La Journee
**50 copies copies, wood engraved hand assembled tape box + wood engraved set of
12 cards** All music, recordings, mixing by Guilhem Lacroux. Concrète and Electroacoustic Experiments circa 1995. The diversity of media (digital, analog, high and low definition), techniques (morphing, cut-up, sequence-play) and writing engines (serendipity, madrigalism) make La Journée the exemplum of an era in full gestural, sensitive and temporal metamorphosis
Volatil
**150 copies copies, Silkscreen printed thick folder cover with stamped label** Faune is a duo featuring Guilhem Lacroux (Toad, La Baracande, Tanz Mein Herz) on guitar and lapsteel as well as Jacques Puech (Jericho, Duo Puech-Gourdon ...) on voice, bagpipes, shruti box and glass harmonica. The traditional themes they play are solely taken from the Cantal territory (Auvergne), a very rich and diversified area in terms of musical heritage. Both musicians here aim for a minimal approach, using thei…
Its Shape Is Your Touch
Wendy Eisenberg is an extraordinary guitarist dedicated to the
completely unconstrained exploration of music, language and time. Her
work has taken her from conservatory to DIY space to concert hall, from
performing improvised music and punk-metal to writing the quietest of
songs. On Its Shape is Your Touch, Eisenberg turns her gaze to
the guitar in its most absolute, essential form. Having traversed
musical genres as she has, the intricate improvisations she weaves on
this record have as…
Company Week
In May 1977 Derek Bailey gave me a press ticket for Company Week - a series of concerts of improvised music in London. I made some notes at the time, but there seemed to be nowhere suitable to publish the extended commentary I eventually produced. So I wrote it into a dummy book and it to Derek. Most of it is reproduced here." Peter RileyOriginal copies of this rare and invaluable document, published in 350 copies
New / Rediscovered Instruments Volume 1 (Booklet)
A long overdue, larger, reprint of the 1975 classic pamphlet by Hugh
Davies, Paul Burwell, Max Eastley, Evan Parker, Paul Lytton, and David
Toop. A rare look into the maker culture inherent in the 1970s UK
experimental music scene with descriptions and pictures of Hugh Davies's shozyg, the communally blown horn, and more. Preface by David Toop.
Sound American Vol. 2
Due to a surprisingly large demand, SA began printing their back issues in this collected format last year and almost immediately sold out of Volume 1! Now we're pleased to present Volume 2 which features the best articles, essays, and interviews from our issues originally presented in 2014: SA4: The What Is Music Issue, SA5: The Philadelphia Issue, SA6: The Maker Issue, SA7: The Deep Listening Issue
Sound American Vol. 1
Finally, the online magazine Sound American is available in a lovable,
givable, carryable, trainable form! We’ve culled our favorite articles
from the first three issues and commissioned some special new works not
found at soundamerican.org for this special book presentation!
This first volume features writing by and about Rick Moody, Ben Hall,
Nate Wooley, Shinkoyo Collective, League of Automatic Music Composers,
Women in Electronic Music, TECHNE, John King, John Cage’s Number Pieces
an…
Ott
Limited to 300 vinyl version live at Ottfest 2014. France set out for a wild mesmerizing revelry of sound. The result is one of their best recordings to date. Imagine Tony Conrad & Faust reincarnated as a french trio in 2014, using only a minimal drum kit, bass and hurdy-gurdy to drone you into another dimension. The music of France is built around the idea that a circular rhythm section combined with the trance-inducing riffs of the hurdy-gurdy can generate an endless series of (micro)tonals va…
The Air Around Her
140g black vinyl. 380gsm reverse board outer sleeve. 300gsm printed inner sleeve. This record documents music made by two women — one American and one Korean — who have both made a profound impact within experimental music. Ellen Fullman’s Long String Instrument has been a long-term life-work of incredible ambition and dedication. It is immediate, exciting and inspirational. Okkyung Lee has completed rewritten the possibilities for the cello in solo and group improvisation whilst maintaining a s…
Music For Cello
Phill Niblock's Music For Cello collects three pieces from the '70s and early '80s, performed by cellist David Gibson. This CD includes a 16-page unpublished interview with Niblock. Since the late sixties Phill Niblock has been composing long-form acoustic drones with a focus on the rhythms and overtones that rise from closely tuned instruments. His highly original and influential music is an exploration of timbre, microtonality, stability, duration and psychoacoustic phenomenon."3 To 7 - 196' i…
Who will listen to aches that Everyone has 7"
New on Penultimate Press. Limited to 150 copies. Who will listen to aches that Everyone has’ is a telaesthetic document of disquiet, distance, and disintegrating memory. Careful mantels, rumours of summer, a nocturne, the black inside; Septembers wither, sentiments wane, the chamber-band plays. Parlours are MB – violin, piano, spokes, hotel bell, lighthouse bell LR – cello ML – pianette LF – cutlery SM – silhouette
Towers, Open, Fire / Looking For Business
New on Penultimate Press. Limited to 150 copies. Notes from Penultimate Press: Nether neither either ether [C.B.]. Bad bad grace back for a death-affirming day. Hard-to-Reach claimants born in the wrong place (Bayern Tāmaki Makaurau, Arkhangel district), put out too tender & possessed by spite. 3 x negation = 15 years Philosophie Queen, 18 Meanstricken, meaning totgeschlagen! No end to the keratodermic bouzouki, knock-off Glock, plastic reed, Tascam Spiel. There’s nothing not superficial about i…
The South of the East
The South of the East is the debut album from Tenggara Trio, comprising of improvisors from Indonesia, Malaysia and Singapore. Like previous Lao Ban Records releases it has Yong Yandsen gargling, screeching, skronking and more on the tenor saxophone, but unlike previous releases, "The South of the East" is the most rocking (read: loud, aggressive, driving) release from Lao Ban Records hitherto. The other two members, Ikbal S. Lubys and Dharma both play electric guitar (with efx and objects), but…
Electric Powered Music Concert
This is the 2nd CD release commemorating the 6th anniversary of Ftarri,
the CD shop in Suidobashi, Tokyo. In recent years composer Masamichi
Kinoshita, cello player Tomoki Tai, and composer/computer musician
Takumi Ikeda have departed from their usual musical activities to hold
“Electric Powered Music” concerts–periodic improvised music performances
featuring electrical machinery and devices. These three plus guest
Takuya Harashima (biwa, flute, voice) performed together in an Electric
Po…
Duo
This is the 4th CD release commemorating the 6th anniversary of Ftarri, the CD shop in Suidobashi, Tokyo. Suzueri uses prepared piano and several self-made instruments placed nearby to produce a variety of original sounds, which she combines in constructing her performances. Makoto Oshiro continues to create new sounds with the many new self-made instruments he devises. A duo performance by these unique musicians is recorded on this CD. Amid the drone formed by the roar of many sounds, suzueri f…
Trio and Septet
This is the 3rd CD release commemorating the 6th anniversary of Ftarri,
the CD shop in Suidobashi, Tokyo. It documents a concert held at Ftarri
in June 2018, featuring Beijing-based musicians Zhu Wenbo and Zhao Cong.
The first set was an improvised performance by Zhao Cong (electronics,
objects), guitarist Takashi Masabuchi, and alto sax player Masahide
Tokunaga (25 minutes). In the second set, a septet consisting of these
three musicians plus Zhu Wenbo (buzzer, clarinet, whistle), Yuma
T…
Sextet
While touring Europe in autumn 2017, Minami Saeki (voice), Wakana Ikeda (flute), Yoko Ikeda (viola), and Taku Sugimoto (guitar) visited Switzerland and joined up with Swiss composer/musicians Stefan Thut and Manfred Werder. This CD is a recording of five pieces they performed at the concert venue Theater Delly in Solothurn, Switzerland, on October 9, 2017. Thut played cello, and Werder used glockenspiel and typewriter. Each of the five musicians other than Saeki provided a composition of his or …
Endangered Species
Endangered Species states, restates, correlates, instigates, inflates and deflates, elevates, formulates, disintegrates, interrogates, percolates, granulates, germinates, Kiss Me Kates, Tom Waits, Norman Bates and W.B. Yeats, horripilates, adumbrates, prestidigitates, sophisticates, enumerates, integrates and contraindicates songs from the standard repertoire, Standards they were called. Old French, Frankish, estendard "place of formation." If you asked a jazz musician what he played, he'd proba…
Department of Heraldry
I was first introduced to the concept of Mark Charles Morgan by Thurston Moore in a series of conversations that all went something like this: TM: Dude, Sightings is coming to town. You should check them out. I think you'd really dig them. And you'd love Mark; he's hilarious Me: un-huh TM: No, really. Me: When and Where? I'll try to make it. TM: They're playing Friday at... At which point, I'd nod politely, internally shutting down, or just walk away, while he was mid-sentence. This went on for …
Got To Stop Me / Hot Tarmac
* Edition of 200 * Black vinyl, white cardboard sleeve with postcard attached, stamped white labels, insert. Plays at 45rpm. Stark electronic abstraction from the London-based duo Komare which consists of Dominic Goodman and Peter Blundell from Mosquitoes. Two tracks of industrial DIY minimalism creating an organic sound world from broken rhythms and extraneous sound generated by modular synthesis with minimal bass figures and voice that is both an instrument and a cloudy narrative. With 'Got To…