Antonio Della Marina is an electronic music artist and composer who has been working for over twenty years almost exclusively with sine waves, focusing his research on the exploration of the physical properties of sound and on tuning systems derived from the laws of natural harmonics. Active in a liminal space between music and visual arts, his compositions are conceived as actual sound sculptures, for which he uses mathematical abstractions and self-built generators. For several years he has been collaborating with Alessandra Zucchi, an architect and multimedia artist who predominantly works on the physical and psychological perception of space. Drawing inspiration both from La Monte Young and Marian Zazeela's Dream House, as much as from visual artists and designers such as James Turrell, Dan Flavin, Verner Panton and other visionaries, Della Marina and Zucchi favour the creation of spaces where the audience can enter to listen and experience a journey through sound in an all-embracing environment.

Their work has been showcased in galleries and at international festivals (Electro Media Works in Athens, Logos Foundation in Gand, Experimental Intermedia in New York, etc.) and from 2011 they manage Spazioersetti in Udine, Italy, a gallery/workshop permanently hosting one of their sound and light installations. Given the hybrid and expansive nature of his production, recording media have rarely been explored by Della Marina, who in fact had only one album published under his own name so far: Fades, released by i dischi di angelica in 2006 (IDA 022), two years after his eponymous concert hosted by AngelicA Festival. The new cd Sanje (IDA 058) also originates from a multimedia performance: "nella notte, al cinema: The Dream" was a midnight concert for sounds and video projections by Alessandra Zucchi, which took place in July 2021 at Stazione di Topolò / Postaja Topolove, a small festival which ran for a few years in a tiny village of 20 inhabitants on the Italian-Slovenian border of Benecija