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The ECM folks do much better by Wadada Leo Smith than ever before with this solo recording, a true masterwork of its kind and one of the purest, most enlightening demonstrations of the connected natures of folk, blues, jazz, and creative music. That Smith is the man to do this is certainly no surprise; he laid it all down in print years before this release in his self-published books and liner notes. But the way he does it, with so much grace and style (and with the excellent production by Steve…
A ravishingly beautiful album by one of the most mysterious, elusive and beguiling figures on the fringes of jazz. "An acrobat’s heart" features the unique vocals and piano playing of singer-songwriter Annette Peacock, performing her own compositions with the acclaimed Cikada String Quartet. If you like An acrobat’s heart, then you’d probably like: Marilyn Crispell, Nothing Ever Was, Anyway Paul Bley, Paul Bley with Gary Peacock Arild Andersen, Hyperborean Bent Sørensen, Birds And Bells Norma Wi…
“Radiance” is the first album of solo piano improvisations from Keith Jarrett in a decade. The last such was “La Scala”, recorded 1995, released 1997. (In between, in 1999, Jarrett issued the home recording “The Melody At Night With You”, a solo album of standards and folk songs). Four years ago, Jarrett told interviewers it was unlikely he would return to solo piano performance. Having been sidelined for several seasons by illness, he had attempted two solo concerts in Japan in the autumn of 19…
New vinyl edtition as part of the "Luminessence" Series, presented as a tip-on gatefold including new photos from the archive. “I personally feel this is a great record and recommend it to everyone. It’s positive and hot and simply excellent.” – Gary Burton
Pat Metheny had debuted at ECM as a member of Gary Burton’s band on the album Ring in 1974, but Bright Size Life, his first studio recording as a leader, was the album that decisively put him on the map as a bright new force, with something…
Recorded at Munich’s Muffathalle twenty years ago, in September 2004, this previously-unreleased concert recording of the Tomasz Stanko Quartet is a fascinating document, capturing a developmental chapter in the music between the song forms of the Suspended Night repertoire and the improvised areas that the Polish musicians would explore on Lontano. The Munich show was a highlight in a year in which the Stanko Quartet played a record number of gigs, with extensive tours of the US and Europe. T…
On My Prophet, Oded Tzur together with his quartet of pianist Nitai Hershkovits, bassist Petros Klampanis and the new group member Cyrano Almeida on drums, continues on the idiosyncratic musical path he has carved out for himself – a flowing jazz idiom that seamlessly combines multiple forms of expression –, while delving deeper into the meditative and highly concentrated realm of improvisation. In the process, the saxophonist presents some of his fiercest playing yet.
The quartet’s synergy is…
This concert recording from Munich’s Schwere Reiter performance space features improvisation with an expanded palette of possibilities. “To work with these colours is a great challenge and joy!” says bassist Barry Guy of the glowing and ever-changing tints, timbres and tones radiating from Jordina Millà’s freely associative piano. Like Guy, Millà is both a player of prodigious technical capacity and a fearless improvisational explorer, and her highly creative use of the piano interior opens up …
After three acclaimed solo piano programmes for the label, here Anna Gourari widens the instrumental spectrum with the Lugano-based Orchestra della Svizzera italiana under Markus Poschner’s direction in striking performances of Alfred Schnittke’s Concerto for Piano and String Orchestra and Paul Hindemith’s The Four Temperaments. Gourari’s pianistic command is one of “virtuoso polish and with flawless action”, to quote the German daily Süddeutsche Zeitung, and her holistic, wide-reaching grasp of…
*2024 stock* Andando el Tiempo features new music of wide emotional compass by Carla Bley, and underlines her originality and resourcefulness as a jazz composer. “Saints Alive!” sets up animated conversations between the three musical participants with striking statements from Steve Swallow’s bass guitar and Andy Sheppard’s soprano sax. The stately “Naked Bridges/Diving Brides” draws inspiration from Mendelssohn and the poetry of Paul Haines. And the powerful three part title composition – wh…
*2024 stock* Mathias Eick reflects on distances travelled in this intensely melodic set of original compositions, which makes an imaginative journey from Hem, the tiny Norwegian village where the trumpeter grew up, to the vast plains of Dakota in the American Midwest. It was to the Midwest that hundreds of thousands of Norwegians travelled by sea in the 19th and early 20th centuries – and naturally they took their music with them. In similar spirit Eick, a Norwegian improviser-composer strongly…
*2024 stock* In this vivid and exciting project, the Santiago-raised and New York-based pianist-composer David Virelles looks towards one melting pot from the vantage point of another. A far-reaching work with deep cultural roots, Gnosis speaks of transculturation and traditions, and of the complex tapestry of Cuba’s music – the sacred, the secular, and the ritualistic – but the work’s shapes and forms could only have been created by a gifted contemporary player thoroughly versed in the art of t…
*2024 stock* Guitarist John Abercrombie – who has recorded as a leader for ECM since 1974 – returns with a second album by his quartet featuring Marc Copland on piano, along with longtime rhythm partners Drew Gress and Joey Baron. Extolling 39 Steps, the group’s 2013 album, the Financial Times said: “The emphasis is on subtle intrigue, flowing lyricism and the interplay between the leader’s warm, cleanly articulated guitar and Copland’s piano… with bassist Gress and drummer Baron equally supple …
*2024 stock* Larry Grenadier’s The Gleaners is a profound and highly creative album, harvesting influences from many sources, its title inspired by Agnès Varda’s film The Gleaners and I. In between his own pieces here, including a dedication to early hero Oscar Pettiford, Grenadier explores compositions by George Gershwin, John Coltrane, Paul Motian, Rebecca Martin and Wolfgang Muthspiel. “The process for making this record began with a look inward,” Larry writes in his liner note, “an excavatio…
*2024 stock* Norwegian drummer/composer Thomas Strønen presents a revised edition of his acoustic collective Time Is A Blind Guide, now trimmed to quintet size, and with a new pianist in Wakayama-born Ayumi Tanaka. Tanaka has spoken of seeking associative connections between Japan and Norway in her improvising, a tendency Strønen seems to be encouraging with his space-conscious writing for the ensemble, letting in more light. As on the group’s eponymously-titled and critically-lauded debut album…
*2024 stock* Andy Sheppard’s quartet extends the musical explorations begun on the 2015 release Surrounded By Sea, an album praised by Télérama for its “poignant serenity.” In this new programme of compositions by Sheppard (plus the title track by Brazilian singer-songwriter Renato Teixeira), the drones and washes of Eivind Aarset’s guitar and electronics – aided by the generous acoustics of Lugano’s Auditorio Stelio Molo RSI – help to establish a climate in which improvisation can take place. T…
*2024 stock* or his third ECM release as a leader, Chris Potter presents a new acoustic quartet that naturally blends melodic rhapsody with rhythmic muscle. The group includes superlative musicians well known to followers of ECM’s many recordings from New York over the past decade: keyboardist David Virelles, bassist Joe Martin and drummer Marcus Gilmore, who each shine in addition to the leader on multiple horns. The Dreamer Is the Dream features Potter on tenor saxophone – the instrument that …
*2024 stock* On his second leader album for ECM – following on from the prizewinning Gefion – Danish guitarist Jakob Bro continues to refine his trio project, with its emphases on melody, sound, space, layered textures and interaction. The rapport between Bro and Thomas Morgan (Bro calls him “my musical soul mate”) has become something extraordinary, and often guitarist and bassist develop improvisational ideas in parallel. There’s an historical aptness, too, in the choice of Joey Baron as the b…
*2024 stock* With Temporary Kings two of the most distinct voices on today’s jazz scene present their debut on record as a duo. Engaging in inspired dialogue Mark Turner and Ethan Iverson here explore aesthetic common ground in the atmosphere of a modernist chamber music-like setting at the Auditorio Stelio Molo RSI, Lugano. The saxophonist and the pianist had begun their association in the Billy Hart Quartet, where the two players featured sympathetically on two ECM albums by that band.
The ne…
*2024 stock* One of the pleasures of Mathias Eick’s Midwest album was hearing his vaulting trumpet supported by violin, an instrumental combination further developed on Ravensburg. The new violinist in Eick’s ensemble is Håkon Aase, one of the up-and-coming players of the Norwegian scene, whom attentive ECM listeners will already know from his work with Thomas Strønen’s group. The core Eick road band is further shored up by the addition of Helge Andreas Norbakken, who interacts excitingly with f…