Literature
**Ltd. to 200 copies, yellow vinyl, hand-numbered, incl. hot foil stamping** Tomotsugu Nakamura is a musician and graphic designer residing in Tokyo, Japan. His primary artistic practice is to compose music with some fragments of minimal acoustic and electronic tones and some field recordings. In Concert, he has played with various genre of musician such as "Musica Frontera Argentina". With previous releases on Kaico and Audiobulb Records, "Literature" is his 5th complete album.
Grøndal
Suction Records welcomes Roger Semsroth back to the label - having previously released 2 full-length albums on Suction under his retired electro-pop alias, Skanfrom. “Grøndal” (suction051) is the debut vinyl release under a new alias, Nordvest.
These days, Semsroth is best-known for his stark and minimalist techno project, Sleeparchive. The material on Grøndal - icy, melodic, and mostly beatless - is comprised of tracks that were originally released digitally as Sleeparchive, via Bandcamp. The r…
<3
Uwe Schmidt runs sly and dry commentary on modern electro-dance-pop, recalling a ruder take on his seminal Pop Artificielle project with nods to Rian Treanor, PC Music and Grimes. Full of upfront, processed vocals and precision tuned, up-to-the-moment drum programming, ‘<3’ is the sharpest thing we’ve heard in years from the artist with more monikers than we can count. Following 2013’s ‘HD’ album for Raster, he recalibrates the rhythmic mechanics from techno to a slick mix of electro, EBM and e…
Recumbent Speech
Recumbent Speech, Ezra Feinberg’s second album, opens with a lament. Named for the Robert Frost poem, “Acquainted with the Night” was written during one of the many devastating spectacles of injustice under our current regime. Repeating flutes and synths beam out of a low-end darkness, reflecting a collective sense of loss and alienation. Rising slowly, thickening with guitars and strings, “Acquainted with the Night” lifts off, and so too does the album from there. The second track, “Letter to …
Dropsonde
Biosphere’s atmospheric 2005 ambient jazz lather returns, remastered and reissued on his Biophon label for those who may have slept on its deeply seductive charms. The bonus bits beautifully expand on its vibe with moments of windswept BoC-like melody and sublime alternate versions of album evergreens. “Widely regarded as one of Norwegian electronic music's most important artists, Biosphere's [Geir Jenssen] career spans nearly two decades, several albums, lots of remixes, various sound installa…
Holy Origin
Vestals is the avatar of Los Angeles based artist Lisa McGee, whose debut album Forever Falling Toward the Sky was released by Root Strata in 2012. She has also discreetly operated in U.S. underground music for the last decade as a member of the dream-drone duo Higuma with Evan Caminiti, while making vocal contributions to acclaimed albums by Jefre Cantu Ledesma and Sarah Davachi. McGee is the sole producer and performer on her sophomore effort, Holy Origin. Since her last offering she has evol…
Primal Forms
Written and produced by Sam Shackleton and Waclaw Zimpel. Electronics, sequencing, and programming by Sam Shackleton. Alto clarinet, violin, harmonium, e-piano, organ, frame drum, percussions, lira, and monochord by Waclaw Zimpel
Sowas Von Egal 2: German Synth Wave Underground 1981-1984
LP version. Two years have passed since Bureau B released the first Sowas Von Egal compilation (BB 310CD/LP, 2018). With the musical movement or genre known as NDW celebrating its 40th anniversary, what better time than now to launch an ambitious successor to the first sampler. The beating heart of this endeavor is once again invigorated by the synchronous passions of bespoke Hamburg label Bureau B and the label's Damaged Goods nights where they present rare, obscure synth and wave discs from th…
Isola/Azione
** Edition of 100 copies, red vinyl with hand silkscreened cover ** Mai Mai Mai special release, recorded at Home during the period of Lockdown due to the Pandemic. I am taking time to meditate and to imagine possible futures that we are all called to build as a collective, the time given by this Quarantine to rethink the world has we know it. These two long tracks represent a sound picture of this moment. It's Meditation. "Isola" means "Island": we ended up being on our private and personal I…
Fältinspelningar från Terres de l’Ebre
** Green vinyl edition of 300 copies. Originally released as a tape edition of 100 in 2017 **Newly reworked by Maria Horn & Mats Erlandsson and remastered by Daniel Karlsson. XKatedral returns with this blistering terraform of sprawling ambient and electro-acoustic works originally released as a tape edition of 100 copies in 2017 and now newly reworked and remastered for this first-time vinyl edition. Highly recommended if yr into Eno, Jim O’Rourke, Fennesz, Ben Frost. Turning field recordings …
Collagen
** housed in reverse-board inner and outersleeve, including a 16 pages artist book/music score ** the full-length debut of Lisa Lerkenfeldt’s lowercase ambient drift marks the Aussie artist’s most significant release to date, slotting neatly into the roster of Félicia Atkinson & Bartolomé Sanson’s Shelter Press and gently caressing our earlobes with a sometimes barely-there palette of peach wood combs, contact microphones, piano, strings, and feedback that coalesce into tumultuous movements beyo…
Himmelsvind
**Edition of 340 copies on black vinyl, gloss varnish sleeves and a 12-page full colour booklet ** the first release on Discreet Music and the 6th album from Arv & Miljö. Mainly recorded during the easter holiday 2020 and the coming weeks, Himmelsvind takes us back to the spring time, where as the previous album Svensk Sommar I Stilla Frid (Omlott Records, 2018) explored the Swedish summer. While sonically a continuation of the ambience and new age gloom of Svensk Sommar, the general tone on Him…
Auf Dem Schwarzen Kanal
Auf Dem Schwarzen Kanal is one of the most outstanding, most sought-after releases in Conrad Schnitzler's extensive catalog. It was the only Schnitzler record to appear on a major label and saw him flirting with the experimental new wave sound that was emerging in 1980, particularly on the title track. Nevertheless, it still managed to sound idiosyncratically unlike any other music around at the time. Recorded with Wolfgang Seidel at Peter Baumann's Paragon Studio in Berlin, the four tracks take…
Milzz Expz
NYZ on the recording: "The Buchla 100 experimental session begins with a documentary recording of the noise generators. Something I find endlessly fascinating is listening to different noise sources, so I always feel compelled to record them. The remaining tracks are sequenced by my MANIAC Cellular Automata sequencer. First up are three little sequenced ditties that also incorporate the ARP 2600 modular interconnected to the Buchla 100. After this is an ultra-minimal setup using MANIAC and the m…
Smegma
**Original edition of 100. About 20 copies left from the original pressing** The only Russian release for legendary Smegma!
Whale - Wail, In Peace, En Paix: For Voice and Tape Structures of Whale and Other Animal Sounds
**2020 stock** Whale - Wail, In Peace, En Paix: For Voice and Tape Structures of Whale and Other Animal Sounds is a 1986 recording by composer Ann McMillan, commissioned by Moses Asch. The piece, first presented on Baffin Island, north of the Arctic Circle, for an Inuit audience, is a plea to humans to be more like whales. Inspired by her study with Edgard Varèse and his work with pre-recorded sounds, the composition features whales and other sound sources (including bull, insect, and Chinese cy…
Gateway Summer Sound: Abstracted Animal and Other Sounds
**2020 stock** Ann McMillan did not record prolifically, but she was at the vanguard of electronic composition in New York in the 1970s. A student of groundbreaking composer Edgard Varèse, McMillan’s primary medium was magnetic tape, which she manipulated to create surreal soundscapes. On Gateway Summer Sounds, her debut album released on Folkways in 1979 and recorded at the legendary Princeton-Columbia Electronic Music Center, she sources sounds from the natural world – frogs, insects, field re…
Eight electronic pieces
**2020 stock** Chance combinations, accidental themes, chaos in general—these are the musical modes that Tod Dockstader uses in composing electronic pieces. Blending oscillating electronic sounds with natural sounds is like being "confronted with a potential orchestra of thousands of instruments," he says, and the task becomes one of "improvising."
This CD is a custom made copy from Smithsonian Folkways collection. Every effort has been made to preserve its historical and aural integrity. The or…
Electro-Symphonic Landscapes
**2020 stock** This 1979 album, by the husband and wife composing-performing electronic music duo of Priscilla and Barton McLean, showcases two pieces, “Invisible Chariots” by Priscilla and “Song of the Nahuatl” by Barton. Begun in 1975 and completed in 1977, “Invisible Chariots” is a three-movement piece, named after a Carl Sandburg poem, about the “intuitive creative force” that shapes composition. Composed in 1976, “Song of the Nahuatl” was underwritten by a grant from the National Endowment …
The World Music Theatre of Jon Appleton
**2020 stock** This 1974 recording by electro-acoustic music composer Jon Appleton is designed to take the listener to different musical landscapes. Appleton notes differences in context that will make the music more and less effective (“not everything I intended will be heard by the listener because no two listeners share the same aural experiences…because we are continually expanding our aural vocabulary, the sounds used assume a different significance as time passes”). Liner notes contain a b…