We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
*2023 stock* Published in the Edo era (1664), "Shichikushoshinshu" is a beginner’s guide to three musical instruments—the "hitoyogiri" shakuhachi, the koto, and the shamisen—which includes lyrics and fingerings for songs believed to have been popular at the time. Tai decided to create a new musical instrument in order to perform the shamisen music in "Shichikushoshinshu" (Japan’s oldest shamisen “scores”). The result was the self-made electric stringed instrument he calls the coiled cello. In 20…
*300 copies limited edition* In writing about Igor Yalivec’s music it’s important to get the big thing out in the open right away. Igor Yalivec is a Dnipro, Ukraine based artist who at the time of this writing is currently living there, recording music, taking field recordings and generally existing as his country is under a pall of unease punctuated with moments of terror. It is under these circumstances where Etudes seems as vital a document as anything coming out of war-torn Ukraine, but also…
This is Phill Niblock's third release on the Touch label. Phill Niblock is a New York-based minimalist composer and multi-media musician and director of Experimental Intermedia, a foundation born in the flames of 1968's barricade hopping. He has been a maverick presence on the fringes of the avant garde ever since. In the history books Niblock is the forgotten minimalist. His influence has had more impact on younger composers such as Susan Stenger, Lois V. Vierk, David First, and Glenn Branca. T…
Tip! *300 copies limited release* Henry Birdsey - best known as one half of the microtonal multi-instrumentalist duo known as Tongue Depressor - is a master of dualities. He writes music that is both fundamental and complex, tranquil and fierce, and conceptual yet familiar all at once. His music often reflects the expansive and isolated regions of his home state of Vermont with its vast natural splendor, both lush and harsh, haunting and entrancing. It is also often about nothing more than the p…
All my music is night music, says the composer Petr Bakla. Three pieces featured on the new album Late Night Show span almost a decade and provide varied examples of his style, 'so specific and personal, so allergic to fashion or aesthetic trend', as Eric Wubbels puts it in the insightful liner note. The central instrument is the piano, operated by Bakla´s longtime collaborator Miroslav Beinhauer, accompanied by the musicians of Brno Contemporary Orchestra.
Sounds While Waiting documents the latest organ works by composer and musician Ellen Arkbro – following her phenomenal debut, 2017's For Organ And Brass, and the more recent Chords. Recorded at a centuries-old church in Unnaryd, Sweden in June 2020, these pieces reveal the enchanting qualities of sustained harmonic sound, how patterns of listening dissolve and emerge as textured space. On opening track "Changes," long radiant tones ebb and flow like divine breaths, while "Leaving Dreaming" build…
Christina Vantzou and John Also Bennett return with Κλίμα (Klima), their third album as CV & JAB. Using an extensive sound genealogy including piano, flute, voice, and field recordings, the duo dive deeper into their idiosyncratic collaborative language. A reflection on microclimates and their ecologies, Κλίμα (Klima) is an invitation to probe the implicit memories of animal, plant and place, and our connection to the environments we inhabit.
Lisbon based keyboardist, João ‘Shela’ Pereira, a frequent collaborator with many local bands (Paus, Rinding Pânico, LAmA, Linda Martini and others) presents a new strangely haunting album, TV Songs.
A scrapbook of recordings from the heart... Piano TV is a compendium of spontaneous notes of ideas on the piano, to the rhythm of a television set in the background... these are scraps of expression in a form of dirty bucolic sketches aspiring to a hypothetical larger, washed, pristine composition…
*100 copies limited edition* As its now tradition we start the year with yet another fluid album from Portuguese pianist and composer Tiago Sousa. Presenting now the second volume of his ongoing series Organic Music Tapes, Tiago now adds the electric organ to his trademark piano compositions, broadening his palette of sounds into an even more fluid and organic world with references to American minimalism of the 60’s, in particular Terry Riley and Steve Reich’s influence both looms heavily over t…
The legendary DG Avantgarde vinyl series (1968-1971) is turning 55! In order to celebrate this occasion, the series is now released on 21 CDs for the first time. The Avantgarde series serves as a historical document for a time of radical change in musical thinking and the breaking of artistic boundaries. The question "What is music?" confronted many of the composers and musicians involved in the series, and the anti-authoritarian spirit of the 1960s and 1970s was a palpable influence. Deutsche G…
"One Arm Bandits is an hour-long piece in four parts, scored for four cellists. The cellists play only open strings, thus using only their right arms, never fingering the strings with the left hand. Recorded in Alvin Lucier's dining room, this work features cellists Tyler J. Borden, Laura Cetilia, Charles Curtis and Judith Hamann. Lucier oversaw and produced the recording, and approved the final takes. One Arm Bandits was an important project for Alvin Lucier. The idea for the piece goes back to…
Jonas Gerigk is a double bass player who is active as a composer/performer in the fields of improvised music. In addition, he collaborates in projects of contemporary composers and is involved in the realization of their works. A main focus of his work deals with the term Explorative Music. He is doing intensive research on the expansion of the sound spectrum of the acoustic double bass. With a physical as well as technical approach and the use of objects he explores the variety of timbres of hi…
Melbourne-born composer Anthony Pateras presents two substantial chamber works emerging from distinct contexts yet unified by his singular approach to electro-acoustic orchestration. Born to Macedonian immigrants in the late 1970s, Pateras has built a 25-year career spanning collaborations with John Zorn's Tzadik, Peter Rehberg's Editions Mego, and commissions from INA-GRM.
Patterned Language (19 minutes) unfolds from a live performance at Melbourne's Church of All Nations in November 2022. Comm…
A 45-minute single movement piece for shō, Hammond organ and cello, exploring ways of combining the differing tuning systems inherent in the instruments.
A double CD for one of the late monuments by Morton Feldman: Violin and String Quartet, a 140-minute work composed in 1985, two years before the American composer's death. A work of extreme maturity, in which Feldman pushes his aesthetics of duration and sonic rarefaction to their ultimate consequences, creating a suspended space-time where every sound acquires an almost physical presence.
Apartment House – the London-based ensemble specialized in experimental and minimalist repertoire – offers …
Nine solos for Hardanger fiddle that trace a fascinating journey between tradition and experimentation, composed and performed by Sarah-Jane Summers, a virtuosic Scottish musician based in Norway. With Echo Stane, Summers employs the Hardanger fiddle – the national instrument of her adopted country – as a bridge across the North Sea, connecting the musical heritage of the Scottish Highlands with Norwegian folk traditions while pushing both toward the avant-garde.
Summers grew up in rural Inverne…
Blumenstück for piano was composed in 1984 as a sound meditation for private use and it celebrates the beauty of the piano sound through tenderness and slowness. All the sounds of the work derived from a word list that lists 168 flower names. All the letters in these names were assigned to notes on the keyboard according to a fixed system. Each sound has to be played softly and as long as possible. After the attack, all sounds should fade away into silence...
zeitkratzer director Reinhold and his ensemble present new compositions, grounded on Domenico Scarlatti's piano sonata F-minor K.466. Commissioned by the dance company Rubato and dedicated to Mario Bertoncini (1932-2019).
impakt Records presents the new record by T.ON "plays Herzog | Muche | Nillesen" with Constantin Herzog (double bass), Matthias Muche (trombone) and Etienne Nillesen (extended snare drum).