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*200 copies limited edition* Music for Modified Melodica by Japanese composer Kaori Suzuki was born out of two explorations: one of tuning (and subsequently degrading) the small reeds of a melodica, and the other to modify it playable with foot pumps, allowing for the sustained excitation of the reeds. Playing with the highly resistive foot bellows introduced massive ‘volumes’ of air to the reeds, overblowing them to vibrate loudly. This aspect led me to work with the sound potentials of combina…
**300 copies limited edition** "Ursae Minoris, meaning ‘of Ursa Minor’, is the title of this work because in this album we encounter this constellation not as a singular instance but as an evolution of multiple perspectives to ruminate upon. As our view of the stars changes with time and place, the three movements of this piece each offer a different aural interpretation. While working on his string quartet Perpetuo Motum, Baroni happened upon the diaries of Ciriaco d’Ancona (1391-1455), an Ita…
**200 copies limited edition** "The occasion of this double album is to present the two different practices in my music, live performance and studio work. Although phenomenally coming from a different place, it is a result of years of experimentations to bring a simple yet complete electroacoustic set up both on stage and in studio. The original idea was to compose or perform with acoustic instruments generating sustained sounds in a way that, although electronically manipulated, would retain al…
*Limited edition of 200 copies* "On May 31st, 2019, the day Roky Erickson from 13th Elevators died (I later found out), I woke up from a dream of sound and text. I dreamt that John Duncan kept repeating the words You Are Safe entangled with sine waves. So I instantly shot him a message asking if it was too weird to do exactly that. He replied: "not too weird". " -- Tobias R. Kirstein -- You Are Safe and Come To Me are the first two collaborative tracks by Danish composer/artist Tobias R. Kirstei…
**200 copies limited edition** "These songs were written between 2004 and 2005, when I had just discovered how I wanted to approach the phenomenon of 'song'. I had created songs with just voice for years, and now had found that the guitar could help tell me what mattered to me. I felt I could create a space by carefully experiencing and 'watching' voice, guitar, silence and overtones. I enjoyed this making of quiet songs, where I could voice things that would get lost in a crowd. I remember wond…
**200 copies limited edition** In August 2021 Moving Furniture Records curated a music program accompanying the minimal art exhibition 'Less is More', presented by Polderlicht at Factor-IJ, Amsterdam. On this occasion the Orphax performance was recorded live. This CD features the full set - no edits, no cuts. This live set merges Orphax's fascination for minimalist art and his idiosyncratic take on drone music, offering warm and organic atmospheres in which the listener drifts away, losing not o…
* Stunning collaborative work of field recordings and electronics by Jos Smolders and Jim O'Rourke * What if sounds were to fold in on themselves? Quite quickly after being 'born', even. Only to be released back into the 'normal' world of linear projection and moving waveforms from a resonant source to the ear drum to hearing and listening, some album length later? Through a looking glass of sorts, as if emerging from an anechoic chamber through the backdoor. From absolute silence into all heari…
Tip! * 300 copies * 4 CDs with compositions created using 44 sounds of 44 seconds by Orphax as source material, by TVO / Ruaridh Law, Modelbau, Fani Konstantinidou, Machinefabriek, Jos Smolders, Elif Yalvaç, Siavash Amini and Orphax. When I started working on my 44 sketches of 44 seconds already quickly came the idea to ask friends to create music with these 44 sketches. The idea is to take musicians from their comfort zone, and have them experiment and think in different ways about composing m…
Tip! * 200 copies * Martijn Pieck and Philipp Bückle's Field Reports is a collage of found sounds, field recordings and heavily treated modular synths. It’s basically a musical rendering of a fictitious urban world that just lingers on the other side of your door. It is a curious soundwalk through an environment that doesn’t exist. You will come across landmarks, briefly meet people, hear the sounds of machines and glide through empty hallways mirroring the muffled sound of the outside world. Fi…
*300 copies * 2020 has been one of the worst years in recent history: a global pandemic with deadly outcomes, hateful police brutality leading to cold-blooded murder of countless black people and a wack conspiracy theory about a satanic, pederast network of the elite which further derailed society. These circumstances have been a direct inspiration for the Rat Licker 7” by Dead Neanderthals. Rat Licker is a scorching 12-tracks-in-9-minutes record that not only reminds us of the early days of De…
When a twenty-minute piece takes two weeks to rehearse is an audience robbed of some of the richness of their experience by not witnessing that creative journey? For 48 Hours, Vonnegut Collective worked collaboratively with composer Tullis Rennie. Together they documented the trajectory of the rehearsal process and the motivations of the performers as the group tackled their most challenging work to date - Thomas Adès’s Piano Quintet. Recordings from rehearsals and interviews with players are wo…
With this work Gagi Petrovic chooses to explore beyond abstraction, dwell within it, to find an inner celebration of what it means to let go of expectations and let music ring free. Free from arbitrary expectations, emotional manipulations and conservative evasions regarding what music "should" be. For this purpose he created his own musical instrument. The custom-built Gest allows the performer to design and play electronic music in an intuitive way, turning hand gestures and light sensors into…
Philosopher of science Isabelle Stengers has studied the operations of states and their mobilization of technical practices to serve a presupposed general interest, which involves the production of rules and norms. Such rules and norms are blind to forms of knowledge that are denigrated as ‘local’ and ‘traditional’, and feature the correlative elimination of what does not conform and cannot be standardized – in other words, what is recalcitrant to objective evaluation. Anything that resists subs…
** Edition of 200 ** The compositions on this album started out after travelling to Normandy (France) where a week long I took inspiration on the quiet beaches listening to the sounds of the waves, the wind and the natural sounds. Starting out with field-recordings from church bells and improvised sessions on organ the idea arose to recreate the ever ongoing soundscapes of self-preservation as heard on those beaches. After moving from Antwerp to Brussels new inspiration came. New impressions fr…
** Edition of 200 ** Soleils Noir by Bruno Duplant and Alfredo Costa Monteiro is the first in a series of collaborations between various musicians who release on Moving Furniture Records before. After a collaboration for the Moving Music compilation this is the first time they get together to release a full-length album. From a radical utopia to divine transformations, it is at the same time a mass, a flow, a ball of fire, a sparkling device. A continuous sublimation that renews and regenerates …
* Edition of 200 * With his new album “Continue” Richard Chartier presents four minimalist compositions with a focus on deep drones and apparent silences. The music is subtle, delicate and at moments fragile. Full, with details, like delicate patterns that unfold like ripples on water.
With a keen eye on details the compositions reflect Chartier’s earlier work, but also asks new questions. When is the creative process done? Is art ever finished or does it continue to develop? And how does the li…
* Edition of 300 * Foliage by Elliott Sharp is a long-form graphic music score that offers abstract instructions allowing for infinite possible interpretations by performing musicians. Featuring a series of 80 risograph prints, Foliage is, in Sharp’s words, “a graphic score open to interpretation and realization by any instrumentalist or ensemble of any size… [it] is a piece of retinal art as much as it is an instruction set for sound, form and function interlocked.” Graphic notation, which evol…
* 2020 Stock. Edition of 200 in A5 sized folder. * After several previous albums and collaborations with musicians such as Leif Elggren, Kouhei Matsunaga, Vampillia and The Body, with Worn Tape Japanese musician Masayuki Imanishi presents his first work for Moving Furniture Records. On this album he presents 11 new works based on small sounds from objects, paper, radio and field recordings. Due to the various subtle sounds the album is a captivating work that stands out in a world where bombast …
* 2020 Stock. Edition of 200 in A5 artwork. * Paranon consists of two compositions based on parameter canons of sine wave generators. The canon is a counterpoint-based compositional technique that creates one or more imitations of a musical movement after a given duration. These imitations replicate the initial movement with transformations of parameters. The custom programmed sine wave generators Zeno van den Broek uses on Paranon make it possible to generate interference, shift phases and alte…
* 2020 Stock. Edition of 200. * As with Luc Ferrari, it is an assemblage of recorded sequences in which we recognize a succession of various events and we reconstruct in our imaginary a possible narrative that may have been at the origin of these sounds. This is not the sound landscape (Soundscape or Field recording) whose neutrality of the author must be one of the characteristics. It is not reportage. Above all, it involves the assembly, by montage and superposition, of sounds of different ori…