Cosmic, heavy amplified rock drops and ripples, auras radiate and expand into cloud forms, through which lightning bolts. Tides rise, the moons wax upon a place somewhere between Link Wray, Hex-era Earth and early Tangerine Dream. The echoes return, leaving a trail that blows and drifts, creating a separate piece. Ensemble Pearl are Atsuo, William Herzog, Michio Kurihara and Stephen O'Malley. Their debut album also features the elemental forces of Eyvind Kang and Timba Harris. These players have all moved air and earth in many other projects and can create monolith and river alike on their own -- but for Ensemble Pearl they give and take, knowing and understanding each other's strengths and lack of weakness. Rather than blast sheets of air-filling sound, their contributions float the space with positive and negative dynamics. There are no borders being patrolled, allowing Ensemble Pearl to move from place to place unhindered. Over the course of six sides of music (and four sides of vinyl) they ride the jet stream as the world revolves slowly below, static almost, shimmering imperceptibly, mostly water. In and amongst the sprays of foam, there's a wash of twin-lead psych-proggery, a raft of tribal-beat sun worship, a passing rumble of neck-stretching, some delicate noise-blowing, a bit of float-and-drone and finally, a majestic drift into the deep waters of dub atmosphere. Ensemble Pearl was recorded by Masato Suzuki, mixed by Randall Dunn and mastered by Bob Weston. The album features artwork from Simon Fowler and Michał Mozolewski that extends and enhances the music in integral fashion, helping to make Ensemble Pearl a complete experience for the aspirant listener, a full-spectrum sensory bath.