★Moving Furniture Records

Sietse van Erve's first album under his own name after 25 years as Orphax: a single still, drone-based piece for electronics and organ with flute, bass clarinet and double bass, played by members of Ensemble MAZE.

*300 copies limited edition* Words have never been my strongest point. I have many ideas in my head, often too many. I can talk a lot about them, but putting them on paper is not really me. I rather just work on my ideas. ‘cause whatever your thoughts are, as soon as it is out there and people start to listen it becomes theirs. What I might have thought up before, and have as concept behind the music, might not be how someone else listens to it. And that’s okay. If we keep in mind that my music …

Tip! Jim O'Rourke and Jos Smolders teamed up again after their first collaboration, Additive Inverse from 2021. Over a period of three years, both artists worked in sessions of a day, each in their own studio.The result is sometimes like a warm cloud of sounds, suddenly breaking up into a rhythmic, irregular pattern, after which it dives into introverted mindsets. The music is in constant flux. The project followed the same workflow, but this time Jim took the lead and kicked off with a salvo of…

*200 copies limited edition* “Overflowed shelters” is one of the many possible reactions to the sadness and anger that reality awakened in us in 2024. We still remain in that state, witnessing something we never believed we would see. Yet it confronts us daily, slowly infiltrating our being. This urge to react arises from within and asserts itself as a necessity. We composed and performed our sounds. Now they will be released and will travel, metaphorically, to reach others in the form of a desi…

In The Infinite Garden, composer Dario Calderone joins Aurélie Nyirabikali, Naomi Sato and Gareth Davis in live exchange with Amstelpark’s weather, wildlife and human traffic, turning a cloudy January day into a shared, porous instrument for expanded listening.

Half an hour of unbroken drone from two people a generation and an ocean apart: John Krausbauer on violin, Werner Durand on reed instruments he builds himself. Limited to 150 copies.

*200 copies limited edition* "Paper Braids came out of a long collaboration between me and the wonderful musicians of the Kali Ensemble. Through a series of workshops, residencies, and performances over the course of four years, we built up a collective practice focused on three topics: listening as the basis of musical interaction, awareness of how sound interacts with the performance space, and using that spatial awareness as a basis for both the duration of individual sounds and the temporal …

*300 copies limited edition* When the ghost in the machine meets the breath in the reed, expect sparks. Electronic sound artist Robin Rimbaud – Scanner joins forces with acclaimed British bass clarinetist Gareth Davis to create an album where circuitry hums, wood vibrates, and the air between notes crackles with possibility. This is no polite meeting of minds — it’s an elegant collision. Scanner’s intricate electronic textures weave around Davis’s deep, resonant tones, blurring the boundary betw…

*300 copies limited edition* Poetry and music in an annually changing Frisian-international ensemble — that’s It Deel, a residency project by the Kleefstra brothers. After three previous sessions and releases with Jacaszek, Eivind Lønning & Espen Reinertsen, and Karen Willems, this beautiful project finds its conclusion with a fourth collaboration. In the summer of 2024, the Kleefstras invited cellist Joana Guerra and violinist Maria do Mar de Brito Lopes for a week-long creative residency at a …

"The line is a whole, an identity, for a particular place and time." — Fred Sandback

*200 copies limited edition* Undertones is a composition for percussion idiophones, electronics, and variable field recordings, originally composed for four channels. It develops in four movements and is expressed through a graphic score which provides multiple instructions to the musicians and, simultaneously, requires their input and interpretation of the given instructions, including a particular part of the instrumentation. The field recordings, identified as variable, change with each perfo…

*200 copies limited edition* Fredrik Rasten (b.1988) is a Berlin-based guitarist and composer focusing on rational harmony and related acoustic phenomena. Reaching for an active state of listening and an intuitive exploration of the complexities of tonal interaction, his work draws on influences from minimalist styles, folk musics and other exploratory modes of sound making. Besides his solo projects, he both performs and composes as a member of the Berlin based ensemble Harmonic Space Orchestra…

“I did this piano/Rhodes recording, played live, without overdubs. I believe your approach to sound could match very well these tracks….” That’s how Giovanni Di Domenico’s collaboration with Rutger Zuydervelt started, though the first seeds were planted when the duo did a short live improv together in 2019, and Giovanni joining Hydra Ensemble on stage in 2022. Painting a Picture / Picture a painting is -as the title suggest- an album of two long-form pieces, swapping the working method for each …

*200 copies limited edition* Sullivan Johns is a composer and musician from the UK. He studied at Leeds Conservatoire and Leeds Arts University. His previous release, Assembled Parts (Rusted Tone Recordings - 2022), constructs a narrative on themes of loss, grief and memory using minimal drones and field recordings. Described by Bandcamp New and Notable as "Striking experimental compositions that conjure both childhood joy and icy terror”, pieces from Assembled Parts were Broadcast on BBC Radio …

This is a compilation of highlights from commissioned music for dance and theatre.

*150 copies limited edition* "It is not easy to draw inspiration from a great figure of music ... i don’t have her talent or anything like that ... But i still took the risk of trying something ... Even to go through the window in the eyes of some ... Too interested in poetry and the hypnotic force that emerges from her pieces ... Sometimes tinkered with implausible machines and fragile ... Gigantic in our eyes that are stuck blissfully behind our little  screens ... Or instruments used as nobod…

*200 copies limited edition* Theatre of the Mind is a work for bass clarinet and electronics by Swiss composer Roland Dahinden. It was commissioned by the Dutch Foundation Mousai, an organisation that uses contemporary music as a platform to explore and work with issues of mental health. It was written for bass clarinettist Gareth Davis. Roland's composition takes elements of his mixed background performing in jazz and improvised combinations with Miles Davis and Anthony Braxton while at the sam…

Relatum features two compositions revolving around the relationship and interplay between the human and the algorithmic, bringing together musicians and artificial performers.

*200 copies limited edition* "This album is part 1 in a series where I investigate processes with which to strip sounds from their original context and slice them into tiny bits. By doing this, sounds are separated from their source and as such severed from what they originally represented. What’s interesting and challenging for me in this project is to find the crossover area where representation disappears, and the sound becomes an abstraction. The moment when this happens varies depending on …

*200 copies limited edition* With "du silence des anges" Bruno Duplant returns with the second release in his trilogy for Moving Furniture Records, imbued with a certain mysticism and a deep melancholy, but, this time, more luminous, carrying a hope still possible.

*300 copies limited release* It Deel is the multi-year project of the Kleefstra Bros together with Popfabryk; production house for Frisian pop culture.For It Deel III the Kleefstra Bros have entered into a collaboration with the Belgian multi-instrumentalist Karen Willems. Together they worked in the Thomaskerk in Katlijk on new material that was released on vinyl by Moving Furniture Records. The Kleefstra Bros are poet Jan Kleefstra and guitarist Romke Kleefstra, both also members of Piiptsjill…

*200 copies limited release* Canadian-currently-residing-in-Berlin and multi intstrumentalist Aidan Baker teamed up with Dutch demolition duo Dead Neanderthals late 2023 to work on the collaborative album entitled Cast Down and Hunted. Cast Down and Hunted is an abstract affair. Angular and dark, droney and lush. Two lengthy tracks, Subterfuge and Paranoia, each fill one side of the LP, which will be released by the Dutch label Moving Furniture Records. The artwork was made by Steven Kenny and t…

“Movement” is a work based on various piano sketches by Kenneth Kirschner, which Orphax edited, added synthesizer and organ, and mixed. The title “Movement” for this work comes with the idea that the music is continuously moving and never really stands still. It is also a reference to classical music, where a composition can be built up from different movements. This work has something similar, and consists of 5 different movements coming from multiple piano sketches (often combined).

Gareth Davis returns to Moving Furniture Records with a new collaboration. This time together with Monika Buganjy they perform his composition Becoming. This work is grounded in early minimalist aesthetics of composers like La Monte Young and Phill Niblock, but also shares the sensibilities of contemporary artists like Duane Pitre, Sarah Davachi, Brian Eno and Ellen Arkbro.

Fourth release by Petrovic on the label, distancing himself from the GEST instrument to re-explore conventional means. Seven pieces narrate an emotional arc - Disrupt, Obstruct, Shatter, Rejuvenate, Illuminate, Erupt, Arise - through which a Petrovic-figure works back out of an extended depression. The vocabulary moves from Moog-like dark tones and metallic percussion through bowed-guitar ambient writing to almost danceable beats in the closing pieces. A study of recovery in compositional form.

First collaboration between the brothers Sietse and Tjeerd van Erve - Orphax (drone and electroacoustic) and PONI, Person Of No Importance (dark lo-fi guitar songs). Inheritance is a near-translation of the family name van Erve, and the album returns to shared early influences from their father's record collection, late-night Dutch radio and the Belgian Studio Brussels station. Opener As Received builds slow drone into post-rock intensity; later tracks reach toward late-period Swans territory.

Follow-up to Haarlemmerhout, pushing Polack's hyper-local Haarlem practice out into the wider world. Four long pieces are built from material gathered across continents - the temple of the reclining Buddha (Wat Pho, Bangkok), Schiermonnikoog in the Dutch Wadden, Hong Kong traffic lights, Gamelan percussion - then routed through electronic processing, nostalgic power chords, electroacoustic crescendo writing, and a final tenor saxophone gesture reminiscent of Albert Ayler's raw expressivity.

Composition trio between Jos Smolders (electronics), Guido Nijs (saxophone) and painter Koen Delaere, whose abstract pigment surfaces serve as compositional model. Five tracks named after pigments (Aureolin, Barium, Diarylide, Bianco di Titanio, Indigofera Suffruticosa) translate Delaere's clashing, superimposed colour material into sonic canvases. The work grew out of two years of free improvisation; on Diarylide, the duo is extended with Eric Van Der Westen on bass and Aron Raams on guitar.

Second volume in the IT DEEL project. The Kleefstra Bros invited Norwegian duo Streifenjunko (Eivind Lønning on trumpet/electronics, Espen Reinertsen on sax/electronics) into the Thomaskerk in Katlijk, composing between improv, jazz and sound art. Streifenjunko brought field recordings from the forests around Oslo, brought into dialogue with the Frisian forests around the church and Jan Kleefstra's Frisian-language spoken word. A meditation on how we treat our local forests.

*200 copies limited edition* Since the start in 2008 Jon Wesseltoft and Lasse Marhaug, aka Tongues of Mount Meru, have released a set of intense and mind tripping longform pieces. Their music often almost seemingly static and gradually building it’s intensity over long streches of time. This is music that demands concentration, and hypnotically drill into the awareness of the listener. At times abrasive andintense, but also beautiful and calmly introspective. Last year they released the culminat…

Seventh in the MFR Contemporary Series. Ezequiel Menalled composes a new soundtrack for Eisenstein's Battleship Potemkin (1925), performed by Ensemble Modelo62 and recorded at their Hague studio on 13 March 2020. Six acts span the film's structure, internalising the frantic editing in shifting layers, pulled focus and forced perspective. Realised in the spirit of Eisenstein's wish that a new score be written every twenty years, the music becomes a speculative meta-version of the film.

Haarvöl's fifth album for the label, departing from their previous trilogy. The work draws inspiration from the silence and solitude experienced during the heavy Portuguese pandemic lockdowns, while celebrating the act of coming together again - and is the first Haarvöl record composed live in the same room rather than by exchanging files at distance. Seven pieces of drone microsound and ambient electroacoustic writing whose titles describe a quiet, indecipherable tone under post-real time.

First part of a new Duplant trilogy, after the pessimistic Élégie du temps présent / Sombres Miroirs / Insondables Humeurs cycle. The music remains imbued with mysticism and deep melancholy but turns toward a more luminous, hopeful register. The organ remains omnipresent, structuring the long tonal arcs, while electronic and natural sounds are admitted in a discreet but important counterpoint - a meditation in Duplant's Cage-Bachelard-Radigue lineage on memory and slow contemplation.

Companion to Various Weights, pursued through an inverted method. De Waard prepares two empty acoustic containers of predefined length with his own sonic brushstrokes, then sends them to Comes, who completes the 'paintings' by filling in the blanks - the two artists collaborate without ever directly responding. The electroacoustic timbres triggered a sentimental mood in Comes, and the two long-form tracks develop themes of memory, grief and longing. CD with an A5 eco-printed book.

Sixth release in the MFR Contemporary Series. Greek trio Eventless Plot (Liolios, Giatas, Tsirikoglou), joined by bass clarinetist Chris Cundy, take recent research on music and Alzheimer's disease as starting point: that music helps both retrieve old memories and lay down new ones. Two long compositions are built from repeated patterns creating familiarity, then gradually layered with shifting tone combinations. Instrumentarium includes psaltery, tape (Revox A-77), modular and bass clarinet.

*250 copies limited edition* All profits made from this release will be donated to 113 Suicide Prevention, and if you buy any other merch with this CD ,15% from this is also donated. 113 Suicide Prevention is the national Dutch suicide prevention centre. The organization has been active as an independent care provider since September 2009. They employ psychologists and psychiatrists and a large group of fully trained volunteers who allow them to provide round-the-clock confidential support throu…

Fifth release in the MFR Contemporary Series. The Amsterdam-based ensemble MAZE (La Berge, Calderone, Davis, Kyriakides, Hijmans, van Houdt) realises two works by Annea Lockwood, both built around graphic scores derived from photographs of natural systems. Bayou-borne, for Pauline (2016) is dedicated to Pauline Oliveros and uses a map of Houston's bayous; Jitterbug (2007) interprets rocks from the Continental Divide with Lockwood's pre-recorded aquatic and terrestrial insect sounds.

First album in IT DEEL, a multi-year project by the Kleefstra Bros (Jan Kleefstra on poetry, Romke Kleefstra on guitar) with Popfabryk, addressing the ecological degradation of Frisian nature. Each volume is composed in residency at the Thomaskerk in Katlijk and presented live before pressing. Volume I is built with Polish composer Michał Jacaszek, whose electro-acoustic vocabulary surrounds Jan Kleefstra's Frisian-language spoken word with ambient and drone landscapes.

First collaboration between Scanner (Robin Rimbaud) and Modelbau (Frans de Waard), composed entirely by exchanging physical cassettes through the post. Each artist worked unpredictably on what the other sent: Rimbaud through Ellitone Farm Detective Ultrarollz and Flower Electronics, de Waard via Modelbau's iPad synths, Korg Monotron and cheap pedals. The released sequence (ten pieces across four LP sides) is one interpretation among many possible mixes. Warm, lush ambient with analogue grain.

Suzuki's third solo album, framed by a single instrument she modified herself: a melodica re-engineered to play via foot bellows, so that high-pressure airflow overblows the small reeds into a sustained, loud excitation. The pumped breaths are amplified through time delays, layered with oscillators and manipulated highs to develop the combination tones that emerge at extreme volumes. A durational, psychoacoustic drone work that 'rewards endurance with transcendence', performed live.