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Label owned by John Wiese, an artist and composer from Los Angeles, California. His ongoing projects include LHD and Sissy Spacek, with plenty of freelance work with many artists as diverse as Sunn O))), Wolf Eyes, Merzbow, Dave Phillips, Smegma, Kevin Drumm, Cattle Decapitation, and C. Spencer Yeh (Burning Star Core). He has toured extensively throughout the world, covering Europe, Scandinavia and Australia as a member of Sunn O))), the UK as part of the Free Noise tour (a tentet including Evan Parker, C. Spencer Yeh, Yellow Swans, etc.), the United States alongside Wolf Eyes, and recently performed in the 52nd Venice Biennale with artist Nico Vascellari.
Folklore & Concepts, the latest release by Smegma—now five decades into their outsider avant-garde career—extends the band’s legacy of ritualistic collage, spontaneous improvisation, and anti-academic noise. Infused with tape, synths, prepared piano, horns, and voice, the album melds shamanistic energy with surreal group interplay, creating an unpredictable and stubbornly original sonic tapestry.
Gong, newly reissued on CD with bonus tracks, finds Sissy Spacek at their inventive peak, transforming the noise duo format into a meticulous, sprawling environment. The album’s two extended pieces are collages of violently manipulated junk noise, shattered electronics, and warped musical fragments, merging chaos and structure. Through masterful tape edits and dense, eerie atmospherics—including glass, metal, piano, and field recordings—the band delivers an immersive, unpredictable journey into …
Raiser captures a 2013 Bronson session of Sissy Spacek—Phil Blankenship, Charlie Mumma, and John Wiese—in Los Angeles, channeling an intense fusion of harsh noise and noisecore. The album is a relentless, cathartic experience: shriek-laced blasts, searing electronics, and disintegrating metal fragments, all reassembled into monstrous, meticulously pieced sound collages. The result is sonic destruction made compositional, a full-spectrum assault that melts into jittery static and transformed debr…
New York About the Polywave chronicles both recent and archival New York performances by The Haters, the iconic noise and conceptual art collective led by GX Jupitter-Larsen since 1979. The collection includes the ferocious 2025 “Digging Through Time” show at TV Eye, where shovels and a large wooden clock met their entropy-fueled fate, as well as earlier interventions involving calculators against fans and amplified hole-punch devices. These actions expose The Haters’ unique sonic and conceptual…
Los Angeles, Not the Totimorphous surveys The Haters’ uncompromising presence in Los Angeles, led by GX Jupitter-Larsen since 1979. This documentation compiles both contemporary and archival performances: the 2024 45th Anniversary Show at Coaxial Arts Center with GX, AMK, John Wiese, and Elden M weaponizing transistor radios, turntables, tape, and rust; a 2011 suitcase-smashing set at LACE; and a 1991 event devoted to tearing paper. Each iteration presents entropy and action as its own aesthetic…
Porch Music is a double album uniting Mitchell Brown (Gasp), Paul McCarthy, Joe Potts (Airway), Alex Stevens, and John Wiese (Sissy Spacek) from the Los Angeles Free Music Society, documenting the group's studio session at McCarthy’s studio and their inaugural live set from The Box gallery. Crafted from melting cinematic sounds, this release captures the ensemble's exploratory spirit with artwork by Ace Farren Ford.
Ex-Org is the fourth album from Extended Organ, featuring Paul McCarthy, Fredrik Nilsen, Joe Potts, Tom Recchion, and Alex Stevens. Recorded in January 2018, the album documents two sessions: one as-performed and another “decomposed” by John Wiese. Here, Extended Organ conjures an unpredictable sonic environment - Joe Potts’s Chopped Optigan, McCarthy’s improvisational guitar and vocals, and a dense fabric of homemade and vintage instruments combine to create a powerful blend of immersive ambien…
Akashaplexia is the culmination of Merzbow and John Wiese’s decades-long partnership, offering over three hours of new music across four CDs. Recorded together in Tokyo, the album balances Merzbow’s psychedelic intensity and Wiese’s meticulous sonic architecture, presenting a vast and intricately detailed landscape of noise, improvisation, and unpredictable dynamic shifts.
The Cherry Point returns with the long gestating follow-up to Night of the Bloody Tapes, a speaker-shredding demolition across two tracks of unforgiving hell. Recorded in Los Angeles, 2020–2024, Dawn of the Bloody Tapes is an unrelenting underground audio annihilation fueled by xeroxed zines, shot-on-tape traumas, and scrambled late-night broadcasts. All electronics by Phil Blankenship. Mixed by John Wiese.
It's exactly what you think it is.
Nearly 20 years after the release of their landmark collaboration Multiplication, and nearly 25 years since their first live partnership, Merzbow and John Wiese reunite for a deep immersion into chaotic, raging electronics. Recorded on stage at Koiwa Bush Bash, Tokyo, Japan, December 2023. Digipak CD presented by Helicopter and Troniks. Art and design by John Wiese.
In a follow-up to their duo debut, 2016’s Oblique No Strategy, T. Mikawa (Incapacitants, Hijokaidan) and John Wiese (Sissy Spacek) document a blazing live performance and rehearsal at the legendary Ochiai Soup, presenting an energetic explosion of free form electronics. Recorded at Ochiai Soup, Tokyo, Japan, December 2023. Digipak CD presented by Helicopter and Troniks. Art and design by John Wiese.
Kimihide Kusafuka and John Wiese capitalize on their common language of concrète cut-up sounds for their first ever duo album, following many collaborations with Sissy Spacek. In a roaring daytime session, the pair performed two sets, approximately 20 minutes each, of finely detailed fast paced electronics. Recorded November 2023 at Technology Hour Extra Volume 3 at Freaky Show, Shizuoka, Japan. Digipak CD presented by Helicopter and Troniks. Art and design by John Wiese.
Second album of minimal musique concrète from this Ohio duo. Robert Turman is a sound artist from the United States who is most recognized for his pioneering and experimental work in the fields of contemporary minimalism and ambient music. John Wiese is a sound artist and composer who is well-known for his singular and forward-thinking approach to sound as well as his ability to produce intricate, layered works that blur all boundaries. Both experimental and post-improvisational approaches are u…
Debut duo recording of LAFMS-founder and Airway maestro Joe Potts and John Wiese. Recorded during the Joe & Joe/John Wiese mid-west tour of 2018. Melting/sweating tape music/chopped optigan.
A howling vortex of psychedelic whiteout and swirling shimmer by trailblazing Japanese icons C.C.C.C. (Cosmic Coincidence Control Center), featuring the core foursome of Mayuko Hino (electronics, voice, performance), Hiroshi Hasegawa (synthesizer, voice), Fumio Kosakai (electronics, tapes), and Ryuichi Nagakubo (bass). Originally released as a legendary, limited vinyl LP on the group’s own Endorphine Factory label, this seminal release has been painstakingly remastered in 2023 by John Wiese and …
A searing document of C.C.C.C.’s indelible live performance at Wilkins School Community Center on October 11, 1992, Community Center Cyber Crash/Live In Pittsburgh voyages into an abyss of scorching sound featuring the lineup of Mayuko Hino (electronics, voice), Hiroshi Hasegawa (synthesizer, voice), and Fumio Kosakai (electronics, tapes). Originally released as a vinyl LP in 1993 that helped cement the ensemble’s legacy and influence, the album has been meticulously remastered in 2023 by John W…
The Haters classic remixed, remastered and reenvisioned! A full volume grinding cacophony of entropic sound and amplified destruction across three reworked live actions—8/15/87 San Francisco (tearing large sheets of paper & fire sounds), 10/11/87 Colorado Springs (sledgehammers smashing holes through the brick walls of an abandoned metal refinery), 12/16/88 Salt Lake City (destroyed junk on an overflowing club stage). Newly mixed from vintage material by GX Jupitter-Larsen & John Wiese exclusive…
In their first collaborative album, pioneering Japanese sound artist Merzbow and prolific outsider outfit Sissy Spacek unite to unleash an unstoppable firebomb of frenzied electronics and raging percussion across two 45-minute discs in this monumental set. Assembled July–September 2023, it features a lineup of Masami Akita, Charlie Mumma, and John Wiese, with a special appearance by Phil Blankenship (The Cherry Point). Beautifully packaged in a metallic gatefold digipak with artwork by John Wies…