New Arrivals

Death Waltz Recording Company is proud to present a much needed re-press of  this legendary soundtrack, featuring updated and expanded artwork by Luke Insect. Jorge Grau directed this classic zombie film in 1974, predating Dario Argento’s Suspiria by three years; you can’t help but think Goblin was inspired by Giuliano Sorgini’s score to Manchester Morgue when recording the Argento classic. Giuliano Sorgini fills his score with psych driven breaks, lush strings, pulsing electronics and ter…

Death Waltz Recording Co. is ecstatic to whisk you far into the future to the end of the 20th century with the truly out of this world Ennio Morricone score to Spazio 1999, starring the late, great Martin Landau. Produced by the legendary Gerry and Sylvia Anderson, the feature was constructed out of three episodes of the revered Space: 1999 television show to introduce Italian audiences to Commander Koenig and his crew, and thrilled audiences with nuclear explosions, parallel universes, a…

Apart is a mini-album containing a set of cello improvisations, conceived during days of solemn recording in the basement of an unused industrial space outside of Bern, Switzerland. Svarte Greiner on the recording process. "In autumn 2015 I was invited to perform and stay for a week 'residency' at the -- as it turned out one off -- Rebirth Festival in Bern, Switzerland. I was staying at an abandoned farm in the hills, half an hour outside the city with the group of young people responsibl…

Miasmah present a reissue of Svarte Greiner's debut album Knive, originally released on Type in 2006. 11 years since its inception, the surreal and darkly romantic Knive still sounds like a mystery and something that's hard to pin down. Svarte Greiner's debut album feels like a trip into the forest at midnight, with all the sounds and impressions that comes with it. Spiritual, horrific, and fragile in essence, its melancholic core is hard to shake off, and feels as present today as it did ba…

Pan Sonic's Ilpo Väisänen, Dirk Dresselhaus (Schneider TM) and Oren Ambarchi break down to the soul of noise with a new album dedicated to Mika Vainio. If you’re into Vainio, KTL or Ilpo’s brilliant solo work under his own name or as Liima / Piiri, this one's a doozy. Collectively, die Angel model a complex physicality through raw, elemental inputs, exploring a flux of reactive feedback processes and mutating, unstructured sonic states generated from crackling fusions of electronics, drums, elec…

Brought together in 2005 for a performance at San Francisco's venerable The Luggage Store Gallery, Anla Courtis and Thomas Dimuzio are introduced through the raw power of amplified music. Brothers in arms the duo remained in contact and in time began a recording project from afar. With a nod to classic cassette culture the distant combo exchanged source recordings with each artist concretely preparing a long-form work. The two tracks contained herein are a result of this collaboration.

"The main purpose of this work is to explore the context in which freelance artists are working today while addressing the growing importance of the economic aspect within the artistic field, the imperative for freelance artists to become self-entrepreneurs and the mechanisms of their subjectivation. Furthermore, this text tries to investigate the possibility of alternatives and the different forms of ambivalence resulting from it. The work will tackle these topics by trying to realise a …

Brehm's Praxis series is driven by a spirit of enterprise that is clearly palpable: Since 1974 Dietmar Brehm has been sensuously modulating his private iconography in ever new variations, ceaselessly engaged with his ever growing image and sound archive, withdrawn into the interior of an infernal fantasy. There is no posturing behind his cool treatment of the disquieting signs in his work, but rather ennui, a loner life, solipsism. Dietmar Brehm orchestrates implosions and idling states. H…

In the archive of the Janacek memorial in Brno, lies a somehow odd treasure: a series of very tiny notebooks where composer Leoš Janáček used to annotate scraps of spoken language he would hear during his daily life in musical notation. Each one of those speech-melodies, as we call them today, taken roughly from 1904 till 1928, is a small sound photograph of a mundane and ephemeral situation, a fragment that let us blink into an acoustic reality long gone. Janacek practice and obsession re…

Stephen O'Malley on Elodie, the project of Andrew Chalk and Timo van Luijk, and their album Vieux Silence: "Having been entranced by both Andrew Chalk's work with Mirror (and back to his solo works as Ferial Confine, plus multiple collaborations with David Jackman, The New Blockaders, Daisuke Suzuki, etc.), and Timo van Luijk (as Af Ursin, In Camera, La Poupée Vivante, and collaborations with Kris Vanderstraeten and others) for many years, I was naturally intrigued to hear about and hear their …

This music was inspired by “Musikaliszer Pinkos” – a collection of more than two hundred Hebrew religious hymns and Chassidic songs compiled and published by Abraham Berenstein in the year 1927 in Wilna (nowadays Vilnius). The selection of songs from “Musikaliszer Pinkos” was used by Arturas Bumšteinas as a source of fragmentary pitch material and re-interpreted in a new context of electronic sound and cut-up composition. All music was recorded with the use of Soviet-era Russian synthesiz…

Originally published on tape by Broken Flag, U.K., as BF16. Remastered from original tape. Limited edition of 100 copies in digipack.. This re-issue was fully authorized by Pierpaolo Zoppo. Mauthausen Orchestra wass a musical group founded by Pierpaolo Zoppo, Italian noise musician of the early industrial and power electronics school from the 1980s. Along with Maurizio Bianchi he was one of the pioneers of Italian noise. Zoppo's work explored morbid subjects, usually extreme sex, perversio…

**7xtapes in wooden box, comes with several zines + poster, limited to 80 copies - no repress** No words can capture the seminal importance of Stefan Weisser later known as Z’EV. He is an artist without equivalent or parallel - entirely singular within the history of 20th century music, bridging and creating a diverse number of creative and musical fields, sculpting a body of work which resembles nothing before or since. Forever dedicated to pluming unknown depths, Z’EV’s rigorous independe…

Originally released in 1973, Joao Gilberto aka The White Album, is as a timeless classic of the genre and one of Joao's definitive masterpieces. Featuring only the minimalist drumming of NY jazz drummer Sonny Carr (and the backing vocals of 'Miucha', Gilberto's second wife and sister of Chico Buarque on the final track), Joao spins a delicate web of sound that from the first notes of Tom Jobim's anthem 'Aguas De Marco' has the listener dreaming of Bahia, even though the album was recorded in a N…

This essential title is also available under the moniker of Sun Song (1956). Regardless of its name, this long player contains some of Sun Ra's most complex but most accessible efforts. Ra had been an active performer since the late 1940s, recording with his various combos or "Arkestra(s)," as he dubbed them. Since this was the first widely distributed platter that the artist cut, it is often erroneously referred to as his debut. The tracks were documented by then-unknown Tom Wilson. If the name…

Angels And Demons At Play was compiled from two different sessions, recorded four years apart (1956 and 1960), that reflect Sun Ra's evolution from hard Chicago bop towards exotic styles that transcended easy categorization. The album was released in 1965 with a distinctive sleeve design by Sun Ra, featuring an identical illustration on both sides, and no sleeve notes. Besides the leader, there's overlapping personnel at the two sessions, yet the two LP sides were somewhat incongruous, demonstra…

"As a member of 70’s proggers Heldon, Georges Grünblatt made the unusual journey from psych rocker to full time psychiatrist. But not before his one and only 1980 album K-Priss bombed commercially. The solo offering was recorded in the autumn of 1977 for Polydor with his Heldon contemporaries; the influential guitarist Richard Pinhas, Francois Auger, Didier Batard and others, while Jean-Louis Rizet, one half of the one-off prog collaborative Besombes and Rizet who put out the spacey masterpiece …

Limited edition of 500 copies worldwide, each hand-signed and individually numbered by Michael Nyman. Cine Opera represents Michael Nyman at a creative peak, bringing together the old and the new, a powerful statement on the timeless nature of his work, his continuing relevance, and his enduring success in multiple artistic fields. La Traversée de Paris was first commissioned in 1989 to mark France’s bi-centennial celebrations. Nyman continued to use tracks from La Traversée de Paris in other pr…

First ever reissue of the sought after album Fourth Sensation, originally released in 1970. The band was formed by Ares Tavolazzi (I Giganti, Area) - who later was an active session musician as well as being a leading figure in the Italian jazz scene, accompanying Gil Evans, Steve Lacy, Max Roach, Lee Konitz, Phil Woods and many others - on guitar, Ellade Bandini on drums, keyboardist Vince Tempera - who, a few years later formed the progressive supergroup Il Volo with Mario Lavezzi and Al…

**ltd 100 on Red vinyl** One of the coolest 70s soundtracks from the great Stelvio Cipriani – served up here with a huge amount of bonus tracks too! The music here was scored for a Mario Bava horror film, but it often has a quality that's more lean and lovely overall – that current of sex that we always love in Ciprani's best work, and which made him a key force for transforming the Italian bossa and jazz soundtrack style of the 60s into something completely new for the 70s! There's a lo…

Killer 1988 “art-gallery” edition - each copy of the original LP was hand-painted by the composer in a loose, water-colour smear / drip style beautifully reproduced here, albeit utilizing the same image for each replica - covering a pair of beautiful, drifting piano pieces composed & executed by Giuseppe Morrocchi in 1980 & 1984.Seemingly influenced by Charlemagne Palestine’s “Strumming Music” approach - coupled perhaps with Lubomyr Melnyk’s “Continuous Mode” - the slow rise from decisive…

Creel Pone treatment of this majorly slept-on set of dark, minimal, surrealist electro-acoustic & Musique Concrète pieces from the Polish composer Joanna Bruzdowicz, a member of the GRM under Pierre Schaeffer’s tutelage between 1968 & 1970 & long-term collaborator of Agnes Varda’s, for whom she scored several films from the mid-80’s on, including “Les Glaneurs et la Glaneuse.” The LP in question (the only one to feature her electronic work) consists of the three-part “Homo Faber” suite - compose…

When you think of the BBC Radiophonic Workshop, we’d wager most of the time it’s in context of their seminal ‘60s and ’70-s output. However, The Soundhouse (1983) proves there was much to marvel at in their early ‘80s catalogue, too, summing up the great advances in technology between their Radiophonic Workshop - 21 collection and their acquisition of a Fairlight CMI - the first digital sampling synth - which is thoroughly, imaginatively demonstrated throughout. Horses for courses and all that b…

Hamburg’s Growing Bin go back to the roots of Trance, as in hypnotic electronic rhythms for dancing, with this Baldelli-favoured suite produced in Germany 1983-86. “If you’ve kept a keen ear to the underground, you may have noticed a trance revival creeping into the dance floors and darkrooms of late; a post ironic return to the 64 bar breakdowns and peak time key changes of your serotonin drenched youth. So what’s this then? Has Growing Bin gone from groundbreaker to copycat? Dig a little deepe…

Recorded in 1981 & issued “privately” in 1983 (on Jean Marc Foussat’s own Pyjama imprint) this is a screamer of a record, taking in a decidedly unique approach to minimal musique concrète assemblage (there’s an emphasis on presenting banal, interstitial in-situ sound-events [coughs, footsteps] that reminds of Luc Ferrari one minute ... before a sudden barrage of jackhammer-noise, plunderphonic mangling [is that ... Barbra Streisand !?!], and high-end oscillator scree takes over pushing this clos…

Reproduction of a rather odd, late 70s upstate New York “Electronic Music for Healing” lineage LP, credited only to the corporation "Pythagoron Inc. 1977;” about whom we know very little - and maybe it’s best it stays that way. Explaining the music enclosed - encased within, really, without resorting to euphemism is rather hard to do here; so I’ll just give you a rundown of what I hear:The A-side starts out with a surge of White Noise, then suddenly out of nowhere an out of time Echoplexed Dru…

Yet another follow-up; actually in this case a precursor to a prior Creel Pone, Ruth White’s “7 Trumps from the Tarot Cards • Pinions” (LS 86066) - originally released just eight notches before her “Flowers of Evil” (LS 86058) in the discography of the now-legendary Mercury Limelight series - in between, Pierre Henry’s “Mass for Today • The Green Queen” (LS 86065), the Percussion of Strasborg’s “Signals” (LS 86064) , Fifty Foot Hose’s “Cauldron” (LS 86062), “Response: Electronic Music from Norwa…

Once again, i’m reminded that one can twist & turn, uncovering rocks looking for stray Paleozoic lifeforms one’s whole life and still never find 0.01% of what’s out there. To my knowledge, the early 70s platter replicated here is the sole LP by one Bruno Menny; he’s mainly known for his endless CV of engineering, arrangement, and production credits for people like Mouloudji - yes, the voice on the Jean Genet / André Almuro "Un Condamne a Mort" LP - Michel Portal, Benoît Widemann, and a little-kn…

Two discs covering three self-issued LPs of 8-bit digital grind by Boston-area composer John Holland; as unheralded and unbeknownst as they come. Despite living in the hub for 24 years, and being a rabid fanatic of exactly this sort of thing, I had never seen nor heard head nor hide of either release, proving all too well that there are still gems out there waiting to be mined. On par with such proto-Digital-Synthesis masterworks as Daniel Arfib's "Musique Numerique", Pietro Grossi's "Compute…

Unearth is the first solo recording from Australian born, Berlin based composer and drummer Tony Buck in 15 years. Many would recognise Buck from his work with the iconic Australia avant trio The Necks. His history as a player however reaches much further than this engagement. Over the past few decades, Tony has cultivated a language that escapes easy categorisation. With Unearth he delivers his most accomplished solo composition. Built across several years, the record is the culmination of his …

**ltd 100 on Red vinyl** Demonic sounds, but surprisingly sweet as well – done with this easy-flowing style that's really wonderful – and much more similar to the seductive sound library work of Alessandro Alessandroni, than to some of the starker, darker horror of the time! There's definitely some spooky passages, but they're almost always warmed up in really nice ways – both with keyboards, and with these wordless vocals from the lovely Giulia De Mutiis, who drifts through the record like some…

**193 unreleased before recordings** Le Paradis Blanc was recorded in 1983, it is also the music of the movie titled Le Paradis Blanc and directed by Etant Donnés the same year. The film and music were part of a three days installation and performance of Etant Donnés in the ELAC (Espace Lyonnais d’Art Contemporain) at the Fifth Symposium of Art Performance in Lyon in 1983 : one day for the construction of the installation, one day with a performance and one day for the destruction. The film…

Music by Lasse Marhaug, Recorded spring 2012 at the Best Studio in Oslo, Artwork : David Leleu, Layout : 38 Fillette

Yumiko Tanaka is a gidayu shamisen player active in the fields of contemporary classical and improvised music as well as traditional Japanese music. Tanaka performed as a musician and actress in Hashirigaki (premiered in 2000), a music theater production by German composer/director Heiner Goebbels; and created the music for and performed in Dogugaeshi (premiered in 2004), an object theater work by American puppeteer Basil Twist. Based on these experiences, in December 2010 she created, pr…

Since the 1980s, Pascale Criton has been exploring sound variability, microtunings, multisensory receptions and the spatialization of listening. Silvia Tarozzi, violin, and Deborah Walker, cello, are two adepts of contemporary and experimental music and free-improvisation. Together with Pascale Criton they have been exploring microtonal extended techniques and gestural processes on a violin and a cello tuned in 1/16 of a tone. The compositions that resulted from this process are conceived…

Typically enchanting electro-acoustic enigma from Philip Jeck, forming a richly abstract narrative from the reactive fizz and and timbral thizz of smeared shellac textures and their keening, dissonant harmonics Philip Jeck studied visual arts at Dartington College of Arts in the 1970's and has been creating sound with record-players since the early 80's. He has worked with many dance and theatre companies and played with muscians/composers such as Jah Wobble, Steve Lacy, Gavin Bryars, Jak…

Kurt Liedwart, a Moscow-based musician and curator of Mikroton Recordings, developed his own art and sound that cross genres, mixing music practices such as electroacoustic and improvised music, noise and glitch, and art movements such as Actionism and Fluxus. He plays a wide-ranging array of instruments such as analog synthesizers, electronics, light-controlled electronics, electromagnetic devices, laptop, sinewaves, field recordings, percussion processed electronically in real time. "To…

Dammit, those Elks are exploiting their instruments for no good again. While Marta and Billy seem to have gotten it all wrong regarding their very strange collection of machinery, it's just a careless abuse how Liz and Kai handle their horns. Perhaps from the experimental music scenes of Berlin and Vienna one might expect a rather reduced and elegant sound world, but these Elks have some other ideas in store, and don’t mind to get their antlers a little dirty. There is no fear here of the…

Petr Vrba and Veronika Mayer use non-idiomatic improvisation to research the combination of textural materials, crossing them with vibrations of objects on the speakers, pure sound waves, feedbacks, tones coming from trumpet, accordion, electronics, and laptop, culminating in the creation of a muscular frenetic soup of tense energy fields. Petr Vrba explores non-idiomatic improvisation using trumpets, clarinets, vibrating speakers and other electronics which made him one of the most activ…

Cilantro is the duo of multi-instrumentalists Angelica Castello on paetzold, ukulele, organ, tapes, & electronics, and Billy Roisz on electric bass, organ, tv, piezzo, computer & electronics, scrutinizing the activity in bordering areas between noise and silence, tenderness and rudeness, beat and drone, inner consciousness and outer awareness, control and freedom. "Cilantro presents a world full of enigmas, labyrinths, sometimes abrasive, sometimes ecstatic, a complex and delicate subjec…