New Arrivals

*200 copies limited edition.* «13 Visions» is a series of compositions by Clara Lévy, performed by herself on violin. They are conceived as an imaginary meeting between two composers whose musical aesthetics share many common traits, despite the centuries separating them: Hildegard Von Bingen (c. 1098 – 1179) and Pauline Oliveros (1932 – 2016). The two composer's respective visions are thus intertwined by Levy in a cycle of thirteen pieces for solo violin. Somewhere between composition, arrangem…

Arthur Chambry is a mysterious troubadour, walking the artistic crossroads of sound, poetry and theatre. Using a wide range of personalised gear to compose music, his is a viral energy: hiding and showing off behind the unexpected, playing gut-vibrating frequencies with violins, trumpets or lungs, fruits, pipes, or tapes. His new album La Seuz draws a map of a parallel world made of singing peasants, luthiers, communities of musicians and mystical quests... Arthur carves out a place between trad…

Newly remastered from the original vinyl at Gearbox Studio with extended liner notes and new information. The Joe Harriott Quintet Swings High, recorded in 1967 & released in 1970, saw Joe returning to his hard bop roots on a set that burns with a rare light. A top band of British jazz players, including the UK's greatest drummer, Phil Seamen, and the sensitive and less-known-than-it-should-be trumpet playing of Stu Hamer, create a session that transcends the difficulties of its recording to cre…

Recorded in one mystical night during Ramadan in 1982, The Night of Power (Laylatu'l Qadri) is a prophetic tapestry of politically and spiritually conscious poetry and revelatory home-studio electronic jazz.

Non-standard prog act Gryphon made their mark by incorporating abandoned instruments and ancient classical elements in their work, giving their self-titled 1973 debut outstanding differences to standard rock fare. With co-founder Richard Harvey on recorders, mandolin, harpsichord, and glockenspiel and Brian Gulland, on bassoon, crumhorns, and vocals, backed by guitarist Graeme Taylor and drummer/percussionist Dave Oberlé, GRYPHON expertly channelled contemporary English folk through forgotten me…

After exiting Buster Summers Express, Leeds-based songwriter/multi-instrumentalist Derek Noy formed Jan Dukes De Grey with woodwinds player, Michael Bairstow, soon opening for Pink Floyd and the Who, though LPs Sorcerer and acid folk masterpiece Mice And Rats In The Loft sold poorly. After line-up changes, in 1977, Noy assembled a new crew for Strange Terrain, cut at Brittania Row with Roger Waters co-producing, but the album’s curious mix of post-prog, acid rock and punk was deemed unsuitable f…

What We Talk About When We Talk About Love: January 2022 — January 2023: A series of Swiss underground music making. 13 artists, 13 months, 13 records of previously unheard music – to be revealed every 13th of course.

What We Talk About When We Talk About Love: January 2022 — January 2023: A series of Swiss underground music making. 13 artists, 13 months, 13 records of previously unheard music – to be revealed every 13th of course.

What We Talk About When We Talk About Love: January 2022 — January 2023: A series of Swiss underground music making. 13 artists, 13 months, 13 records of previously unheard music – to be revealed every 13th of course.

What We Talk About When We Talk About Love: January 2022 — January 2023: A series of Swiss underground music making. 13 artists, 13 months, 13 records of previously unheard music – to be revealed every 13th of course.

What We Talk About When We Talk About Love: January 2022 — January 2023: A series of Swiss underground music making. 13 artists, 13 months, 13 records of previously unheard music – to be revealed every 13th of course.

What We Talk About When We Talk About Love: January 2022 — January 2023: A series of Swiss underground music making. 13 artists, 13 months, 13 records of previously unheard music – to be revealed every 13th of course.

Dadaglobal is one of the headstrong, camouflaged in elegance: one of the crazies. With him, we are being hoaxed. He is not to be pinned down to anything other than his artistic urge to move. «Pudel» is an intermediate stop. And the bohemian forest begins to speak. The subway. The soccer stadium. New York City, London Town, Paris, Berlin, Tokyo, Kyoto, Beijing, Hongkong, Shanghai, Hangzhou, Baden. A journey, ongoing. Dadaglobal takes a seat at the Clavinet, bells in orbit and gameboy on standby. …

Crowning is adapted from John Dowland’s Midnight. Accordion by Erin Schneider. Recorded 2020 by SAZA. Mastered by Will Kreppel

«A collection of pieces about the discovery of sounds and sonic universes hidden in objects, places and within yourself.» - Feldermelder & Julian Sartorius

«We find ourselves venturing into the depths of a rugged terrain. In our hands, we hold stones and minerals, each possessing its own distinct texture, weight, and sonic potential. It is through the artistic touch and through the musical instruments that these earthly treasures, once dormant, are awaken to life.» — Sara Oswald + Feldermelder

«The nearly infinite improvisational potential in my performances is a result of tweaking the technology, using it in unpredictable ways, musically exploiting it, and maybe even misusing it.» - Svetlana Maraš

Gyatso originally appeared on Kevin Martin's Pathological label in 1994 as a CD and was rereleased, again on CD, in 2008 by Savageland.Praxis, in collaboration with Skin & Speech proudly presents the first vinyl edition of this classic album. The vinyl edition contains 6 tracks and includes the download for the full 13 track album. Saxophonist Alex Buess and drummer Knut Remond originated 16-17's turbulent sound in the comparatively sedate surroundings of Basel, Switzerland, in 1983. Sharing fel…

Saxophonist Alex Buess and drummer Knut Remond originated 16-17's turbulent sound in the comparatively sedate surroundings of Basel, Switzerland, in 1983. Sharing fellow country-man H.R. Giger's fascination with suppressed horrors, their primal shock therapy raged against passivity. 16-17 were determined to locate a shared melting point for Extremist Rock, Free Music, and Avant-Garde electronic. 16-17 live @ Taktlos Festival1995. Recorded April 02 1995 at the Rote Fabrik Zürich. Authorized Bootl…

20th anniversary Edition, made in japan, super deluxe. "If you know guitarist Tetuzi Akiyama, it's probably as one of the forefront players in modern Japanese improvisation. Along with Taku Sugimoto, Toshimaru Nakamura and Otomo Yoshihide, Akiyama has helped shaped the sound of Onkyo with his guitar-- in a scene largely heralded for its use of electronics, these musicians' use of a much more traditionally "rock" instrument shouldn't go unnoticed. Furthermore, along with Nakamura, Akiyama organiz…

Tip! O Yama O return with their first full length LP since 2018’s self titled debut. Galo finds the duo of sculptor Rie Nakajima and vocalist Keiko Yamamoto firmly enmeshed alongside percussionist Marie Roux and violin player and visual artist Billy Steiger as a band, their project this time a proper four way entanglement - or five when you include the record’s powerhouse producer David Cunningham. Known perhaps already for their exploration of folkloric Japan and the ‘domestic and democratic qu…

Wewantsounds is delighted to announce the first international reissue of Ayako Shinozaki's hard to find LP "Music Now For Harp" released in 1974 by Nippon Columbia. The LP was released on the label's cult "Master Sonic" series and features Shinozaki's harp soundscape on works by renowned composer Toru Takemitsu and Katsuhiro Tsubono. The highlight of the album is the spaced-out liquid 25-min ambient epic 'Heterodyne' featuring cult musician Takehisa Kosugi (Taj Mahal Travellers, Group Ongaku) on…

*2023 stock. Limited edition.* Seijiro Murayama is a Japanese man who lives in France. He performs with snare, cymbal, gong and also voice. In the 80s, he was involved in some legendary rock projects, though you wouldn’t know it seeing him perform today. Cristián Alvear is Chilean. He has released a number of guitar recordings, some of which are of other people’s compositions, as well as his own. You can hear a background in classical guitar in his playing, however the form is always very simple…

*2023 stock. Limited edition.* Magie is the title of a poem by Henri Michaux where the protagonist spent twenty years struggling to put himself into an apple in pursuit of serenity. Beijing-born, Paris-based musician P. Murk pictures writing an imaginary letter to his friend before fixing himself in an apple. The letter guides its recipient, step by step, to the musician’s room and to his table on which placed the apple, P. Murk’s new humble abode. You Really Should Come to the House is the late…

*2023 stock. Limited edition.* Producer and film composer Keju Luo further explores electroacoustic possibilities on his latest album. During a period of writer's block, Keju resorted to “stealing” and sampled public domain recordings of works by a wide range of composers from Marais to Liszt to Debussy. These decades-old materials performed by the now deceased were edited and processed until barely recognizable while maintaining their orchestral and melodic nature, and then carefully layered wi…

Wewantsounds is delighted to release for the first time on vinyl the Lalo Schifrin’s soundtrack for Frank Perry’s thriller ‘Man On A Swing’ from 1974. Featuring Schifrin's superb mix of Jazz, Bossa, Groove and atmospheric soundscape, the soundtrack, recorded in LA with the Wrecking Crew’s Emil Richards, Bud Shank and Howard Roberts among others, finds the composer at his most inspired. Delving in the Paramount tapes, the label has re-sequenced the soundtrack from scratch and found several unissu…

More in tune now with the rhythm of the sun and moon, Xylouris White speak to each other across great distances with the intuition and fellowship that can only be found over years in each other’s company. With fewer distractions, appreciative of the freedom to play with new sounds and spaces, they carve The Forest In Me from unbelievably thin air.

Several decades young on the trap kit, Matt Espy makes his solo bow with an album of solo drums, in dialogic flight with birdsong. Restaging a seminal moment from his seismic early days in music (and inner life), Matt references places he’s been between then and now with hallucinatory evocation. Hawksworth is a new organic space where percussive meditations on a life in music create NEW life in music, a comment on the nurture of nature itself.

*300 copies limited edition* Timeless minimalist approach to composition braced by repetition and playfulness. Alberto Lizarralde’s music reflects calm, focus and intimacy. Ethereal and atmospheric, his pieces operate within the digital as well as the analogue realm in equal measures. Sampling, Midi sequencing and field recordings are the instrumentation used in these 15 songs recorded on a four track reel to reel tape. Highest possible recommendation for fans of Suso Saiz, Jon Hassell, Eno or H…

Reverse Image is a sound artist from Kuala Lumpur, Malaysia. She builds her works using analogue and digital equipment looking for the intersection between repetitive motifs and disjointed incidences.The title is inspired by the search for moments of silence amidst the discord. Recordings from 2022-2023. 'The birth and brief existence of Mirror Tapes, a Malaysian label devoted to sonic traffickers not necessarily winking at the mainstream’s avant-garde, will be recalled by collectors with good m…

CD reissue of one of my personal favorite releases in the Macro discography. Lovingly ripped directly from my own copy of the cassette version released in 1995, and remastered in house. This release deserves the reissue treatment because it is easily some of the best material to come from the original duo of Joe Roemer and Rodger Stella...perfectly capturing the 90's Americanoise sound at it's raunchiest. It's an honor to be able to put "The Spectacle of Ravishing Our Maidens" back in circulatio…

CD reissue of material that was released on cassette in 1998 and suspended in decades of obscurity, which is a shame because this is arguably some of the most underrated and brutal material ever produced by the project...a true deep cut and essential release for fans of not just Government Alpha but Harsh Noise in general.

*2023 repress* Out of print and hotly pursued on the secondary market, we’re thrilled to announce a much needed reissue initiative, dedicated to Ictus’ back catalog, beginning with four LPs, Steve Lacy and Andrea Centazzo’s Clangs, originally issued in 1976, Derek Bailey and Andrea Centazzo’s Drops, originally issued in 1977, Steve Lacy, Andrea Centazzo, and Kent Carter’s Trio Live, also from 1977, and John Zorn, Andrea Centazzo, Eugene Chadbourne, Tom Cora, Toshinori Kondo, and Polly Bradfield’…

"Beginning in 2022, I started to process those layered, dense, dry, and beyond-words matters in the form of a voice diary. Gradually, I gathered a collection of 100 modulated voice recordings that were sealed on 50 cassette players. In June, these cassette players were set in my solo exhibition "100 Shits"(一百天的訴辯) staged at Hallucination in Kaohsiung. It allowed the audience to select how they would like the tapes to play. The exhibition also included a musical work entitled "A Cappella," which …

Born in Yamaguchi city in 1982; Masahide Tokunaga lives in Tokyo. He plays improvisation music, using alto saxophone.Tokunaga released the CD Alto Saxophone on Slub Music in 2009. Since around 2010 he has set himself apart from other sax players in pursuit of establishing an extremely original blowing style/playing structure permeated with delicacy and tension. The results of this exploration can be heard on his following solo/collaboration albums released on Ftarri, and also the new cassette in…

Luxinpei is a two-piece band from Beijing, formed by Ma Meng and Ma Yuan in 2007. Back to 1990s they were classmates, sharing a same desk. In 2008, Ma Meng became friends with Zhu Wenbo and they formed another another duo project Fat City. After some performance, Zhu started organized a weekly Tuesday performance series in 2009, which was the beginning of Zoomin’ Night. Both Luxinpei and Fat City were core names in early Zoomin’ Night days. Luxinpei’s work could be found in a Maybe Mar’s live co…

The term ‘acousmatics’ refers to the tradition which tells us that the Greek philosopher Pythagoras gave his lectures from behind a curtain, whereby visual information was withdrawn off the screen and the audience could concentrate on listening. Listening to acousmatic music is not a static process as if the listener is aware of something hidden behind such a curtain. In the case of acousmatics, the sonic events reverberate through the curtain, beyond where they actually are produced, meeting up…

Before the concert, we hadn’t discussed much of what we will be playing. Kirill proposed to place the "June ’21" score on the table, to follow the impression, the feeling, the direction of what it suggests to play. Sometimes we noticed how one part of the score or another would lead us to new ideas whilst we were playing. It was a special concert because of its circumstances. We decided to have one big table for both our setups, and to be standing up during the performance. Kirill used some obje…

"In 2017 after I finished a tour of Taiwan and returned to Beijing, I left my hard drive on one of those share bikes and it was lost forever. I had close to ten years’ worth of live recordings on that hard drive (I never made any backups). Since then, I’ve made sure to keep recordings of my live performances well organised. To a certain extent, it’s through live performance that I create new ideas. What I regret, then, is that every performance from different phases of my music making life will …

The score for June '21 was made in early summer of 2021, in a dialogical process of close live collaboration. Everything we talked about — music, time, politics, and place — was treated as a kind of material with the possibility of being brought into the piece. We didn’t aim to use sound to express such concepts directly, but rather created music with attention to the circumstances: when it was written, where, to whom and by whom it would be played. There was a mutual understanding that we were …