Roger Doyle's third solo album on Allchival: new fixed electronic works, software piano improvisations and voice, a response to Finnegans Wake and music from Operating Theatre's 1986 The Pentagonal Dream, read by Olwen Fouéré.
*2026 stock* "NEST is a Mass for the Tenant, not a Mass in the traditional sense, but I see the piece as a Mass for the tenants of the past and the present. NEST is also a critical response to the theme of home in Éamon de Valera's 1943 radio address, 'On Language and the Irish Nation'. With a libretto by Eimear Walshe, the line, "they come to make a ruin", repeats throughout the piece like a congregational response. A line that traverses periods and regions, it conjures different scenarios, fro…
*2026 stock* A follow up to 'A Year In Any Other Place' (Falt) from 2022, 'The Root, The Interim' is a tape composition in four parts, drawing on the influences of musique concrete, cinema & dub. Constructed over 14 months in 2022-3, it is a tour of parks, hotels, kitchens, churches, utility rooms. Obstacles are encountered. Objects tested, discarded or transported from one space to another. Recordings endlessly played back and forth through different media. Song fragments forgotten and remember…
A blackbird at dawn inspired a living score: Natalia Beylis’ work, ‘Around Here, The Birds Plant The Trees’, is a 52-minute longform journey about land stewardship grown from the sounds and textures of a single field in Leitrim, Ireland. This recording of 'Around Here, The Birds Plant The Trees' captures the piece as it existed on Friday 12 December 2025. I mention a specific date, because the score for this work is constantly shifting and provides a new variation each time it is played, echoing…
*2026 repress* Recorded at St Georges Church, Carrick On Shannon, Leitrim on a cold early January with a William Telford Organ. Built in 1846, it is reputed to be the second oldest organ in Ireland. Track 1/Side A: 'Pour Upon The Sky' is a story told by the two voices of cello and organ. Influenced by the rhetorical style of 18th century vocal music, the inspiration for this piece came naturally to Eimear who has a background in early music and has performed alongside the organ in a variety of s…
*250 copies limited edition* "Pipeworx" is the new release from Irish musician Mel Keane, out April 24, 2026 on Deardogs. For the last two or so years, Mel Keane has been researching and making work in response to the pipe band (bagpipe and snare drum military adjacent marching bands) tradition, which is found mostly in countries that have been colonised by the UK, such as Ireland.
This new record came as the result of this research, exploring the instability and directness of the bagpipes, but…
On "EP’s 1988–1991 and rare tracks", My Bloody Valentine crystallise the leap from scuzzy indie to full‑blown shoegaze alchemy: the Creation‑era EPs and stray cuts where overdriven pop songs dissolve into colour‑smeared noise, vapor‑thin vocals and the weightless lurch that would become Loveless.
Irish-English rock legends My Bloody Valentine announce the release of Soft As Snow: Peel Sessions And Rare Tracks, a highly anticipated vinyl collection that showcases some of the band's rare gems and mesmerizing performances captured during the iconic John Peel Sessions.
Soft As Snow serves not only as a collection of rare tracks but also as a celebration of the band's innovative sound and artistic evolution over the years. With their unique blend of dreamy melodies, heavy distortion, and haun…
'We Who Live Under Heaven’ - it is a phrase from James Joyce's Finnegans Wake. Through software transformations, the music freezes and in some cases fossilises some mostly old recordings. The text for the track 'The Clouds Are Not Inaccessible' is from a letter written by James Joyce's daughter Lucia in the 1930's to her psychiatrist. Spoken by Mary Costelloe.
The album consists of 8 immersive ambient tracks played solo by Roger on keyboards in his home studio in Co Wicklow, Ireland.
Roger Doyle…
100 copies. The title is a description of what I do - making music in the home studio on a keyboard (real and virtual), reflecting some kind of dream world. The phrase Homemade Ivory Dreams - references ivory that often describes a piano keyboard (being tickled). From a review in Classical Ear (UK):It carries itself with all the vivid – and here often hallucinogenic – intensity typical of Roger Doyle’s work. Structure and detail, rhythmic propulsion, tonal variation and textural intricacy all re…
* Deluxe Edition Black vinyl in gatefold sleeve, inners + printed inner sleeve * my bloody valentine, the quartet of Bilinda Butcher, Kevin Shields, Deb Googe and Colm Ó Cíosóig, are widely revered as one of the most ground-breaking and influential groups of the past forty years. During an era in which guitar bands denoted, at best, a retro-classicism, not only did my bloody valentine sound unlike any of their contemporaries, the band achieved the rare feat of sounding like the future. The seco…
Returning to the well of Roger Doyle once again, his “Babel” project spans a decade of composition work before its’ initial release in 1999 as a 5CD set. Over 100 pieces and almost 50 collaborators it marks a journey through a virtual tower of Babel with each piece corresponding to a room within an imagined giant tower city. For the 25th Anniversary vinyl edition Doyle has revisited it- remastering it and providing its first vinyl edit - 80 minutes spread across two 180gm LP’s - rounding out the…
*200 copies limited edition* Nestled at the center of Natalia Beylis’ music is an intertwined practice of listening and creating. She regularly foregrounds both field recordings and found instruments, building worlds around the curious sounds she comes upon and letting the process of recontextualization create meaning out of unexpected meetings. The picture that emerges is one of her having a profound connection to her environment, whether that is a community of human beings or the vast non-huma…
Temporary Super Offer! *2024 stock* When it comes to music, proximity can be a difficult thing. We want great artists to stand apart – above it all, yet we need them to be close enough, and often associated enough, for us to understand and discover their work. As is often the case, time heals distance and wounds, ushering artists who have long stood apart into the fold. If the resize market has fulfilled anything, it is this task. In this light, we encounter Roger Doyle, who’s masterful debut fr…
2024 Repress. Allchival present their second look at the music of Roger Doyle and Operating Theatre (a little known proto synth-pop act and experimental theatre group that he led.) In reverse chronological order the second disc contains music from the United Dairies release of 1979 – ‘Rapid Eye Movements’. Experimental tape work heavily influenced by the French school of music concretists and recorded at various points during the 70s in Finland, Holland and Ireland, although it is most certainl…
*80 copies limited edition* Natalia Beylis' latest instalment picks up where her last solo release left us: in an audio universe of Beylis' own transient design: a perpetual arrangement of notes, chords, voices, rattles and rhythms that seem to constantly flow though all her work. 'Library of Sticks' brings us in deep to her vast archive of found sounds and field recordings. A moment in sound captured by Beylis' ears and recording device, stored away until it's time becomes apparent and then nes…
Much-needed 2025 repress 'It was a rainy day at the recycling centre in Leitrim. There, amongst the tangle of discarded kettles and broken down toasters, I first laid eyes on her: a CRB Elettronica Ancona - Model: Diamond 708 E Electric Keyboard. She waited, resolved to her fate of slowly oxidizing in the drizzle before being crumpled into the back of a lorry heading for the landfill. Or maybe, she waited, knowing I would come. I smuggled her into the back of my van and brought her home. For yea…
*300 copies limited edition* Well this is a dream, Ukrainian experimental composer Natalia Beylis put together "Love-In-A-Mist, Edible" over the course of three years, recording pianos she would find at other people's houses or on holiday, in Ireland, Amsterdam and Morocco. Ghostly and emotional musical polaroids - it draws immediate parallels with Dominique Lawalrée’s 'First Meeting’ which - you prob know by now - is all the comparison it needs to have our ears fully pricked.
Presented “like ho…
*In process of stocking.* Paul G. Smyth is an Irish pianist who has worked with such innovative free improvisers as Evan Parker, John Russel, Peter Brötzmann, Derek Bailey and Keiji Haino, and runs the Weekertoft label. John Wiese is an American electronics musician, known for the Sissy Spacek project as well as his work with Sunn O))), Wolf Eyes, Merzbow and Evan Parker. The duo of Smyth and Wiese was recorded at the National Concert Hall in Dublin in February 2015.
"The Outlier" is a 54-minute…
*2022 stock* “the music has kept me at the edge of my seat each time I’ve listened.” — The Free Jazz Collective
"absorbing and vivid... guitar and piano in a beautiful collision... astonishing" — a Jazz Noise
John Russell, guitarPaul G. Smyth, piano
2007 release ** "This EP is the 3rd in a series of 3 EPs in the series "Neither Speak nor Remain Silent" by Fovea Hex, who by this time was all centered around the artist Clodaugh Simonds, who was the lead singer for a progressive folk band in the 70s called "Mellow Candle". They only released one album in the 70s, and then another one in the 90s. They were obviously not a very well known band, and I can't speak of their music since I haven't heard it. The reason why this was brought to my atten…
* Black vinyl in gatefold sleeve, inners + printed inner sleeve *Isn’t Anything and Loveless have been mastered fully from analog for deluxe LPs and also mastered from new hi-res uncompressed digital sources for standard LPs, with each being made available widely for the first time ever. Fully analog cuts of m b v will also be available on deluxe and standard LPs globally for the first time. My bloody valentine, the quartet of Bilinda Butcher, Kevin Shields, Deb Googe and Colm Ó Cíosóig, are wi…
“a brisk but free-flowing dialogue with phrases and ideas being batted back and forth between them ... in effect, they are soloing simultaneously with each being aware of the other's playing and responsive to it. Even when Parker gets locked into one of his protracted, circular-breathing solos, Smyth is still there with him, responding with an impressively gargantuan solo of his own. The two obviously understand and complement each other well.” — John Eyles, All About Jazz
“Parker and Smyth use …
**CD Edition** “Peter Brötzmann has made no secret of the fact he doesn’t especially dig playing with pianists, citing a few notable exceptions including Fred Van Hove, Pat Thomas and Masahiko Satoh. Recorded in Dublin in 2015, this adventurous set extends the honour to Irish pianist Paul G Smyth. As Brötzmann locks into a characteristically savage mutter, Smyth responds with hyperkinetic leaps up the keyboard but, when the tenor briefly drops out, he’s able to employ a more deft touch, generati…
"Operating at an extremely high level, Smyth and Corsano share a special connection. One can almost see their thoughts syncing together and their bodies merging into one four-armed monster. Several moments are reminiscent of the best work from Cecil Taylor and Tony Oxley, while still managing to sound like Smyth and Corsano." — Burning Ambulance
“With the energy and focus on display, it is tempting to compare the meeting to two heavyweights coming toe-to-toe, prepared to slug it out… but that wo…
** CD edition** The Salt Garden 3 is the final word, and the concluding instalment to the critically lauded The Salt Garden Trilogy. This third installment brings the series to a close on an unexpectedly uplifting note, as Clodagh Simonds' ensemble transform their signature haunting and meditative hymnals into joyous, light-filled ones. Much like its predecessor, however, The Salt Garden III has also been released in an expanded edition with some bonus remixes. In this case, however, the remix…
A lost gem from 1983 'Miss Mauger' is the debut LP of Operating Theatre, a little known proto synth-pop act and experimental theatre group led by avant garde composer Roger Doyle. Featuring the vocals of future Hollywood actress Olwen Fouéré alongside pulsing synths, brass, a vocoder and the electro acoustic production talents of Doyle himself, it's the first time a Fairlight sampler was used in an Irish studio setting and gives a prescient but alternative take on the new wave sound that came to…
The concrète riddle of Thalia is the Nurse With Wound-listed and cultishly desired Roger Doyle album withdrawn by CBS Classics shortly after its release in 1978. Less than 200 copies reached shops some three years after his distinctive debut Oizzo No (1975) - which was reissued by Finders Keepers' Cacophonic label to receptive ears in 2018 - and in retrospect the resurfacing of Thalia follows that wonderfully odd LP to cement Doyle’s place among the outsider pioneers of ‘70s electronic and avant…
Roger Doyle (solo piano); Produced and composed by Roger Doyle. "Among my first piano compositions was Six Pieces for Pupils who Don't Like Exams. Baby Grand is the sixth of these and is composed for four hands (in this version I multitracked myself and used some double-speed recording techniques). ... Then in the 1980s I received two once-in-a-lifetime commissions ... The first was to compose music for a film by Irish film-maker Bob Quinn, called Budawanny. The music (which had to be piano musi…
** special 10"+CD edition** The new EP from Fovea Hex is the first ever non-SW release on the Headphone Dust label, a testament to the unprecedented quality of the work. Steven has long been a fan of Fovea Hex, and in 2008 he invited singer / songwriter Clodagh Simonds to guest on his first solo record Insurgentes. Fovea Hex also counts the likes of David Lynch, Brian Eno and Underworld amongst its fans. You may also recognise Clodagh’s name from her vocals on early Mike Oldfield albums Hergest …
2011 Release. Die Stadt and Janet records are extermely happy to announce on the release of the new Fovea Hex album. "There have been few albums that I remember waiting so impatiently for. Several years have gone by since Clodagh Simonds' first transmission under the Fovea Hex umbrella and finally a full length has appeared. Continuing on from an exceptional string of EPs and singles, Here is Where We Used to Sing finds Simonds and her ever shifting group exploring different aspects of their son…
Allure is the concluding part of Fovea Hex's remarkable trilogy of EP releases, Neither Speak Nor Remain Silent.A unique, atmospheric, fusion of folk-derived melodies and electronica featuring contributions from Robert Fripp, Steven Wilson, Donal Lunny and Percy Jones, amongst others.
Following the critical acclaim which has greeted EP 1 Bloom, Die Stadt and Janet Records are proud to announce that Huge EP 2 in the 'Neither Speak Nor Remain Silent' limited edition series by Fovea Hex is out. Fovea Hex continues to shape-shift and to evade & confound those who bray 'what exactly IS it?,' and 'where does it BELONG exactly?,' and 'who exactly belongs to IT?'. If you must bang on the table like that, you won't hear a thing. If this music can be described as 'up-to-the-momen…
First in the 'Neither Speak Nor Remain Silent' series of three CD EPs by this new project founded by Irish singer Clodagh Simonds. Contributors incl. Brian Eno, Roger Eno, Laura Sheeran, Lydia Sasse, Cora Venus Lunny, Toby Arnott, Carter Burwell and Andrew McKenzie of The Hafler Trio. The CD comes in a beautiful embossed cover in an edition of 2000 copies.
The record features two collaborative pieces by Andrew Liles & Fovea Hex, with Fabrizio Palumbo as special guest. Featuring Andrew Liles, Clodagh Simonds, Laura Sheeran, Fabrizio Palumbo and Michael Begg, these two strange songs will find the way swiftly to your very core, quite by themselves, to simultaneously delight and only faintly unsettle you. Needless to say that everyone who enjoyed the Neither Speak Nor Remain Silent trilogy by Fovea Hex will also love this. It comes packaged in an attr…
Featured pieces: "Charlotte Corday and the Lament of Louis XVI" (1989, for electronics, voices); "Passades -- Volume I" (2002/3, for electronis, transformed voices). Peformed by: Roger Doyle (electronics); Olwen Fouere, Paavo Evans-Doyle, Kathy Kennedy, Paul Dutton, Roger Doyle (voices). Produced and composed by Roger Doyle.
Original and long time no see, limited edition of 700 copies. Far-out electro-acoustic sound collage, a development of ideas explored more briefly on Oizzo No. Sounds and voices in unexpected juxtapositions, and distorted in strange ways. It's outlandish enough to make it genuinely uneasy listening, and very imaginative, but as far as the genre's concerned it's all quite respectable, quite traditional. A simple narrative underlies all of Charlotte Corday, so it could be viewed simply as an abstr…
Irish composer Roger Doyle's first release on Die Stadt is his prize-winning work The Ninth Set, a 67 minute masterpiece in 5 parts. He was awarded the Magisterium Prize at this years's Bourges International Electro-acoustic Music Competition in France for parts 4 and 5. The award, which is one of the most important prizes in the world for electronic music, is open to composers having at least 25 years of professional experience in the field, and its objective is 'the promotion and diffusion of …
A new work from Roger Doyle ( for electronics & transformed voices). Produced and composed by Roger Doyle. "I began Passades in early 2002 working with the creative possibilities of music software which captures sounds like a freeze-time video, making sound movement stop, or go forwards or backwards slowly. For raw material I used extracts (four seconds at a time) from previous compositions of mine which were fed into the software which would freeze them, and by mouse manipulation I would slowly…