Electronic / All styles

Latest missive from the recent wave of D.Jackman releases. This one is sure to please fans of early Organum releases with it’s rolling churning drone industrial electronics. Again, music made by Jackman, in a world conceived by Jackman, sounding exactly like a part of this immense Jackman language. A new staggering piece to this immense ongoing project. A constant flow of wavesCold, light and flourescentCrystallise empty feelingsThe howling echoes of a foxSomewhere in a vast open plainAn asteroi…

In the birth of the universeTime stands still amidst a wild and untamable energyRadiant light bathes and purifies solid stone pillarsBoth ancient and modernWild vibrations touch our most innermost core and perceptionOrganum Electronics exists in the clear moment of the presentBut its mysterious compositions lay hidden in a timeless pastModulating oscillations mirror our most fundamental sense of beingAs though a living and breathing entity would Communicating with a life-force and language we ha…

Raven is the first new Organum album release since that of Sorrow in 2010 (Siren Records) and was recorded in 2017.For the realisation of Raven, Organum was comprised of David Jackman, Alan Jones, and Daisuke Suzuki.The first Organum 12-inch release 'Tower of Silence' (LAYLAH-1985) was a work of multi-layered bowed sound and scraping metallic objects, but there was an innate silence within this wall of noise - as Basho’s Haiku poem echos :“Deep silence, the shrill of cicadas, seeps into rocks.” …

The first of two milestones in ambient music recorded by Germany's legendary electronic pioneers Hans-Joachim Roedelius and Dieter Moebius together with Britains music eccentric Brian Eno.

Swedish experimental outfit White Stains created five highly influential albums. Band members Carl Abrahamsson and Thomas Tibert later on went on to form the equally influential act Cotton Ferox. Their improvisational approach and dark musical atmospheres created a following which remains to this day, and which even led to a one-off reunion gig in Gothenburg in 2013 together with long time collaborator Genesis P-Orridge (Throbbing Gristle, Psychic TV). The album Exploratorium is a compilation of…

Cotton Ferox key members Carl Abrahamsson and Thomas Tibert have composed, performed and produced groundbreaking music since the late 1980s. After their time in White Stains and several solo projects, Cotton Ferox have been their main mothership. Always producing cutting edge stuff, they have also always made an issue out of collaborating with other interesting artists. In both White Stains and Cotton Ferox, they’ve worked together with industrial pioneer/legend Genesis Breyer P-Orridge. Some ex…

Steven Severin is one of the founding members and bass guitarist of UK’s influential and seminal, Bromley Contingent, punk group Siouxsie and the Banshees. His solo work as Codex Astra is a project exclusive to Erototox Decodings and Wand of Flame  is the fourth in a set of four series EP’s. Each EP in this series is inspired by quotes from Magician, writer extraordinaire, the inimitable Aleister Crowley.

Steven Severin is one of the founding members and bass guitarist of UK’s influential and seminal, Bromley Contingent, punk group Siouxsie and the Banshees. His solo work as Codex Astra is a project exclusive to Erototox Decodings and Idols of Glass is the third in a set of four series EP’s. Each EP in this series is inspired by quotes from Magician, writer extraordinaire, the inimitable Aleister Crowley.

Steven Severin is one of the founding members and bass guitarist of UK’s influential and seminal, Bromley Contingent, punk group Siouxsie and the Banshees. His solo work as Codex Astra is a project exclusive to Erototox Decodings and Hours of Gold is the second in a set of four series EP’s. Each EP in this series is inspired by quotes from Magician, writer extraordinaire, the inimitable Aleister Crowley.

Steven Severin is one of the founding members and bass guitarist of UK’s influential and seminal, Bromley Contingent, punk group Siouxsie and the Banshees. His solo work as Codex Astra is a project exclusive to Erototox Decodings and Circles of Silver is the first in a set of four series EP’s. Each EP in this series is inspired by quotes from Magician, writer extraordinaire, the inimitable Aleister Crowley.

"Joulupukki is a stunning electronic artwork by Xambuca, which is the moniker for American multimedia artist Chandra Shukla. Inspired by northern indigenous peoples, Xambuca is in the process of creating a trilogy dedicated to and stimulated by these unique cultures and geographies. The 2014 release Kamuy (Erototox) was inspired by the Ainu people of northern Japan, Sakhalin Island, and the Kuril Islands in the northern Pacific. Joulupukkiis about the Saami people living at the top of the Fenno-…

"Vincent Wrenn works with a microtonal system of seven octaves and each octave being divided into 360 notes, with Saturn being the lowest and the sun being the highest octave. That may sound also pretty esoteric, but the six pieces here are excellent studies in what seems to be sine wave like sounds. Each of these pieces appears to have very few variations and when played very loud may burst an eardrum, or destroy your relationship with your neighbour. I would think these pieces are best enjoyed…

Xambuca does not really exist in the material space time continuum. Instead, Xambuca conceptually feeds on the subconscious figment of a host's imagination; a host that has a tendency to encounter its name or symbols in passing by mere coincidence.

*Limited edition of 300 copies* A pilgrimage is a journey or search of moral or spiritual significance. Typically, it is a journey to a physical place of importance to a person's beliefs and faith, although sometimes it can be a metaphorical journey into someone's own beliefs. On this pilgrimage into humanity’s inner world [ówt krì] continues his exploration of contrasts and counterpoints. It is a journey through abstract spaces that digs deep into our psyche, a film for your inner vision. The s…

Ilpo Väisänen (Pan Sonic), offers a deeply personal and emotional record that literally translates to “The Presumed Otherness Of The Conscious Transition”. An appropriate title for a very somber and serious listening.

Elliott Sharps's release on Erototox Decodings is no different in terms of his ongoing homage to science, entitled 'Phlogiston', aptly named after a substance supposed by 18th-century chemists to exist in all combustible bodies, and to be released in combustion. It’s also his first purely electronic and synthesized record to date.

Blendwerk is all about smoke & mirrors.„Potpourri" - as a track - is new, its components are old. One element per existing album by Strotter Inst. has been intertwined. The parts are old, the entirety is new. "Quodlibet" represents an impossibility, 23 loops are cut next to each other. The simultaneity - as the title suggests - is only conceivable.

Andrew Liles offers little hope or joy on his meticulously crafted album An Un World. Over the course of the tracks comprised of various sound sources tweaked into dark ambient soundscapes, the producer carries you through an often fantastic, sometimes frightening world of sound, characterized by its tone more than its individual components. Every song features its own unique palette of sounds. For example, indecipherable voices murmur beneath a haunting wind-like buzz on "Over Before It Began,"…

The story is that Vigroux spent most of the time on his tour constructing what would subsequently evolve into Barricades. Working indefatigably on new tracks in the morning and performing them live in the evening - that is basically how this excellent work was assembled. Recording everything in stereo, using only two tracks, Vigroux aimed to incorporate “the rawness of a ‘live’ recording”. Consequently, the sound here became unmistakably pure and expressive, somewhat reminiscent of artists such …

Schneider TM & Jochen Arbeit of Einstürzende Neubauten release an album of ‘urban cosmic freeform music’ on the US label Erototox Decodings in cooperation with MWM featuring musical contributions by Julia Kent (cello), Lucio Capece (bass clarinet) & Claas Großzeit (cymbal). The album, which almost became a lost treasure, was already recorded in winter 2011/12 and stretches out it’s harmonic dissonances between heavy drones, strange noises, industrial-like metal percussion, feedback-ish flutes, …

"A mainstay of the Bay Area experimental music scene, Thomas Dimuzio played countless times at this comfortably carpeted venue, that kind of privately public space where it can be hard to properly tell the music apart from the community. Though ’LCM’ is technically a live album — two side-long suites, each built out of three continuous movements — it’s also been seamlessly composed from so many different nights that it represents an entire era, evoking the sites that allow music like this to com…

A physical release for ‘Matériaux’, the 2020 EP from French multimedia artist Franck Vigroux. Somewhere between a mini-album and a long EP, Vigroux expresses a range of different moods but in the same simple, musique concrète-influenced manner, driven by texture and harmony at the expense of melody.

"The Wind In Kirtipur is a piece in two parts using normal and treated location recordings, pitched Tibetan thigh bone horn and singing bowls. Recordings were made at the Bagh Bhairab Temple in Kirtipur, at the Swayambhunath Stupa in Kathmandu and inside the walls of the Kumari Ghar where the 'Kumari Devi' (Living Goddess) lives in Kathmandu, Nepal. The title is inspired by a text written by poet Ira Cohen as a foreword to a book of early texts/poems by Angus MacLise entitled 'The Map of Dusk': …

Performed & recorded live on June 25th 2019 at Barracuda Club via Antumbrae Intermedia Events + Installations, Austin, Texas / USA

A vinyl reissue of improvising synth, vocalist and multi-instrumentalist Jean-Marc Foussat's 2001 Potlatch album, originally released as a CD-ROM and here with an accompanying DVD titled "Hope for Happiness" including 3 silent films, two of which relate to the album; performed with Francesco Pastorelli : voice, Louise Foussat : laughs, Marc Bohy : drums, Pascal Bouscailloux : bass, Jac Berrocal : trumpet, Jean-François Pauvros : guitars, Roger Turner : voice

"Substunce Sans Scrupule" is a dream. A hazy dream born in the emptiness between the words of "Igitur ou La folie d'Elbehnon" by Stéphane Mallarmé. A dream that sought Marcel Proust's lost time and constituted the light and the black void between the single frame of Gregory Markopoulos. It is the birth and the destruction of the work of art, primitivism and science. "Substunce Sans Scrupule" is as much Georgios Karamanolaki's automatic writing on the work of Jean-Marc Foussat as Jean-Marc Foussa…

**200 copies limited edition** "The occasion of this double album is to present the two different practices in my music, live performance and studio work. Although phenomenally coming from a different place, it is a result of years of experimentations to bring a simple yet complete electroacoustic set up both on stage and in studio. The original idea was to compose or perform with acoustic instruments generating sustained sounds in a way that, although electronically manipulated, would retain al…

First collaboration between Tobias R. Kirstein and John Duncan, prompted by a dream Kirstein had on 31 May 2019 - the day Roky Erickson died - in which Duncan repeated 'You Are Safe' against a backdrop of sine waves. Two long pieces result: Duncan voices texts (You Are Safe, the second 'Come To Me') sustained by Kirstein's slowly morphing electronic backgrounds, computer-generated drones that thicken into something close to insect resonance before settling. Process-led voice and electronics.

The complete works of one of the pioneers of Belgian early electronics. This 3CD set highlights Leo Kupper's earliest unique compositions produced during the '60s to the'90s when he was ardently seeking out structures distinctly applicable to purely electronic sounds. His GAME machine - Générateur Automatique de Musique Electronique (Automatic Generator of Electronic Music) was constructed during such period and spirit of renewal and technical exploration.

Recording of Orphax's live performance at Factor-IJ, Amsterdam in August 2021, part of the programme curated by Moving Furniture Records to accompany the Polderlicht-organised exhibition Less Is More. The full set is reproduced as recorded, without edits. The performance brings Sietse van Erve's recurring interest in minimalist aesthetics into conversation with his own drone practice, producing warm, organic atmospheres in which the listener's sense of time and place deliberately disintegrates.

"Alvin Lucier’s I Am Sitting In A Room was written over 50 years ago, and it’s about time somebody figured out what to do with it. Sure, you could upload and re-upload the same video until it washes out into a gurgle, and people have. But the result is always just less video and not more of something else. There’s no space, no Room, inside a digital stream to come forth. Here’s why: Lucier’s piece famously provides more thrills and chills the more patience you bring to it. And it works that way …

On Racines Synthétiques, Joël Fajerman and Jan Yrssen plant electronic seeds in pastoral soil: vintage synths, sequencers and string machines tracing lyrical miniatures that imagine nature re‑composed through early‑digital circuitry.

Over the years when listening to the diverse catalog of Altar Of Flies, the primate in me has on numerous occasions tripped across a selfish thought: it would be sick as fuck if AOF did a release that was, like, straight harsh noise. Nearly all of his releases are laced with masterful passages of blown out crunch, but always as a counterpoint to more delicate and introspective narrative sound. In 2020 as we worked on the Work Ethics CD together, I toyed with the idea of making such a suggestion,…

The fourth installment from this brilliant Finnish duo consisting of Aprapat and Mogao, two relative newcomers who have climbed to the top of the pig-pile over the past 2 years. A certain Finnish “gatekeeper” claimed their debut tape was possibly one of the best Finnish harsh noise releases ever, and for my money, they’ve only gotten better since then. They follow their land’s tradition of junk metal abuse noise through mic’d amps, but their sonic skills and playful arrangements set them apart f…

One of noise’s freshest voices, hailing from Finland. Extremely creative and resonant harsh noise utilizing the basic elements. After a number of great cassettes on his own brilliant Satatuhatta label that a lot of folks (particularly in the USA) slept on, the world is finally ready to enjoy the genius of Aprapat.

Latest release of K.M. Toepfler on White Noise Centipede. Cold, surgical harsh noise achieving militant purity through unorthodox means. Minimalistic brain drilling, carving, and rolling textures. Latent tones that attack the body’s nodes and trigger the misfiring of synapses. The disturbing sense of an ongoing moment of déjà vu that continuously compounds upon itself in waves.

Ruth is Jason Crumer’s previously inaccessible harsh noise masterpiece. Recorded specifically for CD (and mastered apocalyptically loud) in 2004-05, Ruth was planned for release on numerous labels at the time of its completion, none of which came to fruition. Eventually, as if resigned to its fate, it was released as a highly limited tape on Nazot in 2008 - a format not at all conducive to the material. The noise on Ruth is razor-sharp and absolutely pummeling cut-up style harsh noise, executed …

**Edition of 300 copies pressed to yellow vinyl with light green marble, in high gloss sleeve and black disco bag. ** Tip! The long-lost psychedelic album from the Incapacitants of the North! On Friday November the 13th, 2009, Lasse Marhaug and Tommi Keränen had an extremely productive day at a real-deal high-end studio in Helsinki, recording a 7” (Het Potati - released on A Dear Girl Called Wendy), a CD (Python In The Bowl - released on Freak Animal) and an LP (Fifty-Sixty - this one). An unnam…

The collaborative recordings of Sewer Election and Treriksröset throughout the mid-2000s are some of the most singular works of harsh noise orthodoxy ever created, holding a heavy position in the canon of noise music. The highly refined and counter-intuitive approach to layering, texture and dynamics contrasts miraculously with primitivism and minimalism, manifesting in several 30 minute slabs of exquisite crust recorded live to tape. "Killing For Germany" is perhaps their most static and straig…

Six international artists showcased across two compact discs of shredding sound, clattering depths, power electronics violence, and deafening discordance. Though a diverse compilation, Lacerations plays out like a cohesive extended nightmare. Twenty minutes each of essential material from Bacillus, Richard Ramirez, Rusalka, Interracial Sex, Vms Elit, and Cost. Mastered by Grant Richardson at extreme volume. Play loud.