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If you were to connect seemingly unrelated things – Heavy Metal and the symphony orchestra, for example – you might be guilty of apophenia. That friction between opposites has never been a problem for Nick Vasallo, though – his music is equally at home in both worlds. Melding Xenakis, Varese, Extreme Metal, and Dark Ambient with gothic charm, Vasallo conjures up a muscular sonic battle that leads you on an inexorable musical journey to a conclusion where surrender is your best option. Catharsis …
There is a venerable history of popular songs used as the starting point for elaborate classical compositions, but 500 years ago Josquin and Dufay never imagined using a gargantuan digital orchestra with up to 300 layered tracks pushing architectural proportion and human perception to the max. And yet, that is exactly what composer, MC Maguire, does in his Toronto studio. It’s daunting, it’s overwhelming, and it has to be heard (preferably loud) to be believed. Dubbed “the most irritating and sp…
*In process of stocking. 2022 stock.* Pacifica is a major new composition by the world-famous guitarist, improvisor and composer, Fred Frith. Over an hour in length and composed for a large ensemble of winds, strings and percussion, Pacifica sets the poetry of Pablo Neruda into a seductive and hypnotizing sound world that slowly metamorphoses into something altogether different. Lyrical written passages, inspired improvisations, sensual vocals and provocative sound effects all come together into…
*2022 Stock.* Hoch-Zeiten (High-Times, 2001/02, 5th scene of Sonntag aus Licht) for orchestra and choir. The 5th scene of Sonntag aus Licht is actually a 2-part conception. One part is staged as an instrumental orchestral work, and the other is a simultaneous a cappella choral work performed in another room. However, sounds from the orchestral part are piped into the choral work, and vice-versa. This CD presents the orchestra point of view (WDR Symphony Orchestra Cologne), followed by that of th…
*2022 Stock.* Hoch-Zeiten für orchester (High-Times for orchestra) features each of the orchestral sub-groups from Hoch-Zeiten (presented in its staged form on the Stockhausen Edition no. 73) as individual tracks. These tracks essentially allow the listener to hear the orchestral parts more clearly in smaller ensembles. Musically, each ensemble explores static harmonies but with a dynamic emphasis on polyphonic embellishment and articulation. A version for the complete ensemble (all together as …