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*2022 stock. In process of stocking* 'Fred Anderson is from Chicago, a city like Detroit known for the strength of its music scene. High time that he was shown in the light of this great quartet session, Birdhouse. Anderson’s association with Hamid Drake has germinated here with Anderson’s quartet giving a searching performance of his [Anderson’s] compositions. Birdhouse reflects that kind of powerful play where the roots are so strong, the music can evolve farther without losing the thread of i…
*2022 stock. In process of stocking* 'Recorded live during the “Women of New Music” festival in Chicago, [this] OkkaDisk set is marred — Crispell-wise — only by having the piano mixed down too low and occasionally swamped by saxophone and percussion. Otherwise it finds her in thoroughly sympathetic company. Anderson’s diction is Coltrane-influenced but generously... This seems like a relationship written in the stars, and it allows them to build up whole areas of interaction in which the exchang…
*2022 stock. In process of stocking* Fred Anderson & DKV Trio is an excellent jazz album that captures the high level of musicianship possessed by these top Chicago players. Heard here are saxophonist Fred Anderson (founding member of the AACM), percussionist Hamid Drake, bassist Kent Kessler, and reeds man Ken Vandermark. With this group, there is no "warming up"; they're hot from the opening notes. "Planet E" is the first cut, and within no time the fire is stoked and the musicians move, wail,…
*2022 stock. In process of stocking* AALY Trio (Gustafsson, Nordeson, Flaten) on left channel; DKV Trio (Vandermark, Kessler, Drake) on right channel.Recorded September 23, 1999 at Airwave Studios, Chicago.Track 2 is a long performance with an index point at the start of the Awake Nu theme.
Bill Dixon's last large ensemble concert, at Victoriaville on 22 May 2010, weeks before his death: trumpets and cornets with Taylor Ho Bynum, Rob Mazurek, Graham and Stephen Haynes, with Glynis Lomon, Michel Côté and Warren Smith.
Barre Phillips on double bass, Catherine Jauniaux on voice and Malcolm Goldstein on violin, live at Victoriaville on 22 May 2010: three veteran improvisers in a delicate, conversational trio.
Iva Bittová, Gyan Riley and Evan Ziporyn as Eviyan, live at Victoriaville on 16 May 2013: violin, voice and kalimba, acoustic guitar and clarinets in songs between Moravian folk, minimalism and chamber music.
Anthony Braxton's septet live at Victoriaville on 21 May 2011, performing Echo Echo Mirror House music, where each musician plays an iPod loaded with Braxton's recorded history alongside their instrument.
*2022 stock* "The rhythm section is thunderous in general with Nilssen-Love providing polyrhythmic barrage fire to Brötzmann’s assaults. It is a vortex of sounds – some shrieking, others almost torn, spat, even puked – owing credits both to hardcore and to Dadaistic sound poems, sharing their free rhythms, their devoted declamation and their rejection of conventional form and content. Trio Roma is a supremely passionate and committed group." -Martin Schray, Free Jazz Blog
The great Malcolm Earl "Mal" Waldron makes his debut on Naked Lunch with a collection of his own compositions recorded in New York City during the early '60s in a trio formation with George Tucker on bass and Al Dreares on the drums. The composing skills of Waldron as a post-bop key figure are here on full display on both sides, although pieces like "Modal-Air," "Summerday," "Ollie's Caravan," and "Quiet Temple" really demonstrate the creativity of the trio's playing, with Tucker and Dreares lay…
*300 copies limited release* In 1963 Eric Dolphy recorded some sessions in New York with producer Alan Douglas, the fruits of which were issued on small labels as the LPs Conversations and Iron Man. They've been reissued a number of times on various labels, occasionally compiled together, but never with quite the treatment they deserve (which is perhaps why they're not as celebrated as they should be). In whatever form, though, it's classic, essential Dolphy that stands as some of his finest wor…
*In process of stcoking* Ethereal, sensual, subtle. Maria de Fátima is that new favourite singer you think you just discovered, but had actually always been there. This Brazilian muse from Tijuca (Rio de Janeiro) has worked and recorded with artists such as Milton Nascimento, Gilberto Gil, Arthur Verocai, Airto Moreira & Flora Purim, Chico Buarque and Lincoln Olivetti amongst many others.
We're immensely proud to bring you a deluxe reissue of her only solo album Bahia com H. Recorded in 1981 in …
Recorded when Johnny Walker was touring Worldwide with Veteran Jazz Star Lionel Hampton in 1982 and originally released on his own Private Press label: Walk On Productions. This neglected underground classic LP has been off the radar since then except for the appearance of "Dipping" on the Kev Beadle – Private Collection (Independent Jazz Sounds From The Seventies And Eighties) compilation on BBE Records. Almost unknown and unjustly negected, it's a funk drenched jazz journey with some crunchy …
*In process of stocking* The follow-up to 2018's underground jazz milestone from Los Angeles-based musicians Sam Gendel & Sam Wilkes. Music for Saxofone & Bass Guitar More Songs collects nine additional songs from the duo.
Performed, recorded, mixed and produced by Sam Gendel + Sam Wilkesadditional bass by Daniel Aged
Gondwana Records sign LA bassist and composer Seth Ford-Young's Phi-Psonics project and announce a remastered deluxe-edition of The Cradle featuring bonus material.
'Both bassists had made regular appearances in Victo over the past two decades, but no one in the audience could have guessed that it would be Kowald's last. The German improviser died in New York City four months later. The French-Canadian radio was not recording this concert, but the mixing desk engineer kept a tape rolling, just in case, and negotiations toward the release of this performance were already in progress when fate struck. There is magic on this record, especially in the last minu…
Cecil Taylor, Bill Dixon and Tony Oxley in concert at Victoriaville on 19 May 2002: piano, trumpet and percussion in an intimate, often delicate trio set.
Evan Parker's trio with Alexander von Schlippenbach and Paul Lytton meets Peter Brötzmann's trio with William Parker and Hamid Drake, live at Victoriaville on 19 May 2003: two tenor saxophone giants face to face.
Four double bassists, Barre Phillips, Joëlle Léandre, William Parker and Tetsu Saitoh, live at Victoriaville on 23 May 2003 in memory of Peter Kowald: bowed and plucked basses and voices in a shared farewell.
Anthony Braxton and Fred Frith each have about as close a relationship to the Festival International de Musique Actuelle de Victoriaville as just about any non-Canadians. The first release on Victo, the label run by the producers of the annual Canadian festival, was a guitar duo with Frith and Rene Lussier; the second was a duet between Braxton and Derek Bailey. Until this year, each had released three discs on the label. But 2005 was the Year of Braxton and the label has released three new Brax…