New Arrivals
Indoor_outdoor
The absolute deep electric-rain-forest sound atmosphere that the listener will hear on this record is the tip of the iceberg of a same rich and elaborate work process. For over 30 years, Norbert Möslang is making the world sound. He does not use things as instruments, but rather captures their vibrations. He immerses himself in the hidden world of vibrations and convert them into loud sounds and thick textures.Living simultaneously in spheres of inside/outside, micro-vibrations, spacial structur…
Crushed Interior
Jim Donadio's debut Psychedelic Black album as Prostitutes came out in 2012 and ended up on many year-end lists, fitting in somewhere between the post-noise abrasive techno of Pete Swanson, Container, Nate Young, etc., the roughened post-punk hues of Powell and the more precision-built constructions of the Raster-Noton label. Donadio's follow-up, Crushed Interior, arrives via Digitalis and picks up where he last left us, taking us through to the next, blackened layer of re-formulated techno te…
Song Islands Vol. 2
Song Islands Vol. 2, released under the Mount Eerie moniker as opposed to Microphones like the original Song Islands compilation, is a sizable compendium of songs covering from the 2002 release of Song Islands to the present day. Coming in at a total of 31 tracks, Song Islands Vol. 2 continues Phil Elverum’s powerful and decidedly exploratory musical style. The compilation maintains an incredible sense of intimacy, even when the vocals get choral, which is on the precipice of being the rule as o…
Der Regt Mich Auf / A Controversy
Based around the married couple Paul and Limpe Fuchs, the group Anima, also known as Anima-Sound, was one of the most radically avant-garde and creative groups to emerge from the thriving Krautrock scene of Munich at the end of the 1960s. In fact, their improvised atonal sounds and unconventional instrumentation is much closer to the spirit of experimental free jazz than anything remotely close to rock music. The Fuchs began in the late '60s as part of the counterculture at the time. Adding to t…
Marquis De Sade
Some of the finest fruits from an infamous creative relationship between two of the most dedicated and productive bastions of the 1960/70s Eurotica genre - Spanish born director Jess Franco and Bruno Nicolai. "Represented here on this special commemorative format you will find some of the finest fruits from an infamous fertile creative relationship between two of the most dedicated and productive bastions of the 1960/70s Eurotica genre - Spanish born director Jess Franco (Vampyros Lesbos) and Br…
Ep1
Ripatti is a new label from Sasu Ripatti, better known to the world as Vladislav Delay. Envisaged as a studio diary of sorts, the label will be cataloguing ongoing experiments made by Sasu in his studio on his own and alongside various collaborators. This first twelve features two extended productions from Sasu under his own name, feeding into the emergant Techno/Footwork nexus and delivering something far removed from the submerged dub variants he made his name with on his classic 12"s and albu…
Spider John
This vinyl-only album fills a crucial gap in the evolution of legendary folk artist Spider John Koerner. Recorded in between 1965's Spider Blues and 1969's Running, Jumping, Standing Still (with Willie Murphy, both released on Elektra), Koerner is captured here live and unaccompanied at The Ash Grove in Los Angeles, bringing to light an exciting and previously-undocumented period in the career of Spider John. The excellent recording captures Koerner at the absolute peak of his guitar-playin…
Rising from the red sand Volumes I - V
‘Rising From The Red Sand’ was one the most comprehensive compilations of early 80’s industrial, wave and underground music, spanning a total of five cassettes, compiled by Gary Levermore for his own Third Mind Records label (which has also recently been revived). The original five tapes are now released as a 5xLP set, following several months of tracking down as many artists as possible to obtain their permission to reissue their material. Almost all were found, although nine tracks are missing…
Deviation Heat-treated
Surprise release from the mighty PAN label, Heatsick re-worked by Mark Fell's Sensate Focus across two long tracks totalling 35 minutes* From behind your ear, PAN pluck a blink-and-miss exclusive: a 35 minute audio response by Mark Fell (Sensate Focus) to source material by Heatsick, somewhere between cover version, remix and deconstruction. Along the A-side 'X' plane, tones are exploded, harmonies refracted with HD dissonance; time is extruded, made ductile yet intangible. On the B-side 'Y' axi…
Old Punch Card
Taking inspiration from early music concrete and electronic music, the BBC Radiophonic Workshop, Nuno Canavarro, Raymond Scott, David Behrman, and free improvisation, Old Punch Card is a beautifully noisy, jagged, yet stately album of synthesizer music. The ideas and implementation of Old Punch Card (the album title alluding to the electronic, faintly mechanic origins of the music) were the result of an entirely new challenge: to do something completely different from anything else he's…
Live at the Cairo High Cinema Institute
I saw him at a street party in Giza where a few hundred people had amassed to dance and scream into the night. Flanked by Khaled Mando and Islam Tata, his two drummers pounding furiously asthe signature tone of his synth intensified for almost two hours, Islam Chipsy demonstrated his completely revolutionary take on modern Egyptian Shaabi. The sound was raw and distorted, thevolume was deafening, and the energy was high. Thirty minutes into the set, the trio pulled out blindfolds and put them on…
Noir
Jean-Marc Foussat (VCS 111, voice). Jean-François Pauvros (guitars). Makoto Sato (drums). They recorded this studio album a few years ago. Brillant and inspired, as always!
Parapsycho
Doris Norton, founder member and keyboardist of the esoteric legends Jacula and Antonius Rex, was a pioneer in the early electronic/computer music. She began her musical carrer playing avant-garde and progressive music using synthesizers such as Roland System 700, Roland system 100M and Minimoog (Jacula, Antonius Rex). In december 1980 she recorded, at the Fontana Studio 7 (Milan), her first solo album entitled "Under Ground" (Musik Research). Sponsored by Apple computer and the Roland Corporati…
Live in Istambul
"Collective improvisation based on a Turkish folk tune. One of the most ecstatic piece of music i ever heard (simple as it is) ! suddenly i found myself dancing madly, like a Whirling Dervish... unfortunatly i didn't get Enlightment BUT, it was fun !" ep
(no thing-ness)
"(no thing-ness)" comes hot on the heels of Brian Pyle’s latest highly acclaimed Ensemble Economique album on the Not Not Fun label. While "The Fever Logic L.P." saw him head diving into a sort of ambient goth pop this brand new 12“ appears to be more influenced by industrial, almost EBM-ish textures. The atmosphere seems more aggressive with an almost militaristic touch, and titles like "New Banking System" hint at the source of this anger. Combined with Pyle’s cinematic tension this makes for …
Graft
Graft is an album by Japanese noise master Masami Akita aka Merzbow. This LP album is pressed on lime-green vinyl in a "bootleg"-style sleeve and sealed with a sticker. Limited to 300 regular copies. According to the Merzbow blog, the design was inspired by a '70s Jethro Tull bootleg called My God, and the recording was inspired by the plant illustrations in the Voynich manuscript. Recorded in November 2009 at Munemi House, Tokyo.
Split
New split 12′ between two modular experimentalists stretching the world map for this split release. While Keith Fullerton Whitman comes with one of his more accessible / danceable piece to date, Floris Vanhoof had full reign to record a dark and hazy drone piece for the flipside. Using purely analog synths, both build very unique although complementary compositions. Keith Fullerton Whitman – you already know him – is an American electronic musician who has recorded albums influenced by many genr…
A history of every one
'A History of Every One' by Bill Orcutt is an album of songs: minstrel songs, holiday songs, hymns, marches, cowboy songs, Disney songs, work songs, delta blues. The original tunes themselves are nothing special, well known, but not particularly well-regarded. Most would be filler on a mid-60's Doris Day or Burl Ives LP. What Orcutt does with them however is remarkable: expanding upon techniques developed on 2011's 'How the Thing Sings' and incorporating ideasforged since his recording of 'The S…
Elogia De La Sombra
Two tracks, 31 minutes. Southern are very excited to present the latest release in our Latitudes series from Master Musicians of Bukkake. Recorded at Southern Studios by Harvey Birrell on 17 April 2010. Additional tracking and mixing at Aleph Studios in Seattle. Produced by Randall Dunn. Mastered by Mell Dettmer. Artwork by Randall Dunn and A.Turner. Elogia de la sombra is the 24th recording in the Latitudes series.Master Musicians Of Bukkake are an enchanting collective, comprising a fine pedig…
Brombron 27: Nijmegen pulse
Korm Plastics is proud to present the twenty-seventh release in the Brombron series (missing numbers will follow later this year). Originally a co-production between Staalplaat and Extrapool, it is now hosted by co-curator Frans de Waard. In the year 2000 Frans de Waard and Extrapool started the Brombron project. Two or more musicians become artists in residence in Extrapool, an arts initiative in Nijmegen, The Netherlands, with a fully equipped sound recording studio. These artists can work in …