A Meditation On Discord
Zachary Paul's debut album for Touch, A Meditation On Discord, compiles two live recordings from 2018 and a short film score, showcasing his expressive range and unique playing style. Both live recordings -- "Premonition" and "Slow Ascent" -- were fully improvised on his violin ("The Duke," 1878), with a minimal assortment of pedals (Earthquaker Afterneath, Diamond Memory Lane Jr, and Boss RC-30) and looped vocals. Mastered by Simon Scott at SPS Mastering; artwork and photography by Jon Wozencro…
Tarab
CD Digipack. In a handful of improvised albums circumnavigating the troubled waters of the contemporary Mediterranean -Greece, with the eponymous Oiseaux-Tempête (2013), Turkey and Sicily for Ütopiya? (2015), Lebanon with Al-'An! (2017) - the collective Oiseaux-Tempête has stretched its electric arc over musical genres and borders, imposing itself in a river of tours and releases like a wild UFO within the hexagonal indie scene. Navigating instinct, as attracted by disorder, the music of Oiseaux…
Mungo
Tip! This fourth release by Great Waitress titled back, before was recorded before the pandemic and lockdowns in 2018, and has taken four years to get to production. A live set was beautifully recorded by Peter Farrar at the Annandale Creative Arts Centre in Sydney and mixed and mastered by Joe Talia.
In the elegant liner notes, Chris Abrahams writes of Great Waitress transcending “ ...the individual contributions of Mayas, Altman and Brooks. It's an identity made from a multi-dimensional count…
Mujician Solo IV (Live In Piacenza)
CD Edition. From its opening notes, it is apparent that Keith Tippett's first solo recording in fifteen years is something very special indeed. Tippett has always been a player with a talent for musical pyrotechnics, cascades of notes—triplets, trills, mordants and arpeggios-colliding with mighty tone clusters. But equally, he has also been an artist of great emotional subtlety and depth. Both these qualities are in evidence here. For much of the record, the sense is less that of Rachmaninov, mo…
Truancy
Jim Denley and Dutch musician Cor Fuhler first met at the Taklos Festival in Switzerland in the early 1990s and Cor's frequent visits to Australia over the years gave them the opportunity to occasionally play. In 2012 Cor moved to Sydney, allowing them to ramp up the duo - this is their first release together. Over 7 weeks at the end of 2013 they recorded weekly in Cor's backyard studio, eventually choosing take 9 and 12, titling them Skive and Wag. Their imaginative preparations and inventions …
Avoidance Language
*2023 stock* "There have been some very cool guitar duo LPs over the years -- Bert Jansch & John Renbourn's Bert & John, Danny Kalb & Stefan Grossman's Crosscurrents, Jody Harris & Robert Quine's Escape, Charalambides' Joy Shapes, Bill Orcutt & Michael Morley's Electric Guitar Duets, any comp of Kansas Joe McCoy & Memphis Minnie, etc. -- but there has never been one quite like Avoidance Language. It is a wild-eyed classic from start to finish. Ostensibly a meeting between two guitarists lurking …
Rinka
"This is a new release on the Italian label Superpang. I first met Giovanni Di Domenico, an Italian musician living in Brussels, 15 years ago. We hardly ever had the chance to play music together, and when I went to Europe just before Corona, I made this album based on a session recorded in his studio. After returning to Japan, I edited and dubbed in additional synths and strings. A fresh collaboration with an old friend, I hope you'll give it a listen! Big thanks to Tony for the great design an…
Music For Four Guitars
"In a trajectory full of about-faces, Music for Four Guitars splices the formal innovations of Bill Orcutt's software-based music into the lobe-frying, blown-out Fender hyperdrive of his most frenetic workouts with Corsano or Hoyos. And while the guitar tone here is resolutely treble-kicked — or, as Orcutt puts it, "a bridge pickup rather than a neck pickup record" — it still wades the same melodic streams as his previous LPs (yet, as Heraclitus taught us, that stream is utterly different the se…
Buried Landscapes
Collective long-term documentation of the rapidly melting Morteratsch glacier in the Swiss alps through underwater and contact field recordings, and analogue photography. Recorded during the summers and winters of 2015-2018.
Dammed Landscapes
Collective long-term documentation of the rapidly melting Morteratsch glacier in the Swiss alps through underwater and contact field recordings, and analogue photography. Recorded during the summers and winters of 2015-2018.
Melting Landscapes
Collective long-term documentation of the rapidly melting Morteratsch glacier in the Swiss alps through underwater and contact field recordings, and analogue photography. Recorded during the summers and winters of 2015-2018.
Strip Ice Water To Listerine
Nyahh Records is incredibly excited and honoured to be releasing this collaboration by two of Americas most legendary figures in the Underground music scene. Both active since the late 1970's, Robert Turman and Tom Smith have been there since the start.
The Devil's Interval (Alienation)
A visionary artefact from the mind of Steven Stapleton under the guise of Nurse With Wound, drawing some of the best of the project's recent output back into the light, Vasopressin delivers the first ever vinyl edition of "The Devil's Interval (Alienation)", comprising two stunning works of minimal, atmospheric experimentalism, that stand among the most striking and immersive to ever have been created by the project. A stunning and radical rethinking of the terms of ambient music, responding to …
Anonymous Sextet For Perverted Piano
Ben Glas (b. 1992) is an experiential composer based in Berlin. Through ephemeral compositions Glas' work questions preconceived notions between the acts of passive hearing and active listening. In seeking to discover open ended forms of music and pragmatic listening perspectives, Glas' compositions focus on the realms of subjective perception and cognition, via the use of acoustics, psychoacoustics and space as tools for sonic composition.His work has been exhibited and performed internationall…
John Heward Quintet
*2023 stock* Playful reverence acts as the adhesive in this recording. The muse is filled with chromatic color and interlocking light and shadows. This release celebrates a life of music-making from John Heward and Barre Philips, both whom were eighty-years young at the time of this concert. Other members of the quintet include: Lori Freedman, Joe McPhee and Dana Reason. Positive and negative space is the organizing principle of this improvised concert. Heward, a well-respected Canadian musician…
Solos and More at Studio 304
*2023 stock* "Railing backstage at his musicians between sets, drummer and big band leader Buddy Rich once declared, “There’s no sound in flutes. All I hear is noise!” It’s unclear if Alex Riva ever listened to these covertly made recordings of Rich chewing out his band. But if he had, Rich’s words certainly could have been the rallying cry on Riva’s new solo CD, Solos and More, recorded in Bangalore, India in 2019. Riva plays a wide variety of plastic recorders, the bane of many parents worldwi…
Look In To My Eyes, I’m Watching You
Outstanding violinist and improviser from Serbia Szilard Mezei in his latest studio recording! Alongside him on double bass are Zoltan Zoltán Csányi and percussion painter from Catalonia Vasco Trilla.
Split
August 15th is Boring Machines’s Onga birthday and we decided to release a record as a self-present. The format is the good ol’ 7 inches and it sees My Dear Killer, our first release ever, on one side and Rella the Woodcutter, our latest addition to the roster, on the flipside. The artwork is made by BeInvisibleNow! and it‘s screenprinted in different coloured papers by (vita di)Legno .
Sidiroun Parapetasma
“Sidiroun Parapetasma” is MMMΔ’s 14th release to date. The band is leaving -temporarily- behind the slow hypnotic beat experimentation of Nomenklatura and releases a powerful, majestic album of four tracks, a “clin d'œil” at the bootlegging practices of copying music to analogue tape and discarded X-rays in the Soviet era.
The music is heavy, monolithic and massive, filled with rhythmic explosions, repetitive motifs, ethereal synths and harsh atmospheric vocals or hidden screams that harmonize…
i
Riccardo Dillon Wanke (b. Genova, Italy 1977) established in Milan from 1982 until 2005, lives and works in Lisbon. Multi-instrumentalist and composer. From 1995 active in arts (music, installations), his interest includes classical, improvised and exploratory music and it is focused on the diffusion of contemporary art. He is particularly interested in digital and analog manipulation of sound and its use into musical compositions. His work with guitars, keyboards (piano and rhodes) and electron…