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Microplastique
Many Roads
In stock (ships within 1-2 working days)
€12.70
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*200 copies limited edition* On Many Roads, their second full-length album, microplastique expands its playful yet rigorous commitment to instant composition, deepening an ethos that treats sound itself as both material and meeting ground. Recorded live across the ensemble’s 15-concert June 2025 U.S. tour, the album functions less as a polished artifact than as a document of encounter—capturing how place, audience, and momentary circumstance all shape what this quartet becomes onstage. Seven tracks from six different cities trace a map not of destinations, but of experiences, each fleeting performance refracted into something irreducibly present.
The ensemble—Ben Zucker, Molly Jones, Josh Harlow, and Adam Shead—has cultivated a rare trust that allows simple compositional cues to bloom into worlds of possibility. Their music thrives on the tension between archetypal melody and collective invention: diatonic fragments, pentatonic turns, or march-like themes that act as invitations rather than instructions. From there, the instrumentation explodes expectations—toy piano beside stylophone, pocket trumpet alongside megaphone, penny whistle cutting across percussion and reed organ. This bricolage resists easy genre labels, threading free jazz, Armenian and American folk traditions, gamelan-like resonance, and minimalism into a shared language that feels both ancient and futuristic.
The result is a body of music that feels lived-in and alive: dense but never cluttered, fragile but never tentative. The jagged propulsion of “Propane” (Lexington, KY) contrasts with the expansive shimmer of “Many Roads” (Chicago, IL), yet both reveal the same underlying principle—four musicians listening as intently as they play, ornamenting simplicity with imagination. These are performances made in motion but never hurried, where the road itself becomes compositional material. Many Roads is at once travelogue, collective diary, and offering—an invitation to wander, again and again, with microplastique.
The ensemble—Ben Zucker, Molly Jones, Josh Harlow, and Adam Shead—has cultivated a rare trust that allows simple compositional cues to bloom into worlds of possibility. Their music thrives on the tension between archetypal melody and collective invention: diatonic fragments, pentatonic turns, or march-like themes that act as invitations rather than instructions. From there, the instrumentation explodes expectations—toy piano beside stylophone, pocket trumpet alongside megaphone, penny whistle cutting across percussion and reed organ. This bricolage resists easy genre labels, threading free jazz, Armenian and American folk traditions, gamelan-like resonance, and minimalism into a shared language that feels both ancient and futuristic.
The result is a body of music that feels lived-in and alive: dense but never cluttered, fragile but never tentative. The jagged propulsion of “Propane” (Lexington, KY) contrasts with the expansive shimmer of “Many Roads” (Chicago, IL), yet both reveal the same underlying principle—four musicians listening as intently as they play, ornamenting simplicity with imagination. These are performances made in motion but never hurried, where the road itself becomes compositional material. Many Roads is at once travelogue, collective diary, and offering—an invitation to wander, again and again, with microplastique.
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