Music from United Kingdom

Islands is the sixth in a series of audiophile King Crimson vinyl reissues. The album's return to the 12" vinyl format is newly cut from masters approved by Robert Fripp. Manufactured on 200g super-heavyweight vinyl, housed in a reprint of the original sleeve with lyrics insert. The album is a hodge podge of ideas and there is no flow or continuity. Each track could exist separately. This is one of the Crims least beloved lineups even tho they were capable of more free-jazz improv than any previ…

Released in December 1970, King Crimson's third studio album, Lizard, is often viewed as an outlier in the pioneering British prog outfit's nearly half-century discography. It's not easily grouped with 1969's stunning In the Court of the Crimson King debut and 1970 follow-up In the Wake of Poseidon, and along with 1971's Islands it's considered a transitional release on the band's path toward the relative stability of the Larks' Tongues in Aspic (1973), Starless and Bible Black (1974), and Red (…

**classic prog-rock masterpiece gets the reissue on 200 gram vinyl** King Crimson opened 1970 scarcely in existence as a band, having lost two key members (Ian McDonald and Michael Giles), with a third (Greg Lake) about to leave. Their second album -- largely composed of Robert Fripp's songwriting and material salvaged from their stage repertory ("Pictures of a City" and "The Devil's Triangle") -- is actually better produced and better sounding than their first. Surprisingly, Fripp's guitar is n…

**Recent repress, classic prog-rock masterpiece gets the reissue on 200 gram vinyl** The group's definitive album, and one of the most daring debut albums ever recorded by anybody. At the time, it blew all of the progressive/psychedelic competition (the Moody Blues, the Nice, etc.) out of the running, although it was almost too good for the band's own good -- it took King Crimson nearly four years to come up with a record as strong or concise. Ian McDonald's Mellotron is the dominant instrument,…

Brian Eno's second album collaboration with Dieter Moebius and Hans-Joachim Roedelius of Cluster consists of slow-moving instrumentals full of repeated synthesizer sound patterns and sustained guitar notes. An idyllic spot ofland

Vang Circular is the first outing from Timo van Luijk (La Scie Dorée / Af Ursin, Elodie) and Mark Harwood (Penultimate Press / Astor). Employing vibes, mellotron, natural reader, an iron ant, synth, metal pipes, slide guitar and a double bass these audacious souls conjure a wonky musical vision that gently peels away the familiar The results are a surprising synthesis of two individual and somewhat oppositional aesthetics. From the farthest reaches of the galaxy to the highest celestial p…

Purple Translucent double LP edition. Remasterd, sold out at source. Reissue of Current 93's seminal double album from 1992, Thunder Perfect Mind. Newly and perfectly remastered by The Bricoleur, this reissue comes with a new face to the old sleeve designed by Ania Goszczyńska. Comes on transparent purple vinyl and includes a four-page lyric insert. This reissue marks the first time that Thunder Perfect Mind has been available on vinyl since its first pressing in 1992.9.3 on Pitchfork: "Named fo…

Desperate Straights was the first result of the historical meeting between Slapp Happy, the German/English Avant-Pop band and the apparently incompatible Henry Cow. Recorded at Virgin Record's Manor Studios in 1974 and properly re-mastered by Bob Drake, Desperate Straights stands as a real piece of Art from another time. A full set of great songs, including gems like "Bad Alchemy" and "Apes in Capes", arranged and performed by an amazing collective featuring Dagmar Krause's unique voice, Peter B…

Led by Nigel Ayers, Nocturnal Emissions was one of the first bands to use tape cutting, avant-garde art, and underground video works to create a stage experience that was cultivated by like-minded artists like Throbbing Gristle and Cabaret Voltaire. The band moved on to using samplers and electronic noise in their early '80s work, creating a twisted funk sound that would go on to influence everyone from Foetus to Negativland. They still utilized their former tricks, upping the ante with ex…

Limited friends edition of 99 numbered copies. This edition includes the bonus 10“ of Coup D'etat (LP, Album), 1987 for VOD-Members/Subscribers. Price include worldwide delivery - pre-orders, already few remaining at the label: of all the incredible releases compiled by Vinyl On Demand in the last few years, this one is by some distance their biggest coup. This epic 10 LP box set compiles the earliest material from Bryn Jones aka Muslimgauze dating back to 1983 and upto 1988. It includes a whole…

Out of print for 17 years, Nurse With Wound's The Swinging Reflective was originally released in 1999. Features collaborations with Coil, Diana Rogerson, Jim O'Rourke, William Bennett, Legendary Pink Dots, Foetus, Current 93, David Tibet, Tony Wakeford, Inflatable Sideshow, Aranos, Chris Wallis/Peat Bog, and Tiny Tim. All tracks are remastered and it is the perfect partner for Swinging Reflective II (DPROM 134CD). Also features Steven Stapleton and Stereolab. This set is packaged with all new ar…

180 gram audiophile vinyl pressing, clear vinyl. Seven is the seventh studio album by Soft Machine, released in 1973. Roy Babbington, who had previously contributed to Fourth [MOVLP1601] and Fifth [MOVLP1599] on double bass as a session musician, replaced Hugh Hopper on bass guitar, who left to begin a solo career. Their unique take on jazz rock was groundbreaking. Seven is a highly diverse album combining minimal, spacey elements and some great instrumental jamming. It was also the last of thei…

180 gram audiophile vinyl pressing. While the instrumental Fourth had forayed deep into jazz-rock territory, Fifth found Soft Machine working almost completely in the jazz idiom. As Soft Machine moved further away from rock on Third [MOVLP183] and Fourth [MOVLP1602], drummer/vocalist Robert Wyatt's dissatisfaction with the band's direction grew and, by the time sessions started for Fifth in late 1971, he had left permanently to form Matching Mole. Wyatt's replacement Phil Howard's propulsive rhy…

180 gram audiophile vinyl pressing. Fourth (from 1971) or 4 is the Soft Machine's first all-instrumental album and features a mix of Free Jazz, straight-ahead Jazz, and gong-like psychedelia. It was also the last of their albums to include drummer and founding member Robert Wyatt."Soft Machine's collective skill is hyper-complex and refined, as they are extremely literate in all fields of musical study. Fourth is the band's free purging of all of that knowledge, woven into noisy, smoky structure…

Official 180g reissue, from the original master tapes no less, of one of the most insane (and influential) experimental folk records of all time. This was Comus. Super dark themes and nightmarish visions abound in this total one-off of a record. First Utterance was, and still is, “difficult”. Fortunately today an appreciative audience exists for “difficult” stuff like this.Kent-based art students Roger Wootton and Glenn Goring had played acoustic covers of Velvet Underground numbers in London fo…

A studio album between three UK master improvisers - John Butcher on sax, John Edwards on double bass, and Mark Sanders on drums - the trio pushing the envelope in technique and dialog in nearly telepathic playing that transports the listener into their environment, as the music builds and releases in effortless ways that are stunning and exulant; highly recommended.

Derek Bailey, solo guitar. Recorded on 22 June 1991 at approximately the times indicated.

On November 17th 1961, John Coltrane played at the Granada Theatre in Walthamstow. On November 23rd, 55 years later, free jazz legend Evan Parker made this six track recording in the same space with John Russell and John Edwards. This recording has personal resonances for Evan: he attended Coltrane's performance 55 years ago at the Granada. Evan Parker: "John Russell, John Edwards and I are going to record in that same cinema. It has had the usual chequered life of classic old cinemas of the…

In stock! "In 2008, Domino Records invited Optimo to put together a compilation of music for them to release. I wanted to include Coil’s “A Cold Cell” and after approaching Peter Christopherson for permission to release it he suggested doing an exclusive remix for the compilation. How could I say no? The remix was titled “A Cold Cell In Bangkok”. It was glorious and many Coil fans as well as people who had previously never heard of them fell in love with it after hearing it on the “Sleepwa…

Taximi is the improvisation during the performance of traditional musical pieces, using soloistic folk instruments. It has roots in the eastern Mediterranean and Arabic culture and can be commonly found in Greek music and specifically in rebetiko. Taximi is a free rhythm melody, an author's imagination, alternating between various emotional paths with a passion respective to each one who carries it. The main prerequisite in order to play a taximi is not to have excellent technical knowledge, but…