"Olde English Spelling Bee is one of those labels you can implicitly trust to provide you with the most brilliantly weird music. Their latest missive is a self titled shocker from Autre Ne Veut, a moocher from the same circles as Oneohtrix Point Never and all those weirdo Brooklyn types with an uncanny line in subtly skewed pop queerness. Seriously, this is one of the strangest, most jarringly unique records of the year, and we love it. At heart it's an incredible pop album with traces of Prince…
Big or profound sensations from small gestures which are carefully arranged. Using a mixture of sacred and profane, or classical and prosaic sound sources, knitted into intricate, fleet-footed compositions that virtually spring into the ear. Profondo Rosa is composer Ailin Grad’s first vinyl album following years embedded and loved in the Argentinian experimental music scene, with past treats on labels Krut, Sun Ark, Orange Milk Records and her own label Abyss, devoted to ‘connecting Latin Juke …
Berlin based composer-performers Liz Allbee and Burkhard Beins team up for some electro-acoustic explorations, utilising synths and field recordings, trumpet and percussion. Informed by their musical backgrounds ranging from industrial / noise via musique concrete to free improv, the two players create interactive fields of an imaginarchic nature. Many lesser oddball talents make the proud boast that they will invite you into their strange mental world and amaze you thereby. Allbee not only make…
Keeping their winning streak going, Not Not Fun hit us with the lo-lite brilliance of Afterhours, an act that emerged from influential LA radio show 'Field Recordings of the Afterhours'. Citing Mo Wax and Anime as influences you can see how Not Not Fun were wowed by Afterhours' sultry electronics - this is music as indebted to Vangelis and Jean Michelle Jarre as it is 80s pop, industrial and Blech-era Warp bleeps. While title track 'Sleepwalker' is firmly in Blade Runner territory, the hi…
Eclectic selection running from midnight jazz moods to swinging house and dusted downbeats. As much as Los Angeles gleams in the global mind as a gateway to dream fulfillment and televised wealth / fame amalgams, it’s equally a desert of disappointments. Hence the dead-end yoga cults, under-the-bridge tar dealers, valley burnouts, Inland Empire night-stalkers and seas of destitute Eastside lowlifes. This vibe is central to Afterhours’s languid, nocturnal musical vision, which has evolved from sl…
Acolytes is the self-titled debut album by London-based enigma D. Shan. Following up a puzzling (yet well received) 7" on The Pheromoans' label Savoury Days, Acolytes sees Shan develop his sound into areas of greater fidelity, complexity, and a unique non-linear approach to songwriting. Reference points could be drawn towards Art Bears, the Cold Storage scene, The Residents, and the Ralph Records roster, but they would all fall short because ultimately Acolytes is a highly unclassifiable record …
*2LP Edition of 700 copies, includes a free download of the album dropped into your account* Dave Huismans (A Made Up Sound) returns under his 2562 codename with the oneiric ambient/concrète dancefloor states of 'The New Today', his 4th solo album in this guise. Where its predecessor, 'Air Jordan', also for his When In Doubt label, took inspiration from the arid landscapes of the Middle East, 'The New Today' draws upon ideas sketched out whilst 2562 was in New York, late summer 2013, and was lat…
Limited edition of 800 Yet another dreamy peach from STROOM 〰, ‘Chosen Songs’ collects an unmissable introduction to the shadowy poetry and music of 48 Cameras; a long-running, mutable ensemble helmed by Belgium’s Jean-Marie Mathoul (✝ 04/07/2018)Spanning 8 pieces, each recorded in one take between 2002-2013, ‘Chosen Songs’ notably features guest input from Michael Gira (Swans) and Robin Rimbaud (Scanner) among many others. However, the centre of attention is Jean-Marie Mathoul (1952-2018), who…
This intriguing and predictably atmospheric album is the first collaborative full-length from experienced modern ambient producer Dennis Huddleston AKA 36, and Los Angeles duo Awakened Souls, whose full-length hook-up with Pepo Galan, Palettes, received plenty of praise last year. Between them the trio have conjured up a hugely evocative and emotion-rich collection of cuts, where heart-aching, slow-motion guitar laments stretch out across swelling synthesizer chords, meditative pads, distant-sou…
A pure journey inward into the headspace of an artist, that reveals his gaze at the earth-ly zones he walks in: “Song for Joni”, the new album by Japanese musician Shunji Mori, brings pure natural music full of artificial nuances who create in conversation with ana-logue tones a new kind of musical nature, loaded with vibrant seasons, unknown to us, the unwise humans. moreover, the album is a fine continuation of Japan’s rich ambient leaning music traditions, carrying them into Lorren Connor’s l…
Marc Richter aka Black To Comm released his debut record 20 years ago. In 2023 he is still busy releasing music under various disguises and is currently signed to the Thrill Jockey label. To celebrate this anniversary his own Cellule 75 label is re-releasing some classic out-of-print vinyl albums that originally came out on the defunct Type and De Stijl labels. The LP will feature a full-colour lyric sheet / poster exclusive to this edition.
Marc Richter aka Black To Comm released his debut record 20 years ago. In 2023 he is still busy releasing music under various disguises and is currently signed to the Thrill Jockey label. To celebrate this anniversary his own Cellule 75 label is re-releasing some classic out-of-print vinyl albums that originally came out on the defunct Type and De Stijl labels. The LP will feature a full-colour printed inner sleeve exclusive to this edition.
Tip! *Limited edition of 300 copies.* This new album compiles several songs made in the years following Black To Comm's classic "Alphabet 1968" album. Originally released on the seminal Type label in 2009 (and to be reissued on Cellule 75 this year) "Alphabet 1968" combined the sound of vintage shellac and vinyl loops with broken electronics and field recordings, the press release mentioning disparate influences "ranging from Moondog to Basic Channel by way of Bernard Herrmann". In a beautiful o…
Terekke herds his wooliest flock of ambient Improvisational Loops for Music From Memory following the cultishly-acclaimed Plant Age album for L.I.E.S.. This time he evaporates any trace of percussion to leave listeners wrapped up in billowing harmonic structures with a deeply meditative, almost anaesthetising effect set to resonate with a raft of new ears.
It’s perhaps not surprising that Matt Gardner a.k.a. Terekke conceived his second LP as an aid for yoga in the esoteric-functional style of t…
Restock 2023. In 2001, on a rainy November Sunday afternoon, a performance took place on the Brisbane Powerhouse Turbine Platform. It was a crowded affair, some 600 people turning out for DJ Olive Meets I/O3, a performance since released as 'Powerhouse Sessions' (EDRM400). Whilst the actual shape of the series was yet to take form, this event was the genesis for a series of events curated by Lawrence English.Titled Fabrique, the series ran for eight years and produced 40 events - each celebratin…
Sold out at source, few copies available - Even before the landing of men onto the moon or any space travels, majestic Tom Dissevelt captured the essence of the space mood and science fiction aesthetic. Fantasy in Orbit draws the blueprint for a future sound, later recognized as "Electronic Music," as simple as that. The music is this jaunty space-age swirl, with synthetic oscillations and bubbling textures, creating what is one moment playful, the next menacing, as they struggle to reign in …
2023 stock. Wilderness of Mirrors is the new album from Lawrence English. This album has been two years in the making and the first album created since the release of his 2011 ode to J.A. Baker's novel, The Peregrine. It is English's most tectonic auditory offering to date, an unrelenting passage of colliding waves of harmony and dynamic live instrumentation. The phrase, "wilderness of mirrors," draws its root from T.S. Eliot's elegant poem "Gerontion." During the Cold War, the phrase became ass…
Cruel Optimism is a record that considers power (present and absent). It meditates on how power consumes, augments and ultimately shapes two subsequent human conditions: obsession and fragility. This pyramid is an affective ecology of the (ever)present moment. This edition owes its title and its origins to the wonderful text of the same name by American theorist Lauren Berlant. I had the fortune to come across her writing almost a half-decade ago. In Cruel Optimism, I found a number of cri…
2023 stock. This is the second full-length album from U.S. sound installation artist Richard Chartier aka Pinkcourtesyphone. Pinkcourtesyphone is an echo of an unfamiliar voice. Pinkcourtesyphone remembers two things you hold up to your face as a conduit to forgotten love. Pinkcourtesyphone permeates like a syrup-y dream. Pinkcourtesyphone is many things from many places. Pinkcourtesyphone is elegant and detached. This is the second full-length call from the Pinkcourtesyphone-line; a loquacious …
The music of Australian artist Thembi Soddell resides in a zone of unrelenting darkness and physical affect. Working at the nexus of raw emotion, sound design, and musique concrete, she creates sound worlds that are effortlessly dense and abyss-like. In her performances, she explores sonic environments which swallow the audience. By utilizing intense sound pressure and varying dynamics she creates profoundly unsettling, but fulfilling, experiences for her audiences. Love Songs, her latest work, …
Tip! A reflection on the absurdity of life with its paradoxical contrapositions: light and darkness, peace and despair, joy and sadness, all mixed together in a chaotic and ridiculous "circus", where, inexplicably, we all find ourselves in. The undeniable overwhelming beauty of it all is a constant source of puzzlement and delight where laughter always finds its way.
*150 copies limited edition* Unreleased but perfectly formed "hidden" album, recorded in 1989-90 by Nuno Rebelo on the wake of his "Sagração Do Mês De Maio" double LP (composed in 1988 as soundtrack to the third Manobras de Maio fashion event in Lisbon). The tracks convey a sense of investigative curiosity regarding computer composition and they sound wonderfully artificial. Titles as "Moon OK", "Tiny Space Ships" or "Dança Das Creaturas Elásticas" ("Elastic Creatures Dance") embody this idea of…
Pech is the latest duo recording from inside pianist Reinhold Friedl and avant- percussionist Michael Vorfeld. Over the past five years, this pair of German musicians have created some of the most engaging and imaginative electro-acoustic music, exploring the potentials of subtle performance techniques and refined compositional approaches. On Pech, the duo seek to uncover the hidden and masked character of their instruments - the piano is altered via various preparations and unconventional ways …
The act of conjuring remarkable sound from found objects is at the very heart of this recording from American musicians Greg Davis and Jeph Jerman. Having met in Arizona some years back, Davis and Jerman commenced working together on a series of recording projects. Improvising with a range of implements and devices ranging from sticks, stones and lo-fi electronics to prepared instruments, gongs and broken percussion, the pair sought to develop a personal language that reflected their individual …
Since 1995, Brisbane resident Leighton Craig has etched out a varied musical existence, from solo keyboard studies to an extensive body of collaborative work. His solo works, which span delicate ambient keyboard excursions through to site specific live documents and most recently song based explorations, have mapped out a focus of tone, duration and 'situations' for sound. On 11 Easy Pieces, his first widely available solo LP, Craig offers an intimate yet robust collection of works recorded on a…
Steinbrüchel’s Narrow is an album of reduction and transformation. Like much of Steinbrüchel’s recorded work, the genesis of Narrow stems from a singular idea concerned with the notion of ‘static development’. Working with a limited palette of source material Narrow’s elegance is in its varying perspectives on related sonic materials. The title track is the nexus here - a somewhat more organic sound palette than heard previously in Steinbrüchel’s work - Narrow is a subharmonic oceanic-like compo…
The Oansome Orbit is the latest work from Australia’s electronic godfather Pimmon (known to friends as Paul Gough). Over the past decade and a half, Pimmon has carved out a unique space for himself amidst through producing a series of masterfully executed excursions into abstract electronic sound. With this new edition, he strikes out at some of his most harmonic territory to date, merging washes of rich tone against irregular grids of texture. The results are wholly individual and utte…
Apart from being recognised as two of Australia's leading improvising musical forces, Clayton Thomas and Robin Fox are also acknowledged for their unrelenting experiments and divergent acoustic approaches in relation to their instrument of choice. Over the past 3 years, Robin Fox has developed some of the most powerful live processing tools in Australia through his research with MAXMSP. Clayton Thomas on the other hand has expanded his performance styles, moving between blistering free jazz expl…
Richard Chartier’s sound installation and recorded pieces evoke a state of aural awareness. Working with a variety of minimal structures and refined sound sources, Chartier has been responsible for some of the most austere audio works of recent years. Aesthetically refined and creatively provocative much of his work has focused on the edges of perception, both in frequency range and amplitude. On Current, his latest work to be released in conjunction with his performances in Australia and Japan …
Recorded over a series of four Sunday afternoons, Wakool is an interrogation into an expanded range of techniques and gestures applied to instruments including banjo, electroacoustic guitar, bandura, and eukolin. In part an antidote to laborious studio process, this project privileges live stereo recordings without additional overdubs, processing or equalization. The varied and spontaneous nature of David's effortless playing across an eclectic range of instruments was recorded transparently to …
From Nicola Ratti... "These recordings were made during a relatively long period of time, not continuously, over several months in my studio. Nothing was been planned in advance, not any idea of album or approach. Nevertheless I easily recognize myself in this material, moreover I recognize my working space itself. It's like taking a picture, or make a painting, of your personal room where all your stuff is well placed and, among them, their identities as sound sources and acoustic possib…
From Lawrence English: "A few years ago, my dear friend and bandmate Jamie Stewart and I were talking about Swans. I started to mention how much I admired the utterly personal approach to guitar that Norman Westberg had developed on those early records and moreover how that had blossomed out so richly on this latest incarnation of the band. During the course of the conversation Jamie mentioned a CDR that Norman had passed to him, which collected a few pieces of solo work that Norman had been wor…
Joana Gama and Luís Fernandes's new offering At The Still Point Of The Turning World, borrows its title from T. S. Eliot's poem "Burnt Norton". It is a record of restless motion, lilting and pulsing with a sense of gentle determination. Born out of a period of mutual loss, the works carry a bittersweet sentiment. Bitter in the sense of loss; sweet in the sense of lingering memory and influences recognized of those departed. It is also a record that, like the poem from which it takes its title, m…
2023 Stock. Drawing deeply on the earliest recorded period of Japan’s history, the Kofun era, Chihei Hatakeyama’s Mirror meditates on the importance placed on reflection during this age. The mirror was a source of great inspiration, not only as a metaphor for the sun, but also for its ability to shift and reflect light from one location to another. This act of transplanting light, considered almost magical by many during that time.
Similarly, this idea of reflection spurred Hatakeyama to underta…
It's difficult to know how to summurise the meandering journey that has been the life and times of Mike Cooper. Having just celebrated his 70th year of mischief making here's what we can tell you... A young Mike Cooper can be spotted playing a beatnik guitarist on an anti-nuclear march in London beat cult film 'That Kind Of Girl'. His first band The Blues Committee played with and supported blues legends such John Lee Hooker, Howlin Wolf and Jimmy Reed. Cooper was central in launching several o…
On Moon Field, Rafael Toral breaks new ground, it is his first edition that moves outward, beyond the Space Program series. This collection of three extended and interlocking works, mark the beginning of a transitional period into a new phase. Building on the explorations of his almost decade and a half of work with the Space Program, Mood Field seeks a more open sensibility and integrates a range of new elements and new directions. These elements reposition the potential interplays of his chose…
132 Ranks for Pipe Organ was composed by Olivia Block in 2016-2017, as a commission for LAMPO and The Renaissance Society. Block composed the piece specifically for the enormous Skinner Organ at Rockefeller Memorial Chapel in Chicago. The world premiere was performed by Block on April 21, 2017. The concert, free and open to all ages attracted a large crowd. 132 Ranks was conceived as a hybrid of concert and sound installation. Six speakers were placed throughout the chapel. These speakers played…
On Moon Light Reflecting Over Mountains, Tokyo's Chihei Hatakeyama evokes an instrumental poetic grace that marks him out as one of the icons of his generation. Drawing upon a broad swath of aesthetic references, he seamlessly melts glacial ambient drifts with richly harmonic guitar strata that echo the gliding motions of My Bloody Valentine, Ride, and Cocteau Twins. Never resolving to clear melody, his interest in unrestrained harmonics creates a depth to his compositions and moreover a pr…
2023 stock. From Scanner, aka Robin Rimbaud: "There were three performers and one witness. I can remember this day well, even though it was some twenty-four years ago. Standing up before a mixing desk in a dark room in an apartment in South London, Jim O'Rourke, Robert Hampson, and myself, literally all hands-on deck as we each took responsibility for the faders on the desk. Introducing sounds to the mix, the accident reigned supreme. Sometimes the high frequency of cellular noise would pervade …