Music from United States

A double CD for one of the late monuments by Morton Feldman: Violin and String Quartet, a 140-minute work composed in 1985, two years before the American composer's death. A work of extreme maturity, in which Feldman pushes his aesthetics of duration and sonic rarefaction to their ultimate consequences, creating a suspended space-time where every sound acquires an almost physical presence. Apartment House – the London-based ensemble specialized in experimental and minimalist repertoire – offers …

Orchestral Tape Studies II is an enthralling amalgam of orchestral textures carefully crafted by zakè. It is a continuation of its predecessor, Orchestral Tape Studies which was released to high acclaim in 2019. Bringing forth pastoral meditations with becalmed, atmospheric intent, Orchestral Tape Studies II is a convincing display of beautiful scores primed for the self-reflective moments that are both contemplative and thought provoking. These delicate repetitions, reticent sound treatments, a…

300 copies limited edition Finally here comes the reissue of the cassette tape dated 1997 and released under Richard Ramirez Deadline Recordings label. What originally intended as a split release between Richard Ramirez and Marco Corbelli evolved into a collaboration. The long out of print tape was released in limited quantities of only 35 copies. In 2020 (23 years after his first release) and the suggestion of Richard in making this 2 decade old noisy masterpiece available again, 4 tracks have …

*Limited edition of 500 copies.* Eiko Ishibashi and Jim O‘Rourke created the installation Lifetime of a Flower for the Dortmund exhibition Flowers in 20th and 21st Century Art. In it they set parameters, but allowed the process itself to literally grow uncontrollably: they planted seeds in the garden of their Japanese house and filmed as the plants grew for the duration of the exhibition. Visitors were able to watch the stream in real time, while listening to a composition that reflected the org…

The prodigious trumpeter Freddie Hubbard debuted on Blue Note in 1960 and produced an astounding run of recordings over the first half of the decade that culminated with Blue Spirits, which was the last of his 1960s studio albums for the label. This bluesy and spirited album presented five evocative Hubbard originals, each of which was given a richly textured arrangement for an ensemble that included a dynamic four-horn lineup. Drawn from two different sessions, the first date produced the grati…

Essential Dorothy Ashby! This high quality Verve By Request edition is cut on 180 gram vinyl at Third Man Pressing in Detroit from a newly remastered transfer. Original Lab review: Released in 1969, Rubaiyat was the follow-up to the cult-favorite Afro Harping. Lesser known, perhaps due to its rarity, Rubaiyat follows in line with more of the funky awkwardness established by its predecessor. The monster track here is "The Moving Finger," with a chanting intro setting off a nice break followed by …

*125 copies limited edition.* Tsss Tapes presents Passenger by Jeph Jerman and Ted Byrnes.

**Back in stock, very last copies** Edition of 250 copies, remastered from the original master tapes.** Issued in limited editions of 250 copies, they stand among the most important and sinfully overlooked documents of the movement of global improvisation that unfurled during the 1970s, and can’t be missed.This bundle (with additional and exclusive dedicated tote bag) includes the following four LPs:- Andrea Centazzo "U.S.A. Concerts" (1978)- Andrea Centazzo, Rova Saxophone Quartet "The Bay" (19…

Tip! The final two LPs in the latest Ictus batch, “The Ictus Archives Vol. 1” and “The Ictus Archives Vol. 2”,  both draw on the same period that the veteran saxophonist produced “Clangs” and “Trio Live”, both recorded in 1976 during of two weeks that he was touring Italy with Andrea Centazzo,  released in 1976 and 77 respectively, and reissued in 2021’s batch. Gathering four sides of material, issued as two individual LPs, we are offered an incredible insight into that moment’s striking collabo…

Tip! The final two LPs in the latest Ictus batch, “The Ictus Archives Vol. 1” and “The Ictus Archives Vol. 2”,  both draw on the same period that the veteran saxophonist produced “Clangs” and “Trio Live”, both recorded in 1976 during of two weeks that he was touring Italy with Andrea Centazzo,  released in 1976 and 77 respectively, and reissued in 2021’s batch. Gathering four sides of material, issued as two individual LPs, we are offered an incredible insight into that moment’s striking collabo…

*2023 repress* Out of print and hotly pursued on the secondary market, we’re thrilled to announce a much needed reissue initiative, dedicated to Ictus’ back catalog, beginning with four LPs, Steve Lacy and Andrea Centazzo’s Clangs, originally issued in 1976, Derek Bailey and Andrea Centazzo’s Drops, originally issued in 1977, Steve Lacy, Andrea Centazzo, and Kent Carter’s Trio Live, also from 1977, and John Zorn, Andrea Centazzo, Eugene Chadbourne, Tom Cora, Toshinori Kondo, and Polly Bradfield’…

*2023 repress* Out of print and hotly pursued on the secondary market, we’re thrilled to announce a much needed reissue initiative, dedicated to Ictus’ back catalog, beginning with four LPs, Steve Lacy and Andrea Centazzo’s Clangs, originally issued in 1976, Derek Bailey and Andrea Centazzo’s Drops, originally issued in 1977, Steve Lacy, Andrea Centazzo, and Kent Carter’s Trio Live, also from 1977, and John Zorn, Andrea Centazzo, Eugene Chadbourne, Tom Cora, Toshinori Kondo, and Polly Bradfield’…

As with Directstep (recorded one week previously), this album was recorded, and originally only released, in Japan. It was one of Hancock's most successful albums in Japan, perhaps because it was entirely solo piano. Hancock tackles jazz standards such as "My Funny Valentine", "On Green Dolphin Street" and "Some Day My Prince Will Come" while also performing four original compositions.

Temporary offer A long-lost live recording featuring one of John Coltrane and Eric Dolphy's 1961 sets at New York's Village Gate has been unearthed for release this summer. Evenings at the Village Gate was recorded in the summer before Coltrane's legendary slate of November 1961 dates at the Village Vanguard, with a similar quintet lineup: the short-lived tandem of Coltrane and Dolphy alongside drummer Elvin Jones, pianist McCoy Tyner and bassist Reggie Workman. While the trailblazing Village Va…

Noise/noisecore/grindcore/cut-up in unparalleled intensity from Mumma/Wiese with two tracks featuring Jay Randall.

A scorching assembly of recordings from Sissy Spacek's 2022 ensemble tour, featuring the first John Wiese solo as Sissy Spacek since 2001 and two sets from the trio of Chris Goudreau/Jay Randall/John Wiese. Jewel case with heavy 28-page booklet.

Sissy Spacek is known for their extended approach to sound and performance. Founded in 1999, the group (since 2013, primarily a duo of Charlie Mumma and John Wiese) have released a broad range of work, from grindcore to musique concrète, with a considerable gulf of experimentation in between. Their performance at Empty Gallery in Hong Kong and its peripheral documentation is an example of the band’s abstracting style and approach. Recorded on the occasion of Takeshi Murata’s “Infinite Doors” ope…

Robert Turman is an American sound artist best known for his innovative and experimental work in the field of ambient and minimalism. Beginning in the mid/late-1970s, Turman became involved in the world of experimental music, being particularly drawn to the work of minimalist composers such as Steve Reich and Terry Riley, and began to experiment with tape loops and other forms of sound manipulation.Turman’s first solo release, the cassette album “Flux” (1981), is a landmark in ambient and minima…

Long-awaited re-release at a middle price of this classic and popular album, the last collaboration of Steve Lacy, Masahiko Togashi, and Masahiko Sato. Year of recording: October 15, 2000 / Location: Fukaya Hall Egg Farm

2023 repress. 180-gram black vinyl. The astonishing sessions that went light years beyond "free jazz" improvisation to create a music of deeply felt, explosive and gentle gesture made from sound itself without reference to previous notions of melody or harmony are now reissued on 180 gram vinyl with Sun Ra's original, self-created cover art. Recorded by Richard Alderson on April 20, 1965, this set of tunes finds Sun Ra breaking ground by using synthesizers and having the Arkestra musicians doubl…