Jazz & Improvisation / All styles

"The legend of the world of improvisation and the field of double bass virtuosity, Joelle Leandre, needs no introduction. She is one of the most expressive and original artists in the world! The singer and composer Elisabeth Harnik is probably already remembered by music lovers enough to follow her musical journey with bated breath, and Zlatko Kaucic, well, if you are in love with percussion painting, sensitivity, and expression combined with communication skills, this is one of the best address…

Brooklyn-born trumpeter and composer Adam O’Farrill, hailed as a leading light of the new American jazz scene, announces his bold new quartet project Elephant. With this ensemble, O’Farrill expands his sonic language into a fresh, genre-blurring space that fuses the intimacy of the jazz quartet with the emotional depth of 20th‑century minimalism and the rhythmic urgency of contemporary electronic and dance music. Elephant features a powerful lineup: O’Farrill on trumpet and electronics, Yvonne R…

Recorded on December 1, 2009 at the Instants Chavirés in Montreuil. Marteau Rouge, legendary band composed of Jean-Marc Foussat (VCS3 synthesizer, toy voices), Jean François Pauvros (guitars, voices) and Makoto Sato (percussions). And the tenor saxophonist and soprano Evan Parker with whom Marteau Rouge had already recorded a CD, “ LIVE”, the year before, released by In Situ in 2009.Hammer Rouge is a trio focused in the tellurical, electric noise with Pauvros’s saturated and electrocuted guitar …

Over the past decade Helsinki has quietly become one of Europe's busiest cities for young jazz players, and few labels have done more to document that activity than Jazzaggression. Uusi Jazzi Klubi - the loose collective that bills itself as the city's underground jazz club - return with their second album, recorded across two days in the spring of 2024 at the label's own Pelto Studio. Nothing here was written in advance. Drummer Aleksi Tanhuala gathered the players, set the tape rolling, and le…

Eye of the Universe" is the latest offering from Finnish sax player and composer Markus Holkko. Grounded in his musical heritage, the album explores a range of influences, from straight to Latin and spiritual jazz, with subtle hints of west coast cool and psychedelia.

Small combo beat laden jazz experimentations, drawing influences across the rare groove spectre in this unique funky mashup.The group consists of Finnish players including Aleksi Heinola on drums, Temu Åkerblom on bass and Markus Holkko on reeds & flute. Second album in our New Library Series, recorded and produced at Jazzaggression’s own PELTO studio!”

Janel Leppin - The Realist (OOYH 048), featuring the incredible new trio of Janel with Devra Hoff (Sharon Van Etten, Nels Cline, Xiu Xiu) on bass, and Chad Taylor (Chicago Underground Duo, Marc Ribot, jaimie Branch) on drums, which Phil Overeem called "the freshest sounds from one of the most fascinating artists in creative improvisation."

When glancing over the history of indigenous French free improvised music, there tends to be two observable categories of musicians - those who worked and collaborated with their counterparts from abroad, and those who worked independently. The former is generally more celebrated, and among those the drummer Jacques Thollot, who worked with Don Cherry, Steve Lacy, Sonny Sharrock, Sam Rivers, Joachim Kühn, and numerous others, as well as with French pioneers like Barney Wilen and Jef Gilson, rank…

Caprice returns to the Öppet series, their curatorial collaboration with Mats Gustafsson and Roger Bergner, with Fyra, Öppet number four, dedicated to the Norwegian vocalist Karin Krog. Two never before released sessions made in 1970 in Germany: raging radical experiments, hard blown free jazz fire, and thrilling reconstructions of vocal based jazz.

Pharoah Sanders' 1996 Verve album with Bill Laswell producing, Foday Musa Suso, Hamid Drake, Bernie Worrell and Charnett Moffett: hip-hop pulse, Gambian kora and the full-cry tenor on one record. Back on vinyl for the first time since the rare French original, on 180g black vinyl

*300 copies limited edition.* For the kids (6+) & family play MaiTé, the girl and the bird, Bruno Vansina was inspired by the famous exotica of Martin Denny and Les Baxter. His compositions, rearranged by colleague Pierre Vervloesem, remained true to the originals, but have a very contemporary feel to them as well, and soon started to lead a life on their own. This resulted in a new band - the 7-piece Orchestra Exotica - that performs the playful and multicolored music of Denny and Baxter with a…

The first time the band that became LuMiSong ever played together was during the Great Lockdown of July 2020. The others wore masks while I stood twenty feet away with the door behind me open to a Gowanus side-street. I hadn’t shared a sound or negotiated an eighth-note with anybody for months and the experience overwhelmed me with emotion. (The most basic facts of collective music-making are the most profound.) We all brought in music to that session and to the many that followed. Matt and Sant…

What if the blue that I see is different from the blue that you see? This question is an infrastructure for my Afro-Surrealist Anti-Opera, Colla Voce. Often, when we think of Surrealism, we think of subconscious mental states, dreams, nightmares-those unexplored corners of our psyche. But Afro-Surrealism protests: what if that which one calls a ‘dream' is a nightmare to another? What if that which one calls ‘rational' is completely baseless to another? And surely, we must have varying ideas of w…

The Tomeka Reid Quartet - dance! skip! hop! (OOYH 041) releases February 13 2026 (LP/CD/limited streaming) on Out Of Your Head Records, featuring the steady quartet of Tomeka Reid (cello) with Mary Halvorson (guitar), Jason Roebke (bass), and Tomas Fujiwara (drums). Soon after finishing these compositions in June 2025, Reid realized that much of the music made her want to dance. Inspired by the title of Josh Berman’s stellar A Dance and a Hop, as well as her tendency to skip in public, the title…

Anna Webber & Angela Morris - tenor saxophone, flute, conductorJay Rattman - alto saxophone, soprano saxophone, clarinet, fluteCharlotte Greve - alto saxophone, flute, clarinetAdam Schneit - tenor saxophone, clarinetLisa Parrott - baritone saxophone, bass clarinet Nolan Tsang, Ryan Easter, Jake Henry, Kenny Warren - trumpets Tim Vaughn, Zekkereya El-magharbel, Jen Baker, Reginald Chapman - trombones Yuhan Su - vibraphoneDustin Carlson - guitarMarta Sánchez - pianoAdam Hopkins - bassJeff Davis - …

Out Of Your Head Records is proud to announce the release of “Dream Up,” the latest groundbreaking work from acclaimed drummer and composer Tomas Fujiwara. Known for his dynamic presence on the New York creative music scene, Fujiwara now turns his visionary artistry to the percussive universe, presenting a suite that explores the boundless possibilities of rhythm, texture, and collective expression. “Dream Up” is a suite composed specifically for a unique percussion quartet, featuring top-tier c…

The Hemphill Stringtet: Curtis Stewart - violinSam Bardfeld - violinStephanie Griffin - violaTomeka Reid - cello All music by Julius Hemphill (Subito Music Corporation).Recorded, edited, and mixed by Ryan Streber at Oktaven Audio.Mastered by Paul Zinman, Soundbyte Productions.Cover photography by Nina Contini Melis.Artwork + design by TJ Huff (huffart.com). The Hemphill Stringtet would like to thank the Aaron Copland Fund and Continuum Culture for their generous financial support. We would also …

Adam O’Farrill - trumpet & flugelhornMary Halvorson - guitarPatricia Brennan - vibraphoneDavid Leon - alto saxophone & fluteKevin Sun - tenor saxophone & clarinetKalun Leung - trombone & euphoniumTyrone Allen II - double bassTomas Fujiwara - drums Produced by Spencer Murphy.Conducted by Eli Greenhoe.Mixed by Chris Krasnow.Recorded at The Bunker Studio by Chris Krasnow, Alex Conroy, Nicky Young.Mastered by Alex DeTurk.Artwork + design by TJ Huff (huffart.com). All works composed and arranged by A…

Blood Burden is the debut album from Brooklyn-based saxophonist, composer, and bandleader Alfredo Colón. Deeply rooted in the blues tradition, Alfredo brings harrowingly raw emotion in the form of barely-contained chaos to Blood Burden — a meditation on the interplay of Dominican folklore and Catholic imagery and ethos, and an ode to his immediate family members in the face of intergenerational trauma. Recorded at Figure 8 studios in New York with Lex Korton on piano, Steve Williams on bass, and…

*300 copies limited release.* The Wind (music by Scott Clark, lyrics by Laura Ann Singh/Scott Clark)Dawn & Dusk (music by Scott Clark, lyrics by Laura Ann Singh)Silent Singing (music and lyrics by Scott Clark)Above The Gray (music by Scott Clark) Tracks 1-4 recorded August 16, 2021 and mixed at Minimum Wage Recording by Lance Koehler.Tracks 5-8 recorded live March 28, 2022 and mixed at Spacebomb Studio by Curtis Fye.Tracks 1-8 mastered at Minimum Wage Recording by Lance Koehler.Album art + desig…

Clamor rethinks the notion of 'women's work' as a space for both collaboration and singular voice. Just as our ensemble is limited and enabled by the written score, so might be individual enunciations of how gender norms limit agency. Clamor utilizes a collective, improvisational vision that prioritizes an intentionally fluid style by employing indeterminacy, navigated by the performers via time-based scores. These principles are balanced with metered notation to shape the overall form of the pi…

"Death is a lack with weight. At the moment that you realize that someone you love is irrecoverably gone, a small tear in your life opens up. As days go by, the sliver of grief grows, becoming a rift, a gap, a gulley, a canyon. At the point that you feel lost in the immensity of space where that person used to be, the expansion stops; the hole—the vast and airy part of your life that used to be occupied by that person—becomes solid. Maybe it decreases in size, but more likely, your memories grow…

* 180 gram vinyl * The cover of Thrust reveals a lot of the album. Herbie's sitting comfortably his spaceship controlled by a synth froman alien world, reachingto the clouds and beyond. Well, that's what his stature was in 1974 - one of the seminal renewers of Jazz by incorporating new electric instruments like theARP synthesizer. Thrust is the follow up to Head Hunters using the same band except for drummer HarveyMason, who is replaced by Mike Clark, a Jazz great in his own right. Again, only f…

The first release of a 1995 studio session, produced by Evan Parker. The Kenny Wheeler Sextet includes Ray Warleigh, Stan Sulzmann, John Parricelli, Chris Laurence and Tony Levin.

Passerine began in the fall of 2024 when my older son left home for college and friends began to ask if I were experiencing empty nest syndrome, or half-empty nest syndrome, as was the case. Each time, my reply was a simple, “nah, I’m good…everybody’s good.” And that was true. My wife, the boys, and I were all doing relatively well after many difficult, often harrowing years of helping our first-born navigate deep and dangerous mental health struggles — struggles so severe that we’d already had …

On BBC Jazz Club Session April 1965, Don Rendell and Ian Carr capture a historic broadcast moment where British modern jazz finds its new voice. The debut of pianist Michael Garrick within the quintet injects modal colour and compositional bite into a set that pushes club‑band swing toward something more questing and contemporary.

** High Quality reissue. Remastered using pure analogue components only, from the master tapes through to the cutting head ** On The Blue Yusef Lateef (1968), listeners get an amazing chapter from the late '60s, an amazing period when everything in the world of Jazz was changing. Yuseef Lateef was big on concept recordings. This album examines all the different ranges of emotion contained within the blues genre. With a band that included Detroit Jazz gods Roy Brooks on drums and Kenny Burrell on…

"Hideto Kanai's first album is fairly hit-or-miss free jazz, but here he's in full-blown Black Saint and the Sinner Lady mode. There are twenty three musicians on this album (twenty three!), and while the undercurrent of free jazz is still running through, it's much closer to experimental big band or avant-garde jazz. And it's extremely compelling. Two side-long pieces, both of which go in and out of being quite elaborate and being complete chaos. There's some unusual and dissonant guitar and sy…

"Tee" in Tee and Company is the nickname of Three Blind Mice's founder and producer Takeshi Fujii, who formed the all-star group of eight top Japanese jazz musicians in 1977 for a series of concerts and seven days of studio recording that produced three separate albums. This supergroup included who's who of the Japanese jazz scene: Kenji Mori and Takao Uematsu on saxophones, Masaru Imada on piano, Masayuki Takayanagi on guitar, Hideto Kanai on bass, Nobuyoshi Ino on electric bass, Hiroshi Muraka…

2026 Repress. Sublime release from Masaru Imada Trio. Imada's got a way of letting a tune really find its way organically – almost as if the songs here are little flowers opening up in his fingers on the keyboard of the piano – although never in a style that's "flowery" at all, because Imada's a master of finding just the right notes at the right moment – never embellishing things just to show off. Instead, his imagination finds all the best paths forwards, especially on his original tunes on th…

Bassist Isao Suzuki's popularity shot up to stratosphere with the release of Blow Up from the Three Blind Mice label. By the time he recorded this, fourth album for the label, he was actually the winner of the Swing Journal Readers' Poll. And this rather strangely titled album doesn't disappoint.Suzuki had a knack for surrounding himself with superb musicians and playing brilliant, groovy music that is firmly rooted in the jazz tradition. This time, he picked as the all-important horn player Ken…

A piano-bass duo session cut in a single day at Tokyo's Onkio Haus on 24 October 1977, during one of the bassist George Mraz's rare passages through Japan. The format leaves nowhere to hide and the two players treat that exposure as the point of the exercise: Masaru Imada's voicings opened up to admit Mraz's lines as full equal voices, the Czech-American bassist drawing on the resonant, singing tone he had developed through his work with Tommy Flanagan and Stan Getz. The programme alternates two…

A fantastic electric album from one of the most unique bassists of the 70s – Blow Up is one of the most sough-after titles from the acclaimed Three Blind Mice catalog. Isao Suzuki's Blow-Up is virtuosity and class all rolled up into one. A great combination of upbeat blues and mellow grooves! The album was awarded "Jazz of Japan" Award and the Jazz Disc Award of "Swing Journal" in 1973."This adventurous set finds Suzuki and his band mates (drummer George Otsuka, pianist Kunihiko Sugano, and bass…

2026 Repress. Recorded over three December days in 1979 at Epicurus Studio in Tokyo and issued the following year, Cool Jojo documents a side of Masayuki "Jojo" Takayanagi that sits at considerable remove from the noise-as-method work he was simultaneously pursuing with the New Direction Unit. The guitarist's Second Concept was his vehicle for an explicit return to the Tristano school — the lineage he had absorbed as a young player in postwar Tokyo and never fully set aside — and the programme m…

Imada's second outing for Three Blind Mice, recorded across two January days in 1973 at Tokyo's Aoi Studio under Takeshi "Tee" Fujii's production. The record's structure follows from a negotiation between artist and producer: Masaru Imada had proposed a straight solo ballad recital; Fujii agreed to the conception but pressed him to balance the standards programme with a working-trio half devoted to his own writing. The LP that resulted is deliberately split — four solo readings on side one (Mist…

Stunning duo comprised of two of the most important musicians of the Japanese underground/avant-garde, Otomo Yoshihide in a duo with the great Japanese drummer, Hiroshi Yamazaki – who has Kaoru Abe among his extensive list of past collaborators, and was also a member of Masayuki Takayanagi’s pioneering New Directions group. This album is dedicated to Masayuki Takayanagi.Otomo Yoshihide moves between free jazz, noise, improvisation, composition and the unclassifiable with a generosity that opens …

On October 23, Animative, Johnson’s third album under his own name and his first for International Anthem/Nonesuch, arrives to turn up the wattage on his artistry. More than any release to date, Animative shows why musicians and a growing community of listeners know this Chicago native and longtime L.A. resident to be one of the most imaginative electroacoustic musicians today, not to mention one of the most stunningly versatile. On Animative, the harmonically rich, loops-inflected sound Johnson…

Feelings marks Jake Henry’s long-awaited return as a leader, more than a decade after his debut with Sweet Talk Glitterbomb. This album is a deeply personal exploration of the intricate harmonic language and angular counterpoint Henry developed during his formative years as a guitarist. Drawing on the frenetic energy of math rock, raw intensity of metal, and chaotic textures of noise, Henry recontextualizes common song form into a bold, genre-defying soundscape. The quartet—featuring Brian Krock…

*300 copies.* "Dirk Serries and his wife, double bass player Martina Verhoeven, meet British tenor sax player Colin Webster, who also participated in the Dead Neanderthals’ Endless Voids, for a live improvisation, recorded at the DIY club Cinépalace in Kortrijk, Belgium in May 2015. A month earlier Serries performed with Webster in a quartet that was recorded as Live at Cafe Oto, and released on Webster’s Raw Tonk label. This recording, titled after the club name, highlights the highly individua…

Originally released in 1967, Mama Too Tight stands as one of the most daring and structurally innovative albums from Archie Shepp, a pivotal figure in the free jazz movement and African-American cultural protest of the 1960s. Distinct from his more explosive works, this album showcases a refined compositional complexity, featuring avant-garde marching-band-style arrangements, masterful horn orchestrations, and a unique blend of humor and improvisational tension. The title track, Mama Too Tight, …