We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
8th part in the ongoing re-release series of all early Tietchens albums between 1980—1991. Described by Tietchens himself as his »Industrial« album, »Geboren, um zu Dienen« was originally released on the spanish Esplendor Geometrico label in 1986. The CD version incl. three unreleased bonus tracks from the same period and comes with a full colour fold-out booklet incl. liner notes by Tietchens himself.
10th part in the ongoing re-release series of all early Tietchens albums between 1980—1991. »Notturno« was originally released by spanish label Discos Esplendor Geometrico in 1987 and also by Barooni on CD in 1992. Remastered version in a first edition of 600 copies in jewel case with full colour artwork and poster booklet also feat. the original front and back cover.
Track 1 Dec. 1997 Track 3 July 1998 Track 4 July 1998 Track 5 Oct. 1999 Track 7 Oct._Nov. 1999 Track 9 children with learning disability listening to PBK, recorded in school "La Chanterelle", Brussels, november 1999.
Coagulate is the debut release from electroacoustic improvisation duo Anthony Pateras & Robin Fox. Utilizing a diverse array of approaches and forms, this album presents incredible real-time mutations of acoustic and electronic resources fused by a chaotic and physical improvisational language. From discarded piano frames to feedback to ingested microphones to vintage synthesizers, resources are combined, deconstructed, developed and devastated through both linear and non-linear trajectories. Os…
Three works from 1986 to 1994 in which Annette Vande Gorne sets texts by the Belgian poet Werner Lambersy, from Noces noires, read in a near whisper by the poet himself, to Le ginkgo, commissioned by L’Année nouvelle. Reissue. CD-R.
Annette Vande Gorne's five-part acousmatic cycle from 1983 to 1991, one piece for each of the Taoist elements, moving from the raw water recordings of Eau to Terre, an 8-channel GRM commission dedicated to François Bayle. CD-R.
EM's original selection of Annea Lockwood's early works, which had once featured in Source: Music of the Avant Garde, a now-legendary magazine for new and experimental music from 1967-1973. This CD includes the album Glass World (originally issued on Tangent Records in England, 1970), and trippy, ritual shamanic tape piece "Tiger Balm" (1970). Also her most notable works, series performances "Piano Transplants (1967-1982)" is now re-realized in one single special booklet, containing "Piano Bu…
"killer disc of lo-fi tape music & electronic studies from reynols’ Anla Courtis; completely all over the map, from the electric-guitar based musique concrète of “asma de tía de alga” to the almost pietro-grossi-esque bleep-fest of “invisible clown sonata” (what a title!) to the epic closer “encías de viento.” highly recommended." (Mimaroglu)...now back to his real name Alan Courtis, this still comes out under the misspelled Anla Courtis moniker (a slight name change given to him by his former R…
Four fixed-medium works by Pierre Alexandre Tremblay from 2014 to 2020, conceived as poems rather than chapters: a 28-channel ode to post-industrial northern England, a cycle on defining words, an attempt at mindfulness and a saturated Newsfeed.
2025 stock ** "Lidingö, a summit between innenklavier specialist Andrea Neumann and percussionist Burkhard Beins, is altogether knottier and gnarlier. Part of the important Berlin scene, the two play together in Phosphor as well as with Sven-Åke Johansson. Beins is a masterful player, often eschewing struck percussion in favor of rubbing, stroking, and scraping, only occasionally landing a gargantuan thudding bass drum for example. Neumann uses only the strings, resonating board, and metal frame…
Nine acousmatic works by the Belgian composer and cinema foley artist Marie-Jeanne Wyckmans from 1991 to 2021, all made at Métamorphoses d’Orphée, including a trilogy held up as a mirror to the pandemic and homages to Francis Ponge and Francis Dhomont.
A four-part acousmatic cycle by Louis Dufort on the forest, drawn from many treks in the Canadian Rockies and Québec’s boreal forest, developed from 2016 and finalised in 2020-21, moving from a pastoral opening to an abstract ode to nature.
Five works Robert Normandeau composed between 2013 and 2021 for a dome of loudspeakers, heard here as stereo “postcards”: a bandoneon-only Melancholia, a commission for the Montréal metro's 50th anniversary with the OSM's new octobass, and material from Jorane's stage project.
Five multichannel works by Roxanne Turcotte from 2014 to 2021, centred on Les oiseaux de Nias, a half-hour piece for five wind soloists, a choir of 25 bird calls and fixed medium about songbird trafficking in Indonesia.
Four works by Denis Smalley from 1981 to 2011, three six-channel pieces heard in stereo Ambisonic versions by Jonty Harrison and the Bourges prizewinner Vortex, from Danish church bells at dusk to the winds of Golden Bay in New Zealand.
Five acousmatic works by Patrick Ascione from 1998 to 2012, commissioned by the IMEB in Bourges and Ina-GRM, from the 8-channel spatial polyphony of Danse de l’aube to the last of his Ascioneries, issued seven years after his death.
Pierre-Luc Lecours's Éclats (2014-20), four pieces each tied to a colour, where recordings of piano, cello, flute and percussion meet modular synthesis and noise, plus Impacts discrets, built partly from snow and ice on the roofs of Old Québec.
Three electroacoustic compositions from André Boucourechliev (1925 - 1997) : 'Thrène' (1973-74). 'Texte I' (1958). 'Texte II' (1959). And 'Concerto pour piano et orchestre' (1977).
Six acousmatic works by Ambrose Seddon from 2005 to 2017, from games played with his young son at the EMS in Stockholm to Norfolk and Devon coastal recordings, including the Klang ! first prize winner Pellere.
Two recent eight-channel works by Denis Smalley, Fabrezan Preludes, built on chords from Debussy’s La Cathédrale engloutie, and Sommeil de Rameau, plus The Pulses of Time from 1978 for clavichord sounds and EMS Synthi 100.