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Markus Hinterhäuser shows us a terrific interpretation of the piano sonatas from the russian composer. Massive music!They say that Galina Ustvolskaya led a very secluded life, that she was a loner. It is amazing, though, how distinct an image of her emerges from the almost meditative way in which she immersed herself in structures, dynamics and combinations of pitches. And not only that. You can hear the concentration on her work and the contrasts within the scope of an existence, some even say…
In his interpretation of the music from Osvaldo Coluccino, Alfonso Alberti takes us by the hand to lead us part of the way through our innermost being.What we hear seems like fractured piano music, like notes and sounds scattered in space: in his “Stanze,” Osvaldo Coluccino uses the piano’s resonant body to generate resonances in the spaces within us. He removes the windows, eliminates all opulence, and confronts us with environments that lie within ourselves. The light and the dimensions keep c…
The unspeakable evil in three nameless acts: We proudly present Salvatore Sciarrino’s Macbeth, recorded at the 2011 Salzburg Festival, released for the first time as an audio document!The infiltration of microorganisms of sound, restless reticence, ephemeral slitherings, whisperings, whizzings ... – and all of it develops a kind of intensity only the great Italian master is capable of creating. Salvatore Sciarrino’s opera Macbeth was presented in the fifth, and final, year of the Kontinent serie…
Iancu Dumitrescu 'Extreme point of gravity' (2009) for ensemble (Hyperion & Talea Ensemble). 'Le silence d'or (V)' (2009) for ensemble and computer sounds. Ana-Maria Avram 'Telesma (X)' for three percussion groups and computer sounds (G. Aguilar, P. Teodorescu, A. Lipovsky). 'Textures (III) / Penumbra' for two bass clarinets (Rane Moore and Tim Hodgkinson) and ensemble (Hyperion & Talea Ensemble).
Iancu Dumitrescu 'Liminal involvement' for ensemble. 'Le silence d'or' (Israel version) for ensemble and computer sounds. Ana-Maria Avram 'Lux animae XII' for ensemble and computer sounds. 'Telesma' (Israel version) for bass clarinet, ensemble and computer sounds. Contemporary Music Ensemble from Tel Aviv under direction Ilan Volkov with special guest Stephen O'Malley.
Composer Philip Glass and director Robert Wilson's Einstein on the Beach, widely credited as one of the greatest artistic achievements of the 20th century, launched its creators to international success when it was first produced in Avignon, France, in 1976, with subsequent performances in Europe and in New York at the Metropolitan Opera. It is still recognized as one of their greatest masterpieces. Now, nearly four decades after it was first performed and 20 years since its last production, Ein…
*In process of stocking. 2022 stock.* Zeena Parkins is a keyboardist, harpist and composer who has worked closely with Fred Frith, Bjork, Ikue Mori and many others. Her brilliant work for dance has earned her three Bessie Awards, and her own bands have toured the world for over twenty years to great acclaim. This special compilation brings together her best compositions written for film and features some of the greatest musicians in the downtown scene. An endlessly creative collection of work by…
We know the mantra all too well: If I love it, what can I do but repeat it? If I repeat it, what can I do but get bored with it? One answer might be (must be): to make out of its repetition something infinitely variable. This Clementi has done for the last twenty years. He has found a technician's answer to the familiar question of what to do, musically, with the compulsive nature of memory, the obstinate tenacity of the Proustian 'petite phase'. Beethoven and Brahms exorcised this power, this c…
4CD Box edition. Ranked #4 in the the Wire's Rewind 2012 best-of list. Three CD box collection with a 16-page booklet. "Experimental German composer Jakob Ullmann creates quiet music in order to give himself and his listeners the opportunity to hear more, and better. This comes about because our ability to hear is augmented when listening to quiet music. We hear better because we make an effort to hear better. That is why Ullmann likes to locate his sound-sources at the periphery, so as not to m…
Finally restocked! After five years of intense, passionate and sometimes painful work Die Schachtel (in collaboration with RAI) is proud to announce the release of the long-awaited massive Book (Edited by Angela Ida de Benedictis and Maddalena Novati) with 6CDs boxed edition dedicated to some of the most compelling Italian radio works which took part in the prestigious Prix Italia, a world-famous contest established by the RAI (the National Italian broadcasting company) in the early Sixties and …
New York based ensemble Essential Music had a strong relationship with John Cage in his later years. This experience gives these recordings a special authority. Recorded in 1993-94, they are being released for the first time. In 1987 John Cage began writing his “number” and “time-bracket” compositions, which became his primary compositional method for the remainder of his life. These works are named for the number of musicians participating, consist of the number of parts with no com…
"Wergo's reissues of the legendary Earle Brown Contemporary Sound Series have been a big hit with fans of contemporary music around the world. Each set is a treasure-trove of works by a wide range of composers, performed by some of the finest musicians of the time. The three CDs of volume four feature string quartets by Boulez, Scelsi and Earle Brown, works for chamber orchestra by Xenakis, Aldo Clementi, Bo Nilsson, Wlodzimierz Kotonski and Yuji Takahashi and works by Milko Kelemen, Niccolo Cas…
Bureau B reissues Piano Piano by German keyboardist Hans-Joachim Roedelius, originally released in 1991 on the Italian label Materiali Sonori. In classical music, "pp" (piano piano = pianissimo) is a dynamic indication of particularly soft music. And Piano Piano is a very soft, quiet album. Roedelius assumes the role of a fairytale character with his piano music, transported to a strange, fantastical landscape where, filled with awe and amazement, he tries to get his bearings. What he see…
Indispensable 180g vinyl pressing of eight super-important compositions by the "Father of Electronic Music" dating back to 1923! Most notably - for us at least - it includes the incredible percussion pieces 'Ionisation' and 'Integrales' played by the Julliard Percussion Ensemble which are worth the admission alone - but then you've also got the three tape pieces 'Interpolations I, II, III' from 'Déserts' circa 1950-54 which seals the deal: ESSENTIAL** "The French-born Edgar Varèse (1853-1…
A portrait of Christian Wolff, documenting the composer's early activity through recordings made close to the time of their composition from artists including Cornelius Cardew, Frederic Rzewski, David Tudor
Volume 9 of Mode’s Scelsi Edition is devoted to the first complete recording of Giacinto Scelsi’s works for viola solo and duo. • Manto was a prophet in ancient Greece. Scelsi translated her oracle maxims into cryptic phonemes which the viola player has to sing simultaneously in the third movement. In Manto, the sound of the viola is expanded and explored via experimental playing techniques. This is the first recording of the third movement. • In Xnoybis, Scelsi’s exploration “into the insid…
Roger Reynolds’ Sanctuary for percussion ensemble is conceived to be both visually and sonically dramatic. Composed for a spatially distributed ensemble and live electronics, the work makes spectacular use of DVD’s surround sound capabilities. Sanctuary is a malleable work intended to evolve with the experience of its creators (composer, performers, and technicians) and conceived so as to adapt to, and capitalize upon, the changing resources and contexts within which it is realized. Sanctuar…
Anna Clementi, voiceSteffen Schleiermacher, piano "This compact disc brings together all the pieces for voice and piano published by Cage with the exception of the two early song cycles Twenty Years After (after texts by Gertrude Stein, 1933) and Five Songs for Contralto with Piano Accompaniment (after texts by e. e. cummings, 1983)." |D|D|D|