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David Moss, John King and Otomo Yoshihide on the Victoriaville stage on 20 May 1994: voice, drums and electronics against electric guitars, turntables and sampler, in a fast, cut-up set between song fragments, noise and improvisation.
In Radio Experiment Rome, February 1981, Robert Wyatt dismantles the barriers of song structure in a playful, vulnerable encounter with live radio. Captured in RAI’s studios, this session documents his real-time creative process as fragments of melod…
Evan Parker's soprano and tenor saxophones with the voice of Sainkho Namtchylak, live at the Music Gallery in Toronto on 15 May 1996. Circular-breathed lines against throat singing, overtones and wordless cries.
** Edition of 200 copies, incl. 18” x 24” fold-out poster, insert, incl. download ** Nour Mobarak’s Dafne Phono is an adaptation of the first opera, Dafne, composed and written by Jacopo Peri and Ottavio Rinuccini in 1598. Drawing on the myth of Daph…
Last copies...Super tip! Divine Comédie stands as a magnum opus crafted by two of the foremost composers of their era, boasting a musical ambition akin to Dante’s poem and its visual interpretation by Sandro Botticelli or Gustave Doré. For a long tim…
Big tip! Deluxe LP housed in tip-on jacket with gloss film laminated cover and printed inner sleeve featuring photograph and painting by Michael Morley. Over the last ten years, Michael Morley has embraced the acoustic guitar as the means of channeli…
First reissue of Walter Zimmermann's solo piano work Beginner's Mind, played by Herbert Henck and first released in 1978 on Beginner Records. The CD adds Abgeschiedenheit, after Meister Eckhart, released for the first time.
For the very first time on double vinyl, one of the most amazing musical adventures of influential singer & songwriter Julie Tippetts. Originally released on cd in 1999, Shadow Puppeteer is the result of a long running career, a devotional solo album…
Six first recordings for solo percussion by Luis Tabuenca, each named after a work by Paul Klee, played acoustically with no electronics beyond amplification, with liner notes by Steven Schick.
Three world premiere recordings by Carol Robinson that pair a live soloist (basset horn, double bass, electric guitar) with computer music, each inspired by weather: a winter thaw, a green sky over South Dakota and a hurricane.
Electronic Music from 1972-2022 seeks to frame fifty years of Carl Stone's compositional activity, starting with Stone's earliest professionally presented compositions from 1972 ("Three Confusongs" and "Ryound Thygyzunz", featuring the voice and poet…
Portrait of harpist-composer Anne LeBaron: two solo pieces for prepared and electric harp, excerpts from her blues-opera The E&O Line to a libretto by Thulani Davis, and two chamber works, one conducted by Leon Fleisher.
** 2022 Repress ** "Music Promenade" (1964-1969): Electroacoustic Music, world premiere for the Théâtre de la musique, March 16, 1970 "Hétéro-Concert". Permanent version for four stand-alone tape recorders. A series of colliding realistic sounds and …
*Limited edition of 400 copies.* Recital is thrilled to publish an album of lost Derek Bailey sessions recorded with his friend and collaborator Charlie Morrow. In 1982, Bailey and Morrow organized a series of live concerts and studio sessions around…
In 1957 he founded an improvising ensemble with Terry Riley and Pauline Oliveros. In 1970 he wrote a drone for three amplified pianos on a single low D. In sixty years he has released almost nothing. Here he plays the Enhanced Piano in Just Intonatio…
Barre Phillips on double bass, Catherine Jauniaux on voice and Malcolm Goldstein on violin, live at Victoriaville on 22 May 2010: three veteran improvisers in a delicate, conversational trio.
Iva Bittová, Gyan Riley and Evan Ziporyn as Eviyan, live at Victoriaville on 16 May 2013: violin, voice and kalimba, acoustic guitar and clarinets in songs between Moravian folk, minimalism and chamber music.
Richard Pinhas, Merzbow and Wolf Eyes together at Victoriaville on 20 May 2011: guitars, electronics, tapes, saxophone and voice in a spontaneous five-way noise session.
Four double bassists, Barre Phillips, Joëlle Léandre, William Parker and Tetsu Saitoh, live at Victoriaville on 23 May 2003 in memory of Peter Kowald: bowed and plucked basses and voices in a shared farewell.
Katharina Rosenberger's Tempi Agitati, a vocal work for Neue Vocalsolisten Stuttgart that sets Petrarch's texts alongside madrigals by Willaert and Rore, using extended vocal techniques. Complete Petrarch texts are included.