The new material on Shadowland takes inspiration from the devotional sounds of Popol Vuh and Alice Coltrane and also possesses the pitch black weightlessness of Fushitsusha and early Tangerine Dream. With waves of guitar soaring over liquid synthesizers tones, Barn Owl combine lush, melancholic serenity with cacophonous, deconstructed guitar to exhibit a visceral meeting of light and dark. Cyclical themes were explored heavily: mantric guitar processions, swelling bass waves, and fluttering tremolo hypnotism. Shadowland was recorded by Phil Manley (Trans Am) in San Francisco. For the overall sound of the EP, the band focused on using monolithic stacks of tube amps and sent guitars and synthesizers alike through them and utilized intense amounts of stereo delay