Gintė Preisaitė
Instruments of Forgetting and the Singing Bone (LP)
FormatLPLabelFeltGenreExperimental
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This project is a dynamic exploration of songwriting from an instrumentalist’s perspective. Rather than following a fixed path, it fluctuates—drifting between the sonic possibilities of instrumental textures, timbral exploration, and sound processing. These elements give rise to evolving patterns: from abstract soundscapes to clear, repetitive melodies and canons. The music weaves together experimental, improvised, contemporary influences mixing with avant- pop creating a collage of shifting moods and imagined spaces. Drones melt into slow, rhythmic pulses, while lo-fi cassette aesthetics dissolve into hi-fi electronic, collaged landscapes. The ongoing search for vocal color and the writing of surreal, poetic lyrics introduce a deeply personal and intimate dimension to the sonic journey. I have been working with recycling and sampling my own improvised solo piano recordings. Through this repurposing practice, my solo piano works has translated into other melodies, chamber ensemble drones, textural patterns and bases for new songs.
Release notes
Includes 7"x7" double sided insert
| A1 | Vigilance | ||
| A2 | Summary Saint Mary | ||
| A3 | Deepen | ||
| A4 | Aéroport | ||
| B1 | I Constantly | ||
| B2 | Nippon Dreams | ||
| B3 | Day | ||
| B4 | Loop the Pause |
- Kristian Vidar Skov-Hanse
- Accordion (A1, A2)
- Oskar Tomola
- Clarinet (A1, A2, B4)
- Gintė Preisaitė
- Composed By, Lyrics By, Piano, Electronics, Guitar, Vocals, Mixed By, Design, Layout
- Orin Bristow
- Design, Layout
- Thora Kidon Jæger
- Double Bass (A1, A2, B4)
- Lola Hammerich
- Guitar (A3, B4)
- Margo Sanda
- Guitar (A2)
- Rupert Clervaux
- Mastered By
- Fergus Jones
- Mixed By, Design, Layout
- Lone Aagot Meinich
- Other [Quinton Campanula] (A1, A2, B4)
- Ekkoflok
- Tape [Reel-To-Reel] (B3)
- Malthe Kaptain
- Trumpet (A1, A2, B4)
- Marta Bo
- Viola (A1, A2, B4)



























































