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First vinyl reissue. Two years after having recorded Aurora, which Gérard Terronès released on his Futura Records label in 1971, the Théâtre du Chêne Noir put on another show, Miss Madona, first at Avignon, and then at Ariane Mnouchkine's Théâtre du Soleil. From this play, Gérard Gelas's group took three sound extracts which they made, with no further ado, into a single. Miss Madona is thus the second recording by Théâtre du Chêne Noir. The two sides (and three tracks) offer up an unbelievable i…
LP version. First vinyl reissue. Souffle Continu Records present a reissue Le Théâtre du Chêne Noir's Aurora, originally released in 1971. In 1972, Steve Lacy recorded Solo, one of the gems in his discography, in the Théâtre du Chêne Noir in Avignon. The previous year (which was also the year in which Aurora appeared), the eponymous group of actors led by Gérard Gelas, took up residence in what was a 12th century chapel. The Théâtre du Chêne Noir is therefore not just the name of a space open to…
Black vinyl edition. Second in a series of ten reissues of the cult French underground Futura label. Recorded in december 1970, “With (Junk-Saucepan) When (Spoon-Trigger)” is the first album by Mahogany Brain, led by street poet / underground film maker Michel Bulteau and Patrick Geoffrois. It shares the same raw aesthetics with the Velvet Underground and offers 12 savage and unhinged songs of distorted guitars with crude lyrics. Their story is quite short-lived: two albums in two years, highly…
Tip! Before Mahjun (of which Souffle Continu reissued, in 2016, the two albums released on Saravah), there was… Maajun. Five musicians (Jean-Pierre Arnoux, Cyril and Jean-Louis Lefebvre, Alain Roux and Roger Scaglia) and three times as many instruments at the service of an electric-poetic guerrilla group moulded from folk and blues. The group’s unique album, “Vivre la Mort du Vieux Monde” evokes an (imaginary) association of Frank Zappa and Jacques Higelin, of Sonny Sharrock and the Art Ensemble…
** CD edition, digipack deluxe ** First ever reissue of highly sought after french jazz funk fusion nugget from Alain Bellaïche featuring, Jerry Goodman (Mahavishnu Orchestra), John Hicks (Strata-East) & Fabiano (Fabiano Orchestra). Remastered from the master tapes. Restored artwork + 12 page booklet & Obi Strip A Frenchman who is returning (but who we seem to discover!) from the USA is something unusual. Everything seemed to start out well for Alain Bellaïche: Born in Tunis, childhood in C…
Another outstanding Prog Rock classic, originally released on Vertigo in 1971 and now available again on LP. Like the first album, originals of this one are also increasingly hard to find in mint condition, and have peaked over £1,000 at auctions. ‘Asylum’ has a striking cover artwork, very typical of the style of the day, and was Cressida’s second album of eight extended rock workouts, with Peter Jennings’ superb keyboard playing backed by John Culley on lead guitar, enhancing the lead vocals o…
* 300 copies, machine-printed numbered edition, gatefold cover, 180gr vinyl * 1973’s Sulle Corde Di Aries was Franco Battiato's third release and showed his fascination for electronic, minimalist and systemic musics, as well as his third chapter in Battiato’s foray into esoteric pop. While the artist would venture further out into avant-garde terrain on subsequent releases, his early records enjoy a lyrical and playful spirit—eschewing traditional, song-based composition in favor of kosmische vo…
Les Rallizes Dénudés with Fujio Yamaguchi as a member, burst into a historic live performance at Shibuya Attic in October 1980, and this is finally officially released!
Volume 3 of a set of collaborations between the prolific Argentine polymaths Reynols and the inescapable Acid Mothers Temple. Recorded in Buenos Aries on AMT’s 2017 South American Tour, the music has identifiable sonic elements from both groups but ends up sounding like neither, with a surprising weightlessness that keeps things jammy and psychedelic until the final track’s blustering rock. Taking up most of side 1, “Kicking Air Bricks” has a loose Gong/70’s Euro-classic vibe, with Satoshima Nan…
Reissue of this German rock classic album from 1971 by Hamburg quintet Alcatraz, coming with an additional track, recorded in 1972 at the Windrose Dumont studio in Hamburg. Alcatraz largely instrumental music was related to Miles Davis "In A Silent Way", early King Crimson and Soft Machine. Most successful was the 12 minutes "Simply Headphone Mind". The 13 minutes title track was a long improvisation with lots of fuzz guitar. According to Dag Erik Asbjornsen "Vampire State Building" is currently…
2024 reissue. The origins of the Genoese band Garybaldi date back to 1965, the year in which guitarist Pier Niccolò "Bambi" Fossati, together with Maurizio Cassinelli (drums), Angelo Traverso (bass) and Marco Zoccheddu (guitar), founded the Gleemen, authors of a self-titled LP released in 1970: an excellent album, still linked to certain 1960s sounds, but in which Bambi Fossati's Hendrixian style began to make itself heard. In 1971 the band changed its name to Garybaldi and the following year re…
2024 repress. Weather Report’s long and illustrious career had many twists, turns and revelations. Live In London draws on the best moments of performances delivered at the Hammersmith Odeon in June 1983, with former Chic percussionist Jose Rossy, plus a take of ‘Corner Pocket’ as played at the Dominion Theatre one year later with Mino Cinelu. Mainstay Joe Zawinul mans the ship alongside saxophonist Wayne Shorter, this edition of WR driven by the frantic beats of Omar Hakim and the bass of Victo…
Ezra Feinberg’s third album Soft Power sees the composer-guitarist enlist an impressive array of fellow musicians including Mary Lattimore, David Moore (Bing & Ruth), Jefre Cantu-Ledesma, Robbie Lee and share the life affirming lead single ‘Future Sand’.
Defined by its abundance of melodies, repeating figures and ecstatic improvisations, Soft Power exudes an enlightened and transformative spirit to empower the listener. Feinberg, a practising psychoanalyst and former founding member of the San …
Grey-area reissue of Organisation's Tone Float, originally released in 1970. German rock band, Organisation, is often referred to as the prototype or predecessor of Kraftwerk -- the godfathers of electronic music. In fact, it was the first iteration of Kraftwerk and if the band had managed to overrule its record label, RCA, Tone Float would have been credited as such. But given that the album was to be released only in the United Kingdom, the label opted for the more Anglicized name, "Organisati…
"Live in Aston 1977" is a completely new lens through which we can see a unique band with a seemingly inexhaustible energy for live performance. It comes at a difficult time for Can; their recently released eighth studio album, 'Saw Delight', was was poorly received and although posterity has been kinder, the reviews at the time of release have been savage. One might expect the live performances of this period to reflect some of the criticism levelled at the album, that they were slowing down, p…
Jazz Rock ensemble from Munich led by German drummer Klaus Weiss and Austrian pianist Fritz Pauer and found in 1971. When Pauer presented Weiss some new songs, the two of them gathered Belgian guitarist Philip Catherine, Dutch flutist Ferdinand Povel and American drummer Jimmy Woode (R.I.P.) and formed Sunbirds. The recordings of their debut took place at the Union Studios in Munich on 24th August 1971. Weiss had good connections with various labels and the album was eventually released on MPS …
*2024 stock* Musical collective from Munich (Germany), founded in 1969 by Christian Burchard and Edgar Hofmann. Considered as one of the most important German jazz-rock bands during the 1970s. In 1981, Uve Müllrich and Michael Wehmeyer left Embryo to form "Embryo's Dissidenten" who soon became Dissidenten. Embryo have continued for over 50 years with Christian Burchard always in charge and an ever changing international cast of musicians including talents from North Africa, India, China, etc., a…
*2024 stock* After Uli Trepte had left the band, Guru Guru had one of their first gigs with Bruno Schaab on bass in the assembly hall of the Germania-Heim in Wiesbaden on November 4th, 1972. They played in front of about 200 to 300 people. The whole concert was recorded expertly and in stereo, with the consent of the band and the promoter, Robert Huth, by Muck Krieger, sharing a flat with Xhol (Caravan), a band they were friends with and which had just broken up. The equipment used - an Uher tap…
2024 Stock. Like Xhol Caravan: the well-known blend of jazz and psychedelia. Their gig at the third Essen Pop & Blues Festival in the Gruga hall (10/24/1970)
"Still with their black singer James Rhodes. A concert from spring 1970 in the lovely town of Altena. The cover shows sax player Tim Belbe in Charles Manson style. Good quality."