musical avant-garde. Of post-punk’s first wave, few …
Pokkeherrie
Emerging out of Amsterdam's vibrant squat scene in 1979, The Ex – a name chosen for the ease and speed with which it could be spray-painted onto a wall – have for four decades been an entirely self-sustaining musical entity, charting a course through the global underground with a spirit of freedom and radical exploration. On 1985's Pokkeherrie (Dutch for "terrible noise"), The Ex return to the more stripped-down instrumentation on their early LPs. A key lineup change would also see the arrival o…
Ike Yard
Ike Yard remain a legendary band of early '80s New York City – at once immensely influential, yet obscured by a far-too-brief initial phase. Their debut EP, the dark and absorbing Night After Night, sounds almost like a different group, so rapidly would Ike Yard evolve towards the calmly menacing electro throb of their self-titled LP. Originally released on Factory in 1982, the album put Ike Yard's indelible mark on the synth-driven experimental rock scene then emerging all over the planet. Whi…
Asia
*First time on vinyl* Despite all their incredible work, record labels often get the short end of the stick. We rarely place their efforts on the same plane as the music they dedicate themselves to bringing into our lives. Far more than simply a means of production and distribution, great labels are ecosystems unto themselves; free-standing, singular environments that offer the context and understanding that allow their artists to thrive. Two such cases are the imprints, Soave and Cinedelic. Sin…
Blueprints For A Blackout
Emerging out of Amsterdam's vibrant squat scene in 1979, The Ex – a name chosen for the ease and speed with which it could be spray-painted onto a wall – have for four decades been an entirely self-sustaining musical entity, charting a course through the global underground with a spirit of freedom and radical exploration. Blueprints For A Blackout, The Ex's fifth album and first double LP, combines caustic studio experimentations and loose songs from their gripping live-set at the time. The band…
Linkage
First-time vinyl reissue is limited to 750 numbered copies. Comes with booklet. Terry Fox was a first generation Bay Area conceptual artist. Beginning in the 1970s, he worked extensively with sound, especially the use of piano wires detached from their native instrument and anchored between opposing walls of the performance space. Linkage, Fox's first album, was originally released in 1982 to accompany an installation at Kunstmuseum Luzern in Switzerland. The record would mark Fox's first attemp…
Fluence
Fluence is the brainchild and first release of sound artist / provocateur Pascal Comelade. Recorded in Montpellier, France in 1974-1975, the project consists of exploratory electronic pieces in the Fripp & Eno vernacular with a Kosmische tinge. 'A Few Reasons To Stay / A Few Reasons To Split,' a title inspired by Swiss conceptual artist Urs Lüthi, features Comelade's kaleidoscopic arpeggios and Richard Pinhas' howling guitar, which variously resembles a dreamlike cello and ghostly human moans. '…
Grey Scale
David Cunningham was born in Ireland in 1954. His work ranges from pop music to gallery installations including several collaborations with visual artists. His first significant commercial success came with The Flying Lizards' single "Money," an international hit in 1979.
Originally released in 1976, Cunningham's first solo album Grey Scale has become a landmark statement of DIY minimalist composition – continuing in the vein of the wild explosion of arthouse experimentation from the early '70s.…
The Tail of the Tiger
In 1977 an obscure Italian private label issued a record that sounded like it came from outer space. A long and dense trance-inducing drone of sustained notes, rich with overtones and harmonic embellishments, coming from a space so vast and unexplored that seemed almost of non-human, even electronic nature
Reflex
Francesco Messina is perhaps best known for his collaboration with fellow composer Raul Lovisoni on the album Prati Bagnati Del Monte Analogo, originally released on seminal Italian label Cramps in 1979. Along with contemporaries Franco Battiato, Juri Camisasca and Giusto Pio, Messina would help reshape the world of modern composition with an organic rawness and haunting beauty.In 1979, Messina was asked to perform at the Teatro Quartiere in Milan. As the composer writes in the liner notes, "Due…
Jazz in fabbrica
180 gram reissue / Limited Edition 400 copies Includes OBI and 4 pages insert. Text in Japanese / English . Cinedelic presents Jazz in Fabbrica by Enrico Intra. Recorded in Ratti’s Factory in Guanzate (Como) on October 31, 1972. Pianist, composer, arranger and conductor, among the most important ones in the history of European jazz, Enrico Intra has developed a poetics aiming at the encounter betwee the most exquilisitely jazz language and contemporary music of a cultural matrix, and for this re…
Killing Time
Temporary super offer! Spittle Records present an expanded reissue of Massacre's Killing Time, originally released in 1981. Following the breakup of Cambridge's avant-rock legends, Henry Cow, guitarist Fred Frith moved to NYC in 1979, and soon found himself deep in the heart of the city's robust post-punk and free-jazz scenes. He performed with Bill Laswell and Fred Maher, from the group Material, as a power trio of sorts under the moniker of Massacre. The group quickly garnered a reputation aro…
After Its Own Death / Walking in a Spiral
** Grouper’s Liz Harris quietly released this album of primordial soundscapes a few weeks ago under the new Nivhek alias, initially released in a private edition that vanished almost as quickly as it was announced, After its own death / Walking in a spiral towards the house is presented here in a beautiful second edition on Superior Viaduct's imprint W.25TH.** Opaque assemblages of Mellotron, guitar, field recordings, tapes and broken FX pedals by Pacific Northwest artist Liz Harris, created dur…
Gangsters '70
Cinedelic returns on the back of some pretty incredible releases over the last year with one of their most exciting and unexpected records to date, the first ever release of the legendary composer Egisto Macchi's soundtrack for Mino Guerrini’s 1968 film, “Gangsters '70”. Created in collaboration with his Gruppo di Improvvisazione Nuova Consonanza associate, Walter Branchi, it's among the most strikingly experimental of all his soundtrack work and remains startlingly urgent more than half a centu…
Edo
*Includes OBI and 4-page inserts with text in Japanese and English.* "Edo" is a cosmic ambient experimental masterpiece conceived in 1977 by Masashi Komatsubara and developed alongside with Hideki Matsutake (a.k.a. Logic System and reductively defined by many as the "fourth member of the Yellow Magic Orchestra"). As a true sound scientist, he pours all his efforts into this record, and aimed at the widest possible use of an electronic instrument that was at the forefront at that time — the Moog …
A Noise, A Sound
Soave present a reissue of Roberto Musci and Giovanni Venosta's A Noise, A Sound, originally released in 1992. The third episode of the alchemical association between Roberto Musci and Giovanni Venosta, reprinted for the first time. This work seems to be even more enigmatic than the previous ones. The "plunderphonics" style of the compositional process, significant to allowing a technical experimentalism of inexhaustible variety of materials used (compendium of sounds, harmonies, ethnic timbres)…
Love / Action A B C E (2LP Bundle)
Returning with some serious fire for their first batch of releases in 2025, Alga Marghen newly launched Formalibera, dedicated to free improvisation, drops two absolutely mind-blowing, limited-edition LPs, drawing upon never before issued recordings by Tordenskjolds Soldater and The Contemporary Jazz Quintet, two of the most important groups working in Copenhagen's bristling context of avant-garde jazz at the end of the 1960 and early 1970s. Both hugely historically significant and creatively vi…